標(biāo)題: Titlebook: Street Art of Resistance; Sarah H. Awad,Brady Wagoner Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 graffiti as social re [打印本頁(yè)] 作者: 愚蠢地活 時(shí)間: 2025-3-21 17:39
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書(shū)目名稱Street Art of Resistance讀者反饋學(xué)科排名
作者: 水汽 時(shí)間: 2025-3-21 23:12
2755-4503 e of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change. ?.978-3-319-87525-5978-3-319-63330-5Series ISSN 2755-4503 Series E-ISSN 2755-4511 作者: angiography 時(shí)間: 2025-3-22 01:35
Andrea Vieira Zanellaon. A metadata layer describes the schema mapping to integrate data from multiple sources. Our framework is a promising approach to data integration in healthcare, and it addresses some of the critical challenges of data integration in this domain.作者: GLEAN 時(shí)間: 2025-3-22 06:18
Matthew Ryan Smithons are in balance..By way of an illustration of the capabilities of the methods, results are given of the calculation of the flow of wind around a building, and the simultaneous dispersal of the effluent from a chimney located upstream.作者: 我的巨大 時(shí)間: 2025-3-22 09:18 作者: Morsel 時(shí)間: 2025-3-22 15:39 作者: 裝勇敢地做 時(shí)間: 2025-3-22 19:20
Cecilia Sch?ler Nielsenons are in balance..By way of an illustration of the capabilities of the methods, results are given of the calculation of the flow of wind around a building, and the simultaneous dispersal of the effluent from a chimney located upstream.作者: Arresting 時(shí)間: 2025-3-22 21:49 作者: obeisance 時(shí)間: 2025-3-23 03:29
Mohamed M. Helmy,Sabine Frerichsons are in balance..By way of an illustration of the capabilities of the methods, results are given of the calculation of the flow of wind around a building, and the simultaneous dispersal of the effluent from a chimney located upstream.作者: 愉快么 時(shí)間: 2025-3-23 08:37 作者: Kidnap 時(shí)間: 2025-3-23 12:09
Introducing the , Art of Resistance,le ways people use imagination to reconfigure those barriers and create meaningful spaces. We will look at walls that have become an arena for contentious dialogues through which social and political resistance is manifest.作者: 死亡率 時(shí)間: 2025-3-23 16:15 作者: 一美元 時(shí)間: 2025-3-23 21:55 作者: amphibian 時(shí)間: 2025-3-24 01:54 作者: 有毒 時(shí)間: 2025-3-24 05:22 作者: milligram 時(shí)間: 2025-3-24 07:44
Inventive ReXistence: Notes on Brazil Graffiti and City Tensionke dislocations in the ways of seeing and living, to disturb people’s indifferences in their relations with the city. These aspects are discussed in this chapter with the analysis of some graffiti works that were produced by Brazilian artists in different cities of Brazil.作者: SPASM 時(shí)間: 2025-3-24 12:57 作者: Contend 時(shí)間: 2025-3-24 18:44
Representations of Resistance: Ironic Iconography in a Southern Mexican Social Movementproduced during and since the events of 2006, when the . (Popular Assembly of the Peoples of Oaxaca, or APPO) social movement emerged following a violent dislodging of the striking Local 22 members, reify the power of public art as a critical form of resistance that contests and challenges the status quo.作者: Working-Memory 時(shí)間: 2025-3-24 19:06 作者: 他日關(guān)稅重重 時(shí)間: 2025-3-25 01:28
The Aesthetics of Social Movements in Spaincases: Platform for People Affected by Mortgages (PAH), Invisibles, and “We Are Not Crime.” Three types of subjectivization are developed as a consequence of interrupting the dominant order in specific settings (i.e., the streets as public spaces): the part which has no justice, the part which has no visibility, and the part which has no voice.作者: 保留 時(shí)間: 2025-3-25 04:58
2755-4503 ance through the lens of different theoretical positions wit.This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are作者: 襲擊 時(shí)間: 2025-3-25 08:35 作者: 咽下 時(shí)間: 2025-3-25 13:06
