Titlebook: (Im)politeness in McEwan’s Fiction; Literary Pragma-Styl Urszula Kizelbach Book 2023 The Editor(s) (if applicable) and The Author(s), under

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hurt or‘put out’. Extradiegetic impoliteness, one of the key characteristics of McEwan’s fiction, offers an alternative to the literary concept of “a secret communion of the author and reader” (Booth 1961), de978-3-031-18692-9978-3-031-18690-5

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https://doi.org/10.1007/978-3-031-18690-5impoliteness; narratology; Ian McEwan; mind style; rhetoric; perspective; phenomenology; schema; characteris

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978-3-031-18692-9The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl

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Oliver Bendel,Nick Lin-Hi,Andreas Suchanekevelopment of (im)politeness from a maxim- (or strategy-) based approach (Brown and Levinson, ., Cambridge University Press, Cambridge, [1978] 1987; Culpeper in . 25:349–367, 1996) to the more relational and “post-modern” approaches, which concentrate on the speakers and their evaluation of others’

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https://doi.org/10.1007/978-3-658-36538-7 novels ., . and .. The chapter argues that the use of free indirect thought can lead to confusing the protagonist’s impolite beliefs and the real author’s views in ., and how, in effect, the heterodiegetic narrator’s irony can serve as an off-record impoliteness directed at the reader. The chapter

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,Erratum zu: überzeugen im Business,c tool to describe the narration and communication between the implied author and implied reader in Ian McEwan’s fiction. It incorporates pragmatic and stylistic devices, as well as narratological concepts, for a comprehensive examination of fictional communication on both the intradiegetic and extr

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Urszula KizelbachPresents the literary work as an object of an independent pragmatic study.Offers a new application of (im)politeness theory as a tool for examining narrative levels in fiction.Conducts a pragma-stylis