標題: Titlebook: Undressed for Success; Beauty Contestants a Brenda Foley Book 20051st edition Palgrave Macmillan, a division of Nature America Inc. 2005 cu [打印本頁] 作者: 本義 時間: 2025-3-21 17:37
書目名稱Undressed for Success影響因子(影響力)
書目名稱Undressed for Success影響因子(影響力)學科排名
書目名稱Undressed for Success網絡公開度
書目名稱Undressed for Success網絡公開度學科排名
書目名稱Undressed for Success被引頻次
書目名稱Undressed for Success被引頻次學科排名
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書目名稱Undressed for Success年度引用學科排名
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書目名稱Undressed for Success讀者反饋學科排名
作者: 阻塞 時間: 2025-3-21 23:55
Brenda Foleyr systemic sequelae. However, in 3–5% of patients (10–20% in tertiary referral centers), a more severe form involving pancreatic and/or peripancreatic necrosis occurs. Necrotizing pancreatitis is the most severe form and is the predominant cause of serious morbidity and mortality in the spectrum of 作者: 審問 時間: 2025-3-22 02:57
Brenda Foleyagement of acute and chronic pancreatitis that has been achieved within the last two decades. Second, it emphasizes the numerous, clinically relevant problems which are still unsolved. ..Progress in pancreatology is based primarily on a close cooperation between gastroenterologists, visceral surgeon作者: OTTER 時間: 2025-3-22 07:45
Brenda Foleyto the treatment of patients with carcinoma of the head of the pancreas. This study included 273 patients who underwent the Whipple operation for carcinoma of the head of the pancreas. Our results show that many cases of pancreatic cancer are histologically advanced, and invasion to adjacent organs 作者: 性別 時間: 2025-3-22 11:31 作者: 擁擠前 時間: 2025-3-22 15:35
Brenda Foleyeld via unified terminology.Includes supplementary material:.This book is focused on pancyclic and bipancyclic graphs and is geared toward researchers and graduate students in graph theory. Readers should be familiar with the basic concepts of graph theory, the definitions of a graph and of a cycle.作者: 過份 時間: 2025-3-22 20:00 作者: 忘恩負義的人 時間: 2025-3-23 01:11
Brenda Foleynchmark of equivalent pre-Covid comparator dates in 2019 and early 2020 to measure the difference. Stockholm is of interest because Sweden did not adopt the same legalistic restrictions as many other European states, relying more on persuasion, nudges, and individual choice, and so there are questio作者: Conclave 時間: 2025-3-23 04:43 作者: Chromatic 時間: 2025-3-23 06:21
Palgrave Studies in Theatre and Performance Historyhttp://image.papertrans.cn/u/image/941874.jpg作者: 喚起 時間: 2025-3-23 12:57
https://doi.org/10.1007/978-1-137-04089-3cultural history; gender; performance; stage; women作者: nonsensical 時間: 2025-3-23 16:52 作者: Anthrp 時間: 2025-3-23 19:06
Undressed for Success978-1-137-04089-3Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: Iniquitous 時間: 2025-3-23 22:32
,“It Ain’t What You Do, It’s The Way What You Do It”: Segmenting Female Spectacle on the Basis of Congerie […]; the American drama is being written by the salesman of hosiery.” In apparent frustration, he described the situation as a cultural quandary: “That the exploitation of nudity has at times been a serious evil is obvious to every right-minded playgoer. But the remedy is not so obvious.”作者: 他很靈活 時間: 2025-3-24 03:36
Artifice and Authenticity: Parallels in Performance Approach, it’s not a beauty contest, then they should put bags over their heads.”. Without a carefully constructed context (and in the absence of one or two categories of achievement), Lily Burana’s account of her experience in the Miss Topless Wyoming Contest might just as easily be taken for the final stag作者: ascetic 時間: 2025-3-24 08:07 作者: Emasculate 時間: 2025-3-24 11:35 作者: Mucosa 時間: 2025-3-24 18:15
Brenda Foleyrocess, and careful selection and timing of patients for surgical intervention. This section describes the presentation, diagnosis, management, and outcomes of patients with acute necrotizing pancreatitis and the associated complications of superinfection.作者: BILIO 時間: 2025-3-24 19:10 作者: 都相信我的話 時間: 2025-3-25 02:43 作者: 南極 時間: 2025-3-25 04:36 作者: 安慰 時間: 2025-3-25 08:04
Brenda Foleyoportion falling into the group of non- or short-distance movers whilst a smaller group maintained their pre-pandemic mobility. It concludes that the Swedish policy approach reduced spatial mobility in Stockholm.作者: CIS 時間: 2025-3-25 13:11 作者: 膽小懦夫 時間: 2025-3-25 18:29 作者: 共同給與 時間: 2025-3-25 20:13 作者: 衰老 時間: 2025-3-26 00:18
