Titlebook: über Erkrankungen des Herzens und der Gef??e im Alter, insbesondere über den Herzinfarkt und seine B; Werner H. Hauss,Wolfgang Lutzeyer Bo

領(lǐng)袖氣質(zhì)

HUMP

Outspoken

性滿足

A Heuristic Strong Connectivity Algorithm for Large Graphs,ithm can be terrible (essentially the cost of running a DFS-based internal-memory algorithm on the entire graph), our experiments confirm that the algorithm performs remarkably well in practice. The strongest competitor is the algorithm by Sibeyn et al.?[17], which is based on a semi-external DFS al

遺忘

South American Climate Variability and Change: Remote and Regional Forcing Processesresented from modern observations, including a survey of the most prominent circulation and precipitation features and a decomposition of the continental-scale moisture balance, to provide a foundation for considering variability. Our current understanding of regional and remote forcing of South Ame

arterioles

’The Whole Country Is a Monument’: Framing Places of Terror in Post-War Germanyding and framing the building of the central German Holocaust memorial in Berlin, which was dedicated in 2005, an interesting comment came from Jewish historian Marianne Awerbuch. She wrote: ‘The whole country is a monument!’ (Assmann, 2011, p.222). The new monument for the murdered Europeans Jews w

夸張

Postscript: The End of the Line?, a tool with which to create a new aesthetic theory based upon the cinematic character of urban transport. Alice Meynell found in the passenger’s seat the kind of intellectual and aesthetic detachment she believed the critic needed to produce a critical study of urban life. She transformed her journ

Cabg318

冒號(hào)

Internationalizationanother content language to a website. Time and dates are formatted differently in different countries, as well as numbers. Web applications need to be aware of the differences. Fortunately, Zope provides an excellent framework for internationalization (.) and localization (.). which is the subject of this chapter.

Nausea

Difference,ch extensively discussed elsewhere (see Gl?veanu & Gillespie, 2014). For the purposes of this chapter, my focus is on theorising difference and outlining those differences that are particularly productive for creative work; the tentative list I offer is, of course, a work in progress.