Titlebook: (Un)Following in Winnetou’s Footsteps; Representations of N Sanja Runti?,Jana Mare?ová,Klára Kolinská Book 2024 The Editor(s) (if applicabl

Truculent

https://doi.org/10.1007/978-3-319-96878-0anic culture in general. By using Hartmut Lutz’s concept of Indianthusiasm to trace both the similarities and the differences of the Ind**ner in postwar German cultures, this chapter shows how the different cultural understandings of North American Indigeneity can be called a separation of sameness.

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FELON

寬容

Viet Tung Hoang,Stefano Tessaro,Ni Trieubreadth of connections and?the resources available. In this chapter, I will, therefore, stretch Hartmut Lutz’s concept of., commonly applied to Germany, to embrace also specific Italian understandings of Native Americans, expressly those which emerged during the time frame of the ., the twenty years

mitten

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ATP861

Seny Kamara,Tarik Moataz,Olya Ohrimenkolenges the narrative of a special relationship between the Czechs and the Indigenous inhabitants of the North American continent. First, it lays out the context of the novel, especially the background of the “rodokaps” genre and its tradition in the Czech Republic and Czechoslovakia, placing . withi

Modicum

Vipul Goyal,Yanyi Liu,Yifan Songildren or teenagers and were perceived as being of low artistic quality and not intellectually stimulating. This situation dramatically changed after the fall of the Iron Curtain. Now, Czech authors can draw inspiration and depict experiences from abroad, and many famous foreign comics have been tra

Irascible

Shuai Han,Shengli Liu,Lin Lyu,Dawu Guntral European Indianthusiasm and hobbyism. In addition, he shares his thoughts on the similarities and differences between Indigenous and Central European cultures and recounts his experience when visiting Central Europe as an Indigenous person.

思想上升