Titlebook: 3D Cinema; Optical Illusions an Miriam Ross Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 3D Cinema.Stereos

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Lina Mallozzi,Jacqueline Morganum. While depth construction in positive parallax space plays an important role in the construction of tactile visual fields, the seeming manifestation of objects in the viewer’s physical space draws most attention to the film’s distinct aesthetic presence. It is unsurprising, then, that discussion

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Emiliano Cristiani,Maurizio Falconehips produced between viewer and film in flat cinema are modified by, and contingent upon, enhanced illusions of depth and the placement of the film body within an expansive screen space. In the films discussed thus far, emphasis on live action filming (even in films with extensive CG content such a

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Emiliano Cristiani,Maurizio Falconeic 3D field screen, it should be clear by now that stereoscopic cinema’s operation as the last type of form is unique and distinct from the other two. However, it is never in opposition to or entirely separate from the traditional flat screen and the haptic cinema screen, but, rather, overlaps with

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