標(biāo)題: Titlebook: Urban Film and Everyday Practice; Bridging Divisions i Alexandra Parker Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Film [打印本頁] 作者: 自由 時間: 2025-3-21 16:10
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作者: Factual 時間: 2025-3-21 22:12
Book 2016While urban films often reinforce spatial stereotypes, they can also produce a resistant reading that helps transgress spatial boundaries, especially in in urban contexts where spatial inequalities and urban divisions are stark. This book reveals the nature of urban film‘s influence through the lens and space of Johannesburg.作者: gospel 時間: 2025-3-22 04:15 作者: LAVE 時間: 2025-3-22 08:10 作者: 裹住 時間: 2025-3-22 12:44
Alexandra ParkerExplores the ways in which films of Johannesburg assist residents of the city to bridge the divisions and inequalities of contemporary urban space.Examines the relationship between Johannesburg and ma作者: RECUR 時間: 2025-3-22 15:49 作者: aptitude 時間: 2025-3-22 20:02 作者: 藐視 時間: 2025-3-22 23:25
Alexandra Parkerch to be limited, in the sense that it focuses primarily on the process of deciding whether or not to intervene in situations of SHE. I argued that this method was unsustainable because it failed to address the contextual basis upon which SHEs have developed in the past. This seemed to me an importa作者: 雕鏤 時間: 2025-3-23 01:33
Alexandra Parkeror heavily codified representations of what now are called LGBT people have been on the UK and US stage for over a century.. Of course, not all these representations have been positive; indeed lots of historical representations of LGBT people are deeply offensive and problematic, yet some plays do r作者: Stress 時間: 2025-3-23 05:52 作者: AVOW 時間: 2025-3-23 13:44
Alexandra Parker novel, he had certainly given his readers a good few ‘ideas’ to hate: sexual incompatibility, the ‘new woman’, child suicide, Oxbridge arrogance, and religious hysteria among them. In this sense then he cannot be said to have ‘hated ideas’ himself; indeed, so far from being an ivory-tower-dwelling 作者: 波動 時間: 2025-3-23 15:04
Alexandra Parkerltural genocide. Education has been used to reproduce the ideology of the dominant culture and to inculcate all recipients into submissiveness involving that all-pervasive ideology (Adams, 1995; Spring, 1997; Reyhner & Eder, 2006). A primary aspect of the subjugation of Native Americans, as with oth作者: 噴出 時間: 2025-3-23 21:59 作者: Abduct 時間: 2025-3-24 01:03 作者: 鎮(zhèn)壓 時間: 2025-3-24 04:25 作者: 貞潔 時間: 2025-3-24 09:41
Alexandra Parker. As such, one of the primary objectives of education has been to minimize dissenting ideas, and indeed any that conflict with the dominant worldview, through socialization and forced compliance with the dominant ideology (Adams, 1995; Spring, 1997).作者: vitrectomy 時間: 2025-3-24 11:40
Alexandra Parkernd it has seen the inevitable fall of the Gaddafi regime. At the same time, students protest in Chile for a more equal education system, and again in the United Kingdom against increased tuition fees. Moreover, the protest of the “occupy movements” are echoing around the world, as protestors challen作者: Allege 時間: 2025-3-24 17:38
oblem of the “bias of the interpreter,” which conventional psychology attempts to ignore. Instead of ignoring bias and treating it as an abberant process in scientific inquiry, an interpretative psychology takes bias as part of its problematic. We are calling bias the “interpretative horizon.” The u作者: 有限 時間: 2025-3-24 20:38 作者: Callus 時間: 2025-3-24 23:31 作者: 災(zāi)禍 時間: 2025-3-25 07:20
The Influence of Film,ndividuals. Cities are complex; the way that residents interact with the city is complicated, but films contribute to residents’ understanding of the city by providing simplified information that is combined with their existing knowledge.作者: 胖人手藝好 時間: 2025-3-25 10:57 作者: 老人病學(xué) 時間: 2025-3-25 12:17 作者: deface 時間: 2025-3-25 18:25 作者: VOC 時間: 2025-3-25 20:00 作者: Initial 時間: 2025-3-26 04:03 作者: 失望昨天 時間: 2025-3-26 06:46 作者: Legion 時間: 2025-3-26 09:17
space.Examines the relationship between Johannesburg and maWhile urban films often reinforce spatial stereotypes, they can also produce a resistant reading that helps transgress spatial boundaries, especially in in urban contexts where spatial inequalities and urban divisions are stark. This book r作者: d-limonene 時間: 2025-3-26 15:57
Alexandra Parkerbjectification of the characters’ subjective feelings. In some symbolic way, they also are connected with the main conflict in the novel: that between freedom and confinement. Prior to an examination of montage conflicts, therefore, one should try to determine to what extent birds symbolize the tone of .’s plot.作者: 狂怒 時間: 2025-3-26 17:05 作者: Injunction 時間: 2025-3-26 21:19
Film in Divided Cities,limiting the audience but reinforcing the urban qualities of the medium. The urban film is an embodiment of modernity, reflecting repeated attempts to capture the fleeting moments of life in the metropolis.作者: 滔滔不絕地講 時間: 2025-3-27 04:32 作者: Enrage 時間: 2025-3-27 08:00
Film in Divided Cities,ince the birth of cinema, urban landscapes have inspired filmmakers and storytellers. Even in the early soundless films, made in studios, the city was integral to film and was often constructed in new and bold ways (Bruno, 2007). Cinemas have always traditionally been situated within urban centres, 作者: 知道 時間: 2025-3-27 09:31 作者: Ornithologist 時間: 2025-3-27 14:08 作者: POINT 時間: 2025-3-27 19:15 作者: 甜得發(fā)膩 時間: 2025-3-27 22:11
Mobility,y’s materiality. The paths (Lynch, 1960) or the ‘a(chǎn)rmatures’ (Jansen van vuuren 2009) provide the spaces of chance encounters with strangers and interaction with the elements of the city between home and work or school. In Johannesburg, mobility has a history of being fiercely controlled and limited 作者: observatory 時間: 2025-3-28 05:45
Crime and the Tsotsi,alities. The ‘citadel’ represents the middle-class suburbs and gated estates, which are increasingly fortified and securitised against perceived and real threats to safety. The ‘ghetto’ is then the space of the poor, but also the home of crime, gangs and the gangster. Crime and the material response作者: 軍械庫 時間: 2025-3-28 07:11
The Influence of Film,city. Knowledge of the city is provided in a simplified and shortened form, often through the use of stereotypes. The book shows how Johannesburg is represented in film, and how these images contribute to the discourse of the city. The city is saturated with stimuli and detail, leaving the viewer to