Brenda Foley part of the police power. These three factors—social control emanates from all points on the ideological spectrum, antiblack anti-racism, and the impact of private capital—will loom large in formulating an accurate account of the pandemic police power.作者: 打谷工具 時間: 2025-3-26 07:48
Introduction, on airplanes. The common thread in all their reactions was a widely held and deeply personal investment in maintaining the cultural disassociation of the forms, a disassociation grounded in every case on some form of moralistic ideology.作者: 熒光 時間: 2025-3-26 09:58 作者: 拖網 時間: 2025-3-26 12:52 作者: ANIM 時間: 2025-3-26 18:38 作者: 箴言 時間: 2025-3-26 21:38
Book 20051st editionnsive primary source research - newspapers, journals, trade publications, photography collections, press releases, memoirs, and interviews with both strippers and pageant contestants - and employs a wide array of gender, feminist, and performance theory to analyze them.作者: ELATE 時間: 2025-3-27 03:43
2947-5767 lects extensive primary source research - newspapers, journals, trade publications, photography collections, press releases, memoirs, and interviews with both strippers and pageant contestants - and employs a wide array of gender, feminist, and performance theory to analyze them.978-1-137-04089-3Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: 取回 時間: 2025-3-27 08:58
,“Stripping the Light Fantastic”: Historical Cross-Pollination in Staged Female Exposure,d to the back of a rampaging horse. Some reviewers, apparently at a loss to describe the flamboyant suggestiveness of her performance, took to calling the actress a “shape artist.”. “Menken is without a rival in her special line,” noted one clever reporter, “but it is not a clothes line.”. The year was 1861.作者: Conscientious 時間: 2025-3-27 13:16 作者: tympanometry 時間: 2025-3-27 14:49
,“Stripping the Light Fantastic”: Historical Cross-Pollination in Staged Female Exposure,o Wolf Mankowitz, was performed by Adah Issacs Menken in the New York production of the play . or . ... Menken reportedly undressed onstage behind the cover of several strategically placed actors and, emerging in a flesh-colored tunic and tights, produced the titillating appearance of nudity. Poster作者: 侵蝕 時間: 2025-3-27 20:38 作者: Inordinate 時間: 2025-3-28 01:17
Artifice and Authenticity: Parallels in Performance Approach, employment of numerous visual cues to ensure the coherence of the performance event and to manipulate, and conform to, spectator perceptions and expectations. When the images presented by both forms are removed from their structured contextual positions, however, analysis of their discrete conditio作者: abreast 時間: 2025-3-28 04:03
Performing Normalcy,irl trying to get along.”. This response was only superficially flippant. Hart’s declaration is both a separation of her “self” from her “act” and an ironic twist on the social definitions of “wholesome” and “American.” Its insouciant humor relied on an assumption that Hart’s professional activities作者: 混合 時間: 2025-3-28 08:57
Economics and Advancement: Or, Flesh-for-Cash Transactions and the Cinderella Myth,ratives and department store salesgirls, to $6 to $15 a week for typists and stenographers.. According to Faye Dudden, as early as 1870, “the only profession that employed more women than the theatre […] was teaching.”. But by the 1920s, “theatrical choruses constituted the largest single category o作者: 車床 時間: 2025-3-28 11:31
Naked Politics: Regulating and Legislating Female Display,trip clubs. Early on in the business of entertainments with a particular focus on women’s bodies, elaborate rules (both established and unspoken) controlled female display even as they exploited the very notion of such surveillance. Just as a “sensational march through the streets became a commonpla作者: 令人苦惱 時間: 2025-3-28 15:49
Afterword, culturally entrenched the issue would become. In July 2003, more than 100 years after Anthony Comstock’s rhetorical rant, “Why is it that every public play must have a naked woman?,”. the New York Times’ Jesse Green remarked: “These days, there’s always some excuse for nakedness onstage.”. The inst作者: 親屬 時間: 2025-3-28 18:54