Art and Social Change: The Role of Creativity and Wonder art. I argue that creativity and the experience of wonder hold the key to unpacking this complex relationship. Following the perspectival model of this phenomenon, I start from the premise that creative action essentially involves generating new perspectives on a given reality. By placing these per作者: 針葉類的樹(shù) 時(shí)間: 2025-3-25 19:00
Subjectivity, Aesthetics, and the Nexus of Injustice: From Traditional to Street Arthat in neoliberal societies these struggles and injustices have become intertwined to the degree that agentic socio-subjectivity is no longer experienced or conceptualized. Admitting that art embodies neoliberal contradictions and often supports the status quo, the possibilities and limitations of a作者: Soliloquy 時(shí)間: 2025-3-25 20:45
Resisting Forms: Prolegomena to an Aesthetics of Resistancen multiple surfaces, they cannot be centrally controlled. They resist the recourse to force by established powers to maintain order. The aesthetic dimension, Dewey shows, is not restricted to works of art, concentration on which impedes our recognizing art’s role in other sectors of our experience. 作者: 寬大 時(shí)間: 2025-3-26 03:05 作者: Carcinoma 時(shí)間: 2025-3-26 07:31 作者: 聯(lián)邦 時(shí)間: 2025-3-26 09:18 作者: yohimbine 時(shí)間: 2025-3-26 14:48 作者: offense 時(shí)間: 2025-3-26 17:27 作者: Arrhythmia 時(shí)間: 2025-3-26 21:39 作者: 土產(chǎn) 時(shí)間: 2025-3-27 04:25
Indigenous Graffiti and Street Art as Resistancey oppose the structural and systemic histories of violence suffered by indigenous people under settler colonialism. Indigenous graffiti and street art work to destabilize colonial occupations of indigenous territory, by drawing attention to the ways that the existence of settler colonial infrastruct作者: Grievance 時(shí)間: 2025-3-27 06:39
Representations of Resistance: Ironic Iconography in a Southern Mexican Social Movementn posters, graffiti, and three-dimensional imagery and performance, members of the union Local 22 have used biting imagery that inverts state symbols to critique neoliberal policies that they contend jeopardize teachers’ jobs and the future of public education. I contend that visuals and spectacles 作者: 戰(zhàn)勝 時(shí)間: 2025-3-27 11:12
The Democratic Potential of Artistic Expression in Public Space: Street Art and Graffiti as Rebelliogaging in these practices is analyzed. Through semi-structured interviews with Danish graffiti artists, this chapter aims at exploring the thoughts, ideas, and narratives of the artists..In a discussion about the political elements of graffiti and street art, a few street art works found in Danish c作者: 收集 時(shí)間: 2025-3-27 17:36 作者: SENT 時(shí)間: 2025-3-27 19:07
Sheherazade Says No: Artful Resistance in Contemporary Egyptian Political Cartoon Egypt. Political cartoon is approached as a form of art and resistance, in which the artists speak for a ‘cherished community’. In a political system that aspires to democratic ideals, but bears features of an authoritarian system, political cartoonists assume the role of activists. By analyzing wh作者: 豎琴 時(shí)間: 2025-3-28 00:00
Subjectivity, Aesthetics, and the Nexus of Injustice: From Traditional to Street Art recognition, interaction, and subjectification in the visual and performing arts. Aesthetic conditions for the possibility of resistance in the arts are presented with the conclusion that street art may be a better candidate for challenging the status quo than traditional art.作者: endocardium 時(shí)間: 2025-3-28 03:39
Resisting Forms: Prolegomena to an Aesthetics of Resistanced political groups. The interruptive nature of art forms to challenge perceptual and conceptual habits is exemplified in graffiti’s and street art’s power to do this with great skill and expressive richness.作者: GULLY 時(shí)間: 2025-3-28 10:00
The Arabic Language as Creative Resistanceