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標(biāo)題: Titlebook: Visual and Other Pleasures; Laura Mulvey Book 1989 Laura Mulvey 1989 cinema.feminism.film [打印本頁(yè)]

作者: 淹沒(méi)    時(shí)間: 2025-3-21 20:07
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作者: 消瘦    時(shí)間: 2025-3-22 00:14
Visual Pleasure and Narrative Cinemady at work within the individual subject and the social formations that have moulded him. It takes as its starting-point the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking and spectacle
作者: 畸形    時(shí)間: 2025-3-22 03:26
Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s , (1946) person singular to stand in for the spectator. At the time, I was interested in the relationship between the image of woman on the screen and the ‘masculinisation’ of the spectator position, regardless of the actual sex (or possible deviance) of any real live moviegoer. In-built patterns of pleasur
作者: Cuisine    時(shí)間: 2025-3-22 08:30

作者: 可用    時(shí)間: 2025-3-22 09:46

作者: cardiac-arrest    時(shí)間: 2025-3-22 13:20

作者: Ascribe    時(shí)間: 2025-3-22 19:39

作者: Magnificent    時(shí)間: 2025-3-22 22:09
Frida Kahlo and Tina Modottiich we hope that they may unite in a single revolutionary consciousness while still preserving intact the identities of the separate motivating forces that run through them’.. Fatal point, we may think as we survey its histories in this century: art corroded and destroyed by politics; politics smoth
作者: Constituent    時(shí)間: 2025-3-23 04:40
Film, Feminism and the Avant-Gardeomen’s Movement, has now turned critically towards cinema and, in spite of its brief time span, cinema now has a history that can be analysed from a feminist point of view. For the first time, the consciousness is there, and the body of work is sufficient. The heterogeneity of the cinema as an insti
作者: 芳香一點(diǎn)    時(shí)間: 2025-3-23 06:32

作者: COMMA    時(shí)間: 2025-3-23 11:40

作者: Visual-Acuity    時(shí)間: 2025-3-23 14:40

作者: 帶來(lái)的感覺(jué)    時(shí)間: 2025-3-23 18:28
Changes: Thoughts on Myth, Narrative and Historical Experiencevant-garde aesthetics that had such influence then. After the 1983 election and into 1984, I began to feel that work I considered to be ongoing, in the present tense, had shifted into the past to become identified with the previous decade. My formative experiences, desires and failures that had to d
作者: Thyroid-Gland    時(shí)間: 2025-3-24 00:32

作者: compose    時(shí)間: 2025-3-24 03:02

作者: 并入    時(shí)間: 2025-3-24 10:25
Laura Mulveyrors to take into account any heteroskedasticity that might be present. The use of logarithms to mitigate heteroskedasticity is discussed, and an approach to discriminating between linear and logarithmic regression models is proposed.
作者: 奴才    時(shí)間: 2025-3-24 14:02

作者: 意外    時(shí)間: 2025-3-24 15:03
Fears, Fantasies and the Male Unconscious , ‘, Don’t Know What is Happening, Do You, Mr Jones?’he penis, the absence of which is the cause of the horror. This is a confirmation of the technical rule according to which a multiplication of penis symbols signifies castration. (Freud, ‘The Medusa’s Head’)
作者: dissolution    時(shí)間: 2025-3-24 22:39
Visual Pleasure and Narrative Cinema. It is helpful to understand what the cinema has been, how its magic has worked in the past, while attempting a theory and a practice which will challenge this cinema of the past. Psychoanalytic theory is thus appropriated here as a political weapon, demonstrating the way the unconscious of patriarchal society has structured film form.
作者: 網(wǎng)絡(luò)添麻煩    時(shí)間: 2025-3-24 23:47

作者: CLAN    時(shí)間: 2025-3-25 06:46

作者: Preamble    時(shí)間: 2025-3-25 11:14

作者: Vasoconstrictor    時(shí)間: 2025-3-25 11:51
Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s , (1946) Pleasure’) combined to convince me that, however ironically it had been intended originally, the male third person closed off avenues of inquiry that should be followed up. Finally, . and its heroine’s crisis of sexual identity brought both areas together.
作者: jungle    時(shí)間: 2025-3-25 16:56

作者: generic    時(shí)間: 2025-3-25 20:05
Film, Feminism and the Avant-Gardecepts for roughly a decade. A first phase of thought has, it seems, been achieved. It is now possible to make some tentative assessments of feminist film criticism, find some perspective on the past and discuss directions for the future.
作者: 誓言    時(shí)間: 2025-3-26 03:47

作者: Iniquitous    時(shí)間: 2025-3-26 05:31
Laura MulveyVersicherungs-(Geld-)Leistung. Die Bedingungen des Eintritts sowie die H?he der Geldleistungen sind in den Allgemeinen Versicherungsbedingungen (AVB) und durch andere Vereinbarungen zwischen den Vertragspartnern geregelt..
作者: Priapism    時(shí)間: 2025-3-26 11:22

作者: fender    時(shí)間: 2025-3-26 16:42
Frida Kahlo and Tina Modottinded reverie, cruelty and sexuality — the surrealist virtues, whose enchantment was heightened for Breton by the connection with Trotsky (then living in Frida Kahlo’s ‘Blue House’, her self-portrait hanging on his study wall).
作者: 名次后綴    時(shí)間: 2025-3-26 19:53

