派博傳思國際中心

標(biāo)題: Titlebook: Ubiquitous Music; Damián Keller,Victor Lazzarini,Marcelo S. Pimenta Book 2014 Springer International Publishing Switzerland 2014 Audio Rec [打印本頁]

作者: 作業(yè)    時(shí)間: 2025-3-21 16:29
書目名稱Ubiquitous Music影響因子(影響力)




書目名稱Ubiquitous Music影響因子(影響力)學(xué)科排名




書目名稱Ubiquitous Music網(wǎng)絡(luò)公開度




書目名稱Ubiquitous Music網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Ubiquitous Music被引頻次




書目名稱Ubiquitous Music被引頻次學(xué)科排名




書目名稱Ubiquitous Music年度引用




書目名稱Ubiquitous Music年度引用學(xué)科排名




書目名稱Ubiquitous Music讀者反饋




書目名稱Ubiquitous Music讀者反饋學(xué)科排名





作者: 調(diào)情    時(shí)間: 2025-3-21 23:27
https://doi.org/10.1007/978-3-319-11152-0Audio Recording; Creativity; Festival City; Music Ecosystems; Ubiquitous Music (Ubimus)
作者: Barrister    時(shí)間: 2025-3-22 03:08

作者: laparoscopy    時(shí)間: 2025-3-22 05:49

作者: 無法解釋    時(shí)間: 2025-3-22 08:58

作者: PANEL    時(shí)間: 2025-3-22 15:36
Development Tools for Ubiquitous Music on the World Wide Webed using the Emscripten compiler and discuss its features and limitations. In complement to this, we look at a Native Client implementation of Csound, which is a fully functional version of Csound running in Chrome and Chromium browsers.
作者: 乞討    時(shí)間: 2025-3-22 17:26

作者: 記成螞蟻    時(shí)間: 2025-3-22 23:55

作者: outer-ear    時(shí)間: 2025-3-23 05:02
Ubimus Through the Lens of Creativity Theoriesain-specific or general approaches to creativity, this chapter covers general creativity frameworks and music-oriented models. First, we introduce the creativity factors, magnitudes and constructs that are applicable to UbiMus research. Then we discuss the limitations of several models of creativity
作者: intellect    時(shí)間: 2025-3-23 09:37
Methods in Creativity-Centred Design for Ubiquitous Musical Activitiesand creativity assessment. Social, material and procedural requirements were gathered through a ten-subject planning design study. Based on these results, an interaction metaphor—time tagging—was developed to deal with a musical activity in ubiquitous contexts: localised audio mixing. We implemented
作者: Detonate    時(shí)間: 2025-3-23 13:40

作者: GREG    時(shí)間: 2025-3-23 16:04
Making Meaningful Musical Experiences Accessible Using the iPad. The use of music applications on mobile tablet computers (iPads) made these activities accessible to students with a limited musical background and practicable in a general-purpose classroom setting. The activities were designed to be meaningful and contribute toward personal resilience in the stu
作者: finale    時(shí)間: 2025-3-23 20:13

作者: 針葉類的樹    時(shí)間: 2025-3-24 02:16

作者: 開始沒有    時(shí)間: 2025-3-24 05:50

作者: faucet    時(shí)間: 2025-3-24 10:07
Book 2014studies, psychology, and engineering. The contributions include introductions to ubiquitous music research, featuring theory, applications, and technological development, and descriptions of permanent community initiatives such as virtual forums, multi-institutional research projects, and collaborat
作者: Pituitary-Gland    時(shí)間: 2025-3-24 11:47
Ubimus Through the Lens of Creativity Theories that have been laid out within the context of music education and music psychology research. The analysis points to two caveats: lack of material grounding and no support for the early stages of creative activity. Key concepts are proposed to handle ecologically grounded creative practice and everyday musical phenomena.
作者: 啜泣    時(shí)間: 2025-3-24 15:23
Repertoire Remix in the Context of ,the Repertoire Remix system, explores challenges in designing a real-time shared music style arranging system for networked live improvisation and interprets the resulting performance by assessing the participants’ mouse gestures collected during the pilot run.
作者: concentrate    時(shí)間: 2025-3-24 19:46

