標(biāo)題: Titlebook: Style in British Television Drama; Lez Cooke Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 bibliography.dr [打印本頁] 作者: 故障 時間: 2025-3-21 18:32
書目名稱Style in British Television Drama影響因子(影響力)
書目名稱Style in British Television Drama影響因子(影響力)學(xué)科排名
書目名稱Style in British Television Drama網(wǎng)絡(luò)公開度
書目名稱Style in British Television Drama網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Style in British Television Drama被引頻次
書目名稱Style in British Television Drama被引頻次學(xué)科排名
書目名稱Style in British Television Drama年度引用
書目名稱Style in British Television Drama年度引用學(xué)科排名
書目名稱Style in British Television Drama讀者反饋
書目名稱Style in British Television Drama讀者反饋學(xué)科排名
作者: 名字 時間: 2025-3-21 21:22 作者: 火光在搖曳 時間: 2025-3-22 02:22
https://doi.org/10.1057/9781137265920bibliography; drama; knowledge; style; television作者: alcohol-abuse 時間: 2025-3-22 05:23
978-1-349-44313-0Palgrave Macmillan, a division of Macmillan Publishers Limited 2013作者: 喪失 時間: 2025-3-22 11:58
Style in British Television Drama978-1-137-26592-0Series ISSN 2634-6133 Series E-ISSN 2634-6141 作者: 簡略 時間: 2025-3-22 14:24 作者: obligation 時間: 2025-3-22 21:04 作者: 用手捏 時間: 2025-3-23 01:07 作者: Pantry 時間: 2025-3-23 04:28 作者: Inflammation 時間: 2025-3-23 09:01 作者: scrutiny 時間: 2025-3-23 10:06 作者: 法律的瑕疵 時間: 2025-3-23 16:28 作者: 紀(jì)念 時間: 2025-3-23 19:03 作者: 文字 時間: 2025-3-23 22:22
Lez Cookewhat might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: 不愿 時間: 2025-3-24 04:04
Lez Cookewhat might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: BUMP 時間: 2025-3-24 09:24
Lez Cookewhat might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: Leisureliness 時間: 2025-3-24 12:13
Lez Cookewhat might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: exigent 時間: 2025-3-24 18:27
Lez Cookewhat might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: Lineage 時間: 2025-3-24 20:55 作者: obstruct 時間: 2025-3-24 23:54 作者: growth-factor 時間: 2025-3-25 06:07
Lez Cookewhat might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: 小卷發(fā) 時間: 2025-3-25 08:22 作者: 調(diào)情 時間: 2025-3-25 12:28
what might be seen as a savviness spectrum and whether those who are savvy on one scale are generally that way inclined, and whether this correlates with other factors (e.g., are they more or less likely to be fashion-conscious or buyer-centric?). At this scale, a greater sense of order is likely to作者: 豐滿有漂亮 時間: 2025-3-25 18:56 作者: 新手 時間: 2025-3-25 23:07
Lez Cookend basic needs and wants, as well as situational and mood-based factors. All these factors are undergoing change, and the pace of change is increasing, so that it is only natural to feel that the world of the consumer is complex, messy, confusing, and contradictory. Indeed, at the individual level, 作者: reperfusion 時間: 2025-3-26 02:21 作者: 佛刊 時間: 2025-3-26 07:55 作者: 新手 時間: 2025-3-26 12:07 作者: vertebrate 時間: 2025-3-26 16:10 作者: Diatribe 時間: 2025-3-26 19:03 作者: 仲裁者 時間: 2025-3-27 00:26
Lez Cookend basic needs and wants, as well as situational and mood-based factors. All these factors are undergoing change, and the pace of change is increasing, so that it is only natural to feel that the world of the consumer is complex, messy, confusing, and contradictory. Indeed, at the individual level, 作者: 貪婪性 時間: 2025-3-27 03:04
Lez Cookend basic needs and wants, as well as situational and mood-based factors. All these factors are undergoing change, and the pace of change is increasing, so that it is only natural to feel that the world of the consumer is complex, messy, confusing, and contradictory. Indeed, at the individual level, 作者: 諷刺滑稽戲劇 時間: 2025-3-27 06:39 作者: 熔巖 時間: 2025-3-27 13:21 作者: 填料 時間: 2025-3-27 15:41 作者: 跳動 時間: 2025-3-27 17:54
nd basic needs and wants, as well as situational and mood-based factors. All these factors are undergoing change, and the pace of change is increasing, so that it is only natural to feel that the world of the consumer is complex, messy, confusing, and contradictory. Indeed, at the individual level, 作者: Prologue 時間: 2025-3-28 01:50
(ITV, 1971),fore the new colour television sets were affordable for many people) the introduction of colour on BBC2 marked the beginning of the end for black and white television and had a significant impact on television aesthetics.作者: 窩轉(zhuǎn)脊椎動物 時間: 2025-3-28 02:23 作者: 能夠支付 時間: 2025-3-28 08:40 作者: 發(fā)誓放棄 時間: 2025-3-28 12:56
(BBC1, 1976),film. During the 1980s studio-based television plays largely disappeared from British television screens, being replaced by TV films made for series such as . (C4, 1982–98),. . (BBC2, 1985–97) and . (BBC1, 1989–97).作者: exhilaration 時間: 2025-3-28 14:42 作者: 無能力 時間: 2025-3-28 21:48
Introduction,al analyses, with an emphasis on audiences, genre, politics and representation, or ‘literary’ analyses of authorial themes in the work of particular writers. Whereas the analysis of narrative form and visual style has been central to film studies, it has been more marginal in television studies. Thi作者: BOAST 時間: 2025-3-29 02:20 作者: 相符 時間: 2025-3-29 04:30
(ITV, 1960),ning six years, however, much had changed in British television. . was produced by Granada Television, one of the Independent Television (ITV) companies that began broadcasting in the mid- to late 1950s, providing commercial competition for the BBC. With its network of 15 regional companies coming o作者: 宣傳 時間: 2025-3-29 07:23 作者: Panther 時間: 2025-3-29 12:18 作者: 來就得意 時間: 2025-3-29 18:43 作者: modest 時間: 2025-3-29 20:06
(BBC2, 1994),ure in the 1990s. After an avalanche of historical dramas and literary adaptations in the 1970s, following the switch to colour TV, and a recasting of the genre as ‘heritage’ drama in the 1980s, the 1990s saw a revival of classic literary adaptations on the BBC as the corporation engaged in a renewe作者: Offset 時間: 2025-3-30 03:34 作者: 頭腦冷靜 時間: 2025-3-30 07:25
(BBC2, 1999),of the stipulations of the 1990 Broadcasting Act was that both the BBC and ITV should take at least 25 per cent of their programmes from independent production companies and it may be no coincidence that, with a new attitude and approach to drama production, independent production companies were in 作者: 踉蹌 時間: 2025-3-30 11:35 作者: 公理 時間: 2025-3-30 15:10