作者: 確認(rèn)    時(shí)間: 2025-3-27 00:49
Laura Mulvey der technische Fortschritt der . (S. 1950:136) dar. Neue Bedeutung erlangt die Erforschung des technischen Fortschritts im Rahmen der zunehmenden Umweltprobleme. So befassen sich immer mehr Autoren mit der Frage wie technischer Fortschritt so gelenkt werden kann, da? umweltpolitische Ziele erreicht werden k?nnen.
作者: GROUP    時(shí)間: 2025-3-27 02:56
ge des herausfordernden Bankenumfelds mussten 66 deutsche Kreditinstitute im Jahr 2018 ihr operatives Gesch?ft einstellen. In den n?chsten fünf Jahren k?nnte ein Drittel der aktuellen Filialen geschlossen werden.
作者: homocysteine    時(shí)間: 2025-3-27 09:18

作者: Dawdle    時(shí)間: 2025-3-27 12:35
‘Magnificent Obsession’: An Introduction to the Work of Five Photographersed to be primarily anchored to the visible. The pleasurable paradox, familiar to the cinema, that the photographic image can be organised to express an abstract idea, an argument, the interior world of desire and imagination, seems strange to still photography.
作者: 鬼魂    時(shí)間: 2025-3-27 14:45

作者: Jubilation    時(shí)間: 2025-3-27 17:46
haftlichen Modells erarbeitet. Das weitere Vorgehen war dann gepr?gt durch die Absicht, am konkreten Beispiel eines Modells zur Analyse und Planung von Werbeausgaben und Preispolitik bei konkurrierenden Produkten zu zeigen, wie man diesen Konstituenten gerecht werden kann.
作者: 很是迷惑    時(shí)間: 2025-3-27 23:58
Laura MulveyTheorie schwach korrelierter Funktionen betrachten. Es sei darauf verwiesen, da? diese Verfahren, neben den in diesem Lehrbuch beschriebenen, weitere Anwendungen finden k?nnen. In . [13] ist diese Methode zum Beispiel für zuf?llige W?rmeleitungsprobleme eingesetzt worden.
作者: GUILT    時(shí)間: 2025-3-28 02:42
Laura Mulveyungsfreien Materialprüfung, in der medizinischen Ultraschall-Diagnose, in der Geophysik und in der Raumakustik des Ingenieurbaus. Der Autor liefert eine moderne Fourier-Spektrographie, deren zentrales Thema die Formung akustischer Spektren beinhaltet. Das Buch vermittelt die mathematischen und physi
作者: 聯(lián)合    時(shí)間: 2025-3-28 07:19

作者: 碎石頭    時(shí)間: 2025-3-28 13:18
Laura Mulveylfred Marshall mit dem technischen Fortschritt und den dadurch ausgel?sten Effekten. Zu nennen ist in diesem Zusammenhang auch Schumpeter. Für ihn war der technische Fortschritt der . (S. 1950:136) dar. Neue Bedeutung erlangt die Erforschung des technischen Fortschritts im Rahmen der zunehmenden Umw
作者: 草率女    時(shí)間: 2025-3-28 17:41

作者: Serenity    時(shí)間: 2025-3-28 21:52

作者: ANTI    時(shí)間: 2025-3-28 23:16

作者: ventilate    時(shí)間: 2025-3-29 06:00

作者: 項(xiàng)目    時(shí)間: 2025-3-29 08:04

作者: 小卷發(fā)    時(shí)間: 2025-3-29 13:15

作者: 切掉    時(shí)間: 2025-3-29 16:14
Laura Mulveye in models with agents who are artificially intelligent. They typically model agents’ intelligence through the use of genetic algorithms. However, these algorithms misrepresent current understanding of human cognition as well as well-known and long-standing evidence from business history and the hi
作者: flamboyant    時(shí)間: 2025-3-29 23:34
Laura Mulveyers necessitated by earlier answers. For Aristotle, thought-experiments were real experiments in the sense that by realizing forms in one‘s mind, one can read off their properties and interrelations. Treating forms as independent entities, knowable one by one, committed Aristotle to his mode of syll
作者: 知道    時(shí)間: 2025-3-30 01:04
Laura Mulveyn. Tests for heteroskedaticity are presented, and methods for correcting for its presence are developed. Such methods are of en difficult to apply in multiple regression models and an alternative approach is suggested of continuing to use the OLS coefficient estimates but adjusting their standard er
作者: 幻想    時(shí)間: 2025-3-30 04:36

作者: 額外的事    時(shí)間: 2025-3-30 08:41

作者: 溝通    時(shí)間: 2025-3-30 15:27
Visual and Other Pleasures978-1-349-19798-9Series ISSN 2947-0188 Series E-ISSN 2947-0196
作者: 異端邪說(shuō)2    時(shí)間: 2025-3-30 18:43
Laura MulveyMit Hilfe der in den vorangegangenen Abschnitten beschriebenen Methoden und Verfahren k?nnen Spannungen und Str?me in linearen und nichtlinearen elektronischen Schaltungen in Abh?ngigkeit von der Zeit berechnet werden. Darüberhinaus wurde gezeigt, da? auch Untersuchungen im Frequenzbereich durchgeführt werden k?nnen.




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