作者: 獨(dú)特性    時(shí)間: 2025-3-25 01:03

作者: Truculent    時(shí)間: 2025-3-25 05:32
Making Meaningful Musical Experiences Accessible Using the iPadmeworks informed the research design: the meaningful engagement matrix and personal resilience. We describe these frameworks and how they inform the activity planning. We report on the activities undertaken to date and share results from questionnaires, interviews, musical outcomes and observation.
作者: 凈禮    時(shí)間: 2025-3-25 10:47
1868-0305 edge.This is the first monograph dedicated to this interdisciplinary research area, combining the views of music, computer science, education, creativity studies, psychology, and engineering. The contributions include introductions to ubiquitous music research, featuring theory, applications, and te
作者: 即席演說    時(shí)間: 2025-3-25 14:14

作者: 無政府主義者    時(shí)間: 2025-3-25 17:44
Damián Keller,Victor Lazzarini,Marcelo S. Pimentaalist and Tory histories, or between Parliamentarian and republican histories, and so I have regarded Tory histories as part of the Royalist group and republican histories as part of the Parliamentarian group. Only a few histories reveal no political associations or leanings or reveal them so imperf
作者: 粗野    時(shí)間: 2025-3-25 21:24
uities and to emphasise novelty where it appears. In this introduction I shall hope to take proper account of the fluidity of the period, not because it makes better copy for the literary historian, but because the dynamics were generally more apparent than the statics to people alive at the time. A
作者: HOWL    時(shí)間: 2025-3-26 03:08
Lucas Fialho Zawacki,Marcelo de Oliveira Johannety of landforms and approaches that can be of assistance in future coastal dune restoration projects. Different coastal land forms are included in this set of studies, such as foredunes, slacks/swales/deflation basins and plains, blowouts, parabolics, and transgressive dunefields. We follow a broad
作者: 無目標(biāo)    時(shí)間: 2025-3-26 07:39
P), that went online in 1968, delivers water from Oroville Reservoir on the Feather River to agricultural users in the Tulare Valley and municipal users in the Los Angeles Basin..This extensive development has resulted in a net average water use of about 43 x 10. m. per year, about 80 percent of whi
作者: dagger    時(shí)間: 2025-3-26 08:46
Victor Lazzarini,Damián Keller,Marcelo Pimenta,Joseph Timoneyction..For long, “l(fā)inear” lesions along the lateral border, the wedge can be planned in a horizontal plane, resulting in a long scar along the lateral border..For lesions that involve significant amounts of neighboring floor mouth, some form of tissue has to be brought in to avoid tethering of the t
作者: 項(xiàng)目    時(shí)間: 2025-3-26 15:01
n a few scholars today argue that the German camps were uniquely problematic in that they were set up to deter the Herero and Nama and break the back of indigenous resistance to colonial rule. Tens of thousands of Africans in German South-West Africa literally worked themselves to death or died from
作者: 表否定    時(shí)間: 2025-3-26 20:43

作者: 印第安人    時(shí)間: 2025-3-27 00:48
Marcelo S. Pimenta,Damián Keller,Luciano V. Flores,Maria Helena de Lima,Victor Lazzarini
作者: 無效    時(shí)間: 2025-3-27 01:24

作者: pessimism    時(shí)間: 2025-3-27 07:13

作者: 前面    時(shí)間: 2025-3-27 13:16

作者: Alopecia-Areata    時(shí)間: 2025-3-27 17:11

作者: 極小量    時(shí)間: 2025-3-27 18:43

作者: 菊花    時(shí)間: 2025-3-27 22:39
arifying historical issues, serves all too easily to rob them of their urgency, their “open” quality to contemporaries, their shock-value. It is not hard to come up with an account of literary history between the Restoration of Charles II and the publication of . which will chart a smooth and explic
作者: acolyte    時(shí)間: 2025-3-28 03:19
Akito van Troyervations to restore degraded land.Provides case studies of su.This book presents state-of-the-art scientific evidence and technological innovations to restore lands on the Loess Plateau of China, known worldwide for its serious land degradation and desertification problems. Supported by a rapidly dev




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