標(biāo)題: Titlebook: Uday Shankar and His Transcultural Experimentations; Dancing Modernity Urmimala Sarkar Munsi Book 2022 The Editor(s) (if applicable) and Th [打印本頁] 作者: 誤解 時(shí)間: 2025-3-21 17:03
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作者: PLUMP 時(shí)間: 2025-3-21 23:34 作者: 容易懂得 時(shí)間: 2025-3-22 04:00
,Dancing ‘Oriental’ Masculinity: Uday Shankar and His Experiments in Modern Dance,ew over the years. He is sometimes called the ‘other’ and sometimes dismissed as ‘untrained’ and mostly given no right to be remembered among the many celebrated and well-known dancers of India. His dance flourish in spite of his journey through these challenges to become an important and significan作者: Abduct 時(shí)間: 2025-3-22 05:30
An Attempt at Creating a Modern Institution,, and the records, reports, and newsletters of Shankar’s institution in India held at the Dartington Hall archives, have substantiated personal narratives of people who have been a direct witness to Shankar’s modern experiments in dance. In short, the chapter records the major shift in Shankar’s loc作者: 減至最低 時(shí)間: 2025-3-22 09:16
Beyond the Proscenium with Dance, Magic, and Film,project to another, by some. By critics, he is seen as a person who never stuck to any project for long, shifting from one experiment to another, often?leaving behind a trail of unfinished projects or discontinued partnerships.作者: Fibroid 時(shí)間: 2025-3-22 15:54 作者: Flirtatious 時(shí)間: 2025-3-22 19:20
2946-5893 he period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.978-3-030-93226-8978-3-030-93224-4Series ISSN 2946-5893 Series E-ISSN 2946-5907 作者: ELUC 時(shí)間: 2025-3-22 22:13 作者: 不愿 時(shí)間: 2025-3-23 01:54
Urmimala Sarkar MunsiIS is concentrating its efforts on companies, public institutions and administrative bodies once again. The business and the products have also become more individualised and now demand more concentration on the customer.作者: 迅速成長 時(shí)間: 2025-3-23 08:06 作者: 吞下 時(shí)間: 2025-3-23 11:13
Urmimala Sarkar Munsifield of computational linguistics..In an increasingly global economy where businesses operate across borders and languages, having a strong pool of computational linguists is a competitive advantage, and an im978-3-642-43225-5978-3-642-34372-8作者: Erythropoietin 時(shí)間: 2025-3-23 14:51 作者: ABYSS 時(shí)間: 2025-3-23 18:46 作者: engrave 時(shí)間: 2025-3-24 01:52 作者: oracle 時(shí)間: 2025-3-24 04:40 作者: 開頭 時(shí)間: 2025-3-24 07:36 作者: COUCH 時(shí)間: 2025-3-24 14:11 作者: 健談 時(shí)間: 2025-3-24 17:20
,Dancing ‘Oriental’ Masculinity: Uday Shankar and His Experiments in Modern Dance,utional affiliations, and a list of choreographies. His movement-making principles that have largely escaped the understanding due to lack of proper analysis, need to be addressed in different phases of Shankar’s life. I see his dance as his negotiation with his self-perception, his creativity as we作者: 注意到 時(shí)間: 2025-3-24 21:39 作者: ablate 時(shí)間: 2025-3-25 01:44
Beyond the Proscenium with Dance, Magic, and Film,a unidimensional exploration of dance-creation for the proscenium and the standard methods of communicating to a particular type of audience. By discussing a restaging of his original Shadow play on Buddha, his film ., and a mixed-media production ., we look at his ability to think and act ahead of 作者: Bph773 時(shí)間: 2025-3-25 04:54
The Illusive Legacy,s. The transcultural and translocational expanse of Shankar’s fame and acceptance that was possible in the pre-independence time seems like a distant nostalgic past now, impossible to access by any other dancer, even at a time when international communications have reached their peak. This has resul作者: 豪華 時(shí)間: 2025-3-25 09:19 作者: 協(xié)奏曲 時(shí)間: 2025-3-25 14:30
2946-5893 hniques and choreography.Explores the absence of critical diThis monograph presents a specific experience of modernity within the context of Indian dance by looking at the transcultural journey of Indian dancer / choreographer Uday Shankar (1900b – 1977d). His popularity in Europe and America as an 作者: Obsessed 時(shí)間: 2025-3-25 19:12
Introduction: Uday Shankar and Indian Dance History,ermingling dance history of the East and the West. In this chapter, I use my subjective position as an erstwhile prominent student, troupe member, and an administrator of Uday Shankar India Culture Centre, Kolkata to engage in a historiography of his dance, his attempts at institution-building, and his desire to leave behind a legacy.作者: febrile 時(shí)間: 2025-3-25 23:22
Book 2022orms of early twentieth century India. By exploring his artistic journey beyond India in the period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.作者: Facet-Joints 時(shí)間: 2025-3-26 00:11
nd congestion and assist driving by giving route alternatives and estimations on the arrival time. In the same time, they record users’ position information and extract simple rules for them, such as the time they commute or return home. In this work, we extend this simple analysis in order to ident作者: novelty 時(shí)間: 2025-3-26 08:02 作者: HARP 時(shí)間: 2025-3-26 11:00 作者: 樂器演奏者 時(shí)間: 2025-3-26 16:06 作者: 羊欄 時(shí)間: 2025-3-26 19:33
Urmimala Sarkar Munsieux de l’aisselle) und . (1854: Hidrosadénites). . erkannte, da? in der Achselh?hle, am Anus und in der Mamillarregion eine besondere Art von Abscessen vorkommt, die er treffend beschrieb, w?hrend . sie zum ersten Male zu den Schwei?drüsen in Beziehung brachte. . wurde durch einen Aufsatz von . (184作者: 禁止,切斷 時(shí)間: 2025-3-26 21:49 作者: 一再困擾 時(shí)間: 2025-3-27 01:46 作者: 傻 時(shí)間: 2025-3-27 09:08 作者: Dysarthria 時(shí)間: 2025-3-27 11:53
Transnational Theatre Historieshttp://image.papertrans.cn/u/image/940278.jpg作者: maudtin 時(shí)間: 2025-3-27 16:57
https://doi.org/10.1007/978-3-030-93224-4Choreography; Indian Dance; Modernity; Orientalism; Uday Shankar; Masculinity; Gender; Identity; Performing 作者: 親愛 時(shí)間: 2025-3-27 18:49
Urmimala Sarkar MunsiExamines the transcultural journey of Indian dancer / choreographer Uday Shankar.Presents the first detailed analysis of Shankar’s dance techniques and choreography.Explores the absence of critical di
