標(biāo)題: Titlebook: Ultra-High Temperature Materials I; Carbon (Graphene/Gra Igor L. Shabalin Book 2014 Springer Science+Business Media Dordrecht 2014 [打印本頁] 作者: 太平間 時(shí)間: 2025-3-21 16:32
書目名稱Ultra-High Temperature Materials I影響因子(影響力)
書目名稱Ultra-High Temperature Materials I影響因子(影響力)學(xué)科排名
書目名稱Ultra-High Temperature Materials I網(wǎng)絡(luò)公開度
書目名稱Ultra-High Temperature Materials I網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Ultra-High Temperature Materials I被引頻次
書目名稱Ultra-High Temperature Materials I被引頻次學(xué)科排名
書目名稱Ultra-High Temperature Materials I年度引用
書目名稱Ultra-High Temperature Materials I年度引用學(xué)科排名
書目名稱Ultra-High Temperature Materials I讀者反饋
書目名稱Ultra-High Temperature Materials I讀者反饋學(xué)科排名
作者: Explicate 時(shí)間: 2025-3-21 21:31 作者: Peak-Bone-Mass 時(shí)間: 2025-3-22 03:26 作者: 地名表 時(shí)間: 2025-3-22 07:59
Osmium,Osmium is the element No. 76 of the periodic table (period—6, group—8 (or VIIIa), relates to transition metals) with the ground state level .D. and electron configuration ...........................?...作者: 雜色 時(shí)間: 2025-3-22 12:21
Tantalum,Tantalum is element No. 73 of the periodic table (period 6, group 5 (or VB), relates to transition metals) with the ground state level .F. and electron configuration ..............................作者: assent 時(shí)間: 2025-3-22 16:39
Molybdenum,Molybdenum is the element No. 42 of the periodic table (period—5, similar to tungsten group—6 (or VIB), relates to transition metals) with the ground state level .S. and electron configuration .....................作者: 使苦惱 時(shí)間: 2025-3-22 19:27 作者: 表臉 時(shí)間: 2025-3-22 22:08
978-94-024-0132-5Springer Science+Business Media Dordrecht 2014作者: chandel 時(shí)間: 2025-3-23 03:26 作者: Pde5-Inhibitors 時(shí)間: 2025-3-23 05:49 作者: 惡意 時(shí)間: 2025-3-23 12:48 作者: reserve 時(shí)間: 2025-3-23 14:55
http://image.papertrans.cn/u/image/940407.jpg作者: pus840 時(shí)間: 2025-3-23 21:44 作者: 使無效 時(shí)間: 2025-3-23 23:27
Niobium,the ground state level .D. and electron configuration ...................... The general oxidation states (numbers) of niobium in various chemical compounds are (–1), (+1), (+2), (+3), (+4) and (+5); the oxidation state (+3) and (+5) are the most common; the radii of niobium are:作者: 截?cái)?nbsp; 時(shí)間: 2025-3-24 03:40 作者: 加花粗鄙人 時(shí)間: 2025-3-24 08:51 作者: figure 時(shí)間: 2025-3-24 12:05 作者: Ventricle 時(shí)間: 2025-3-24 14:56 作者: theta-waves 時(shí)間: 2025-3-24 22:57 作者: ABYSS 時(shí)間: 2025-3-24 23:42
Igor L. Shabalin and essays that might be considered polemical, whether the subject was art, literature, criticism, international politics, feminism, education, or the publishing industry, to name a handful of their most frequently engaged topics. Despite the strength of their opinions, both Woolfs believed in the 作者: Agnosia 時(shí)間: 2025-3-25 05:03 作者: 得罪人 時(shí)間: 2025-3-25 08:57 作者: milligram 時(shí)間: 2025-3-25 12:14
Igor L. Shabalinfind herself pinned beneath him, her dress torn, tears trickling down her face, speechless in the face of his taunts and threats of violence and gang rape (“[I]n Morocco it’s much easier. You get four comrades to help you, and then it’s very easy. They each take their turn. It’s nice like that” [182作者: intention 時(shí)間: 2025-3-25 16:30
Igor L. Shabalinerial context of production and the literary text.Argues tha.This book interrogates the?relationship between the material conditions of Woolf‘s writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and comp作者: 欲望小妹 時(shí)間: 2025-3-26 00:03
Igor L. Shabalinucial to her life and writing (.V, p. 261). She is referring here to the shift from . to .. The terms are distinct: the privately generated fiction of the novel differs from the publicly available facts which provide the foundation for the biography. In marking the distinction, however, Woolf also r作者: 臭名昭著 時(shí)間: 2025-3-26 00:58 作者: Critical 時(shí)間: 2025-3-26 07:40
Book 2014lloys, carbon and ceramic composites, respectively. It will be of interest to researchers, engineers, postgraduate, graduate and undergraduate students in various disciplines alike. The reader is provided with the full qualitative and quantitative assessment for the materials, which could be applied作者: Ablation 時(shí)間: 2025-3-26 12:16
rhythms of the novel, that concerns me here, that and the related consideration of how the functions of language constitute a major theme of the novel, and, more generally and more speculatively, how questions about the priority of writing and speech help define the particular quality of the discour作者: Exposition 時(shí)間: 2025-3-26 15:10
Igor L. Shabalin in this case. Virginia Woolf’s modernism, in this decade, has much in common with the modernist ‘formalism’ of the Bloomsbury painters. Its main features are these. First, a self-consciousness about the categories and conventions of art. She could not write fiction without being aware of the artifi作者: 向前變橢圓 時(shí)間: 2025-3-26 17:42 作者: 分離 時(shí)間: 2025-3-26 22:39 作者: Bernstein-test 時(shí)間: 2025-3-27 02:52 作者: POLYP 時(shí)間: 2025-3-27 09:19
Igor L. Shabalin the novel ends as Sasha welcomes into her bed a traveling salesman who has denigrated her as a “sale vache” or dirty cow, a man to whom she has earlier responded with fear and repulsion, calling him “the ghost of the landing” and “the priest of some obscene, half-understood religion” (35).作者: Communal 時(shí)間: 2025-3-27 11:34 作者: Critical 時(shí)間: 2025-3-27 17:06
ay be seen as a consequence of her association with painters and aestheticians. Although the influence of Roger Fry, in particular, was considerable, Virginia Woolf’s theories of art sometimes appear to have developed in opposition to his views.. Her acceptance of the metaphors and models that his s作者: Awning 時(shí)間: 2025-3-27 21:43 作者: AND 時(shí)間: 2025-3-28 01:07 作者: 樸素 時(shí)間: 2025-3-28 05:44
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