標(biāo)題: Titlebook: Violent Women in Contemporary Cinema; Janice Loreck Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Violence.women.cinema.a [打印本頁(yè)] 作者: 出租 時(shí)間: 2025-3-21 18:34
書目名稱Violent Women in Contemporary Cinema影響因子(影響力)
書目名稱Violent Women in Contemporary Cinema影響因子(影響力)學(xué)科排名
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書目名稱Violent Women in Contemporary Cinema網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Violent Women in Contemporary Cinema被引頻次
書目名稱Violent Women in Contemporary Cinema被引頻次學(xué)科排名
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書目名稱Violent Women in Contemporary Cinema年度引用學(xué)科排名
書目名稱Violent Women in Contemporary Cinema讀者反饋
書目名稱Violent Women in Contemporary Cinema讀者反饋學(xué)科排名
作者: 縱火 時(shí)間: 2025-3-21 20:27 作者: 可行 時(shí)間: 2025-3-22 04:00
Book 2016.Violent women in cinema pose an exciting challenge to spectators, overturning ideas of ‘typical‘ feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity..作者: 使堅(jiān)硬 時(shí)間: 2025-3-22 08:37 作者: 切割 時(shí)間: 2025-3-22 10:36
the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity..978-1-137-52508-6作者: –DOX 時(shí)間: 2025-3-22 14:18
uickly. Robot-assisted surgery has made it possible to perform precise operations. However, it is still difficult to perform surgery in a narrow surgical field with a narrow view. Several surgical support systems using augmented reality (AR) have been studied, in which three-dimensional computer gra作者: Chronological 時(shí)間: 2025-3-22 20:59
Janice Loreckteristics of immersive sims and examine if they qualify as a new paradigm. The first HCI paradigm, an amalgam of engineering and human factors, accepts interaction as a form of man-machine coupling in ways inspired by industrial engineering and ergonomics. The second HCI paradigm, in contrast, hinge作者: 隱士 時(shí)間: 2025-3-23 00:28 作者: cruise 時(shí)間: 2025-3-23 02:25 作者: 粘土 時(shí)間: 2025-3-23 09:23 作者: chemical-peel 時(shí)間: 2025-3-23 09:46 作者: Indelible 時(shí)間: 2025-3-23 15:14
Janice Loreckeneral. From places devoted to heritage preservation and education, they are increasingly becoming places for community engagement, dialogue and even questioning around political or societal issues. However, the risk is that a rhetoric of social action or community empowerment is used by museums wit作者: 藥物 時(shí)間: 2025-3-23 21:10 作者: 輕打 時(shí)間: 2025-3-23 22:55 作者: 加劇 時(shí)間: 2025-3-24 02:27
Janice Loreckanalysis of the high and low-level characteristics of immersive sims based on Samoylenko’s description of the five pillars of immersive sim design. We propose more refined low-level characteristics within the three high-level characteristics of immersion, simulation, and interaction. This methodical作者: 同時(shí)發(fā)生 時(shí)間: 2025-3-24 06:34 作者: 營(yíng)養(yǎng) 時(shí)間: 2025-3-24 14:33
Janice Loreck, and the formers are more salient. High saturated warm colors are more salient than low saturated warm colors, and high bright cool colors are more salient than low bright cool colors. Furthermore, high bright cool colors are less salient than high saturated cool colors. (3) In the hue-contrast con作者: Vital-Signs 時(shí)間: 2025-3-24 18:05 作者: 冷峻 時(shí)間: 2025-3-24 20:36 作者: figurine 時(shí)間: 2025-3-25 00:59 作者: surmount 時(shí)間: 2025-3-25 05:42
investigated, and this technology is itself involved in the design process of computer systems in Computer Aided Software Engineering (CASE) tools. The chapter ends with some thoughts on the prognosis of HCI as a technology and its impact on design methodology and systems engineering practice.作者: Pudendal-Nerve 時(shí)間: 2025-3-25 11:33
Introduction,ered. . (Claire Denis, 2001) centres on the search to cure a diseased woman who murders her lovers. . (Patty Jenkins, 2003) retrospectively explores the circumstances surrounding real-life murderer Aileen Wuornos’s acts of homicide. Road movie . (Coralie Trinh Thi and Virginie Despentes, 2000) uncov作者: anthropologist 時(shí)間: 2025-3-25 13:24 作者: 符合規(guī)定 時(shí)間: 2025-3-25 16:39 作者: Adherent 時(shí)間: 2025-3-25 21:28 作者: 定點(diǎn) 時(shí)間: 2025-3-26 03:32
Conclusion,chise aims to empower young girls ‘by turning the violence back on men’ (2013: n.p.); Suzanne Moore declares that Katniss is a feminist role model, ‘shooting a flaming arrow across a cultural landscape barren of images of young, self-contained female strength’ (2013: n.p.); whereas David Cox ponders作者: 一小塊 時(shí)間: 2025-3-26 07:47
Introduction,d wife into his care as a patient. During their many sessions, he asks her to recount her fears and memories: unresponsive to her husband’s treatment, the woman retaliates by inflicting acts of violence upon him. A similar scenario of interrogation takes place in . (Stephen Daldry, 2008): a judge pr作者: sorbitol 時(shí)間: 2025-3-26 08:41
Horror, Hysteria and Female Malaise: ,,at the 62nd Cannes International Film Festival, the film follows an unnamed couple, the Man (Willem Dafoe) and the Woman (Charlotte Gainsbourg), whose infant son, Nic, dies after falling from the high window of his nursery.. The Woman is so overwhelmed with grief and guilt following the accident tha作者: 增長(zhǎng) 時(shí)間: 2025-3-26 16:16 作者: enumaerate 時(shí)間: 2025-3-26 19:58
Sex and Self-Expression: Fatal Women in ,,alome, Cleopatra and Clytemnestra, who all pose an explicitly eroticised threat of violence to their male counterparts, are some of the earliest recorded figures of female violence in art and literature. The link between women’s sexuality and their capacity for murder has been perpetuated in contemp作者: 就職 時(shí)間: 2025-3-26 23:20
Romance and the Lesbian Couple: ,,teric, the monstrous woman as a scientific curiosity and the sexualised female killer. A fourth common figure of violent femininity is the murderous lesbian, a type that has many different manifestations in popular cinema. She appears as the esoteric vampire in films like . (Roy Ward Baker, 1970) an作者: reflection 時(shí)間: 2025-3-27 03:59 作者: magnate 時(shí)間: 2025-3-27 07:19 作者: 縱火 時(shí)間: 2025-3-27 12:00 作者: 辭職 時(shí)間: 2025-3-27 14:09
the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity..978-1-137-52508-6作者: 坦白 時(shí)間: 2025-3-27 21:30 作者: 分期付款 時(shí)間: 2025-3-28 01:03 作者: 吞沒(méi) 時(shí)間: 2025-3-28 06:06
Evincing the Interior: Violent Femininity in ,,he Weinstein Company, the film is an adaptation of Bernhard Schlink’s bestselling novel about a German man, Michael Berg (played in the film by David Kross and Ralph Fiennes), who struggles with the realisation that his former lover participated in atrocities committed during the Third Reich.作者: FLASK 時(shí)間: 2025-3-28 08:54
Urban Hydrology,an drainage. Essentially, such a method of urban drainage is required which ensures not only the protection of humans from the impact of nature but also the protection of the environment from human impacts. The essence of the future solution lies in finding an acceptable compromise between these objectives.
