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樓主: thyroidectomy
11#
發(fā)表于 2025-3-23 12:03:27 | 只看該作者
Conclusion: Toward Dialogical Chinese Studies,he key issues concerning Chinese modernity and national perfection, namely language, power and tradition; second, explore how contemporary Chinese novelists’ works could address the intellectual limits and enrich the intellectual discourse and public reasoning.
12#
發(fā)表于 2025-3-23 16:01:46 | 只看該作者
13#
發(fā)表于 2025-3-23 21:01:06 | 只看該作者
Bibliothek der Mediengestaltung However, with a close reading of many prominent literary writers’ and critics’ writings, Kirk Denton argues that modern Chinese literary thought is not an exact facsimile of Western model, but conditioned by traditional Chinese philosophical thought and modern China’s sociopolitical imperatives. Mo
14#
發(fā)表于 2025-3-23 22:19:57 | 只看該作者
15#
發(fā)表于 2025-3-24 03:46:08 | 只看該作者
Brenntechnische Eigenschaften von Gasen,he key issues concerning Chinese modernity and national perfection, namely language, power and tradition; second, explore how contemporary Chinese novelists’ works could address the intellectual limits and enrich the intellectual discourse and public reasoning.
16#
發(fā)表于 2025-3-24 06:55:22 | 只看該作者
http://image.papertrans.cn/a/image/141606.jpg
17#
發(fā)表于 2025-3-24 11:51:28 | 只看該作者
https://doi.org/10.1007/978-3-662-54611-6ted reform and increasing contacts with the Western capitalist and liberal world. However, after Deng Xiaoping’s reaffirmation of his commitment to reform and opening-up policy in his well-known Southern Tour in 1992, China’s market-oriented reform gained a new momentum.
18#
發(fā)表于 2025-3-24 18:10:44 | 只看該作者
,Untersuchungen über die W?rmekonzentration,i-Confucianism movements started from the New Culture Movement and culminated during the Cultural Revolution when traditional thought, culture, customs and habits were denigrated and discarded, and Confucian statues and symbols were burned down.
19#
發(fā)表于 2025-3-24 20:34:32 | 只看該作者
20#
發(fā)表于 2025-3-25 00:08:11 | 只看該作者
Bibliothek der Mediengestaltungture as mechanical reflection of social reality nor the romanticist understanding of literature as purely subjective self-expression, but conceived of literature as embodying both self and the external world, as a subjective response to external occurrences.
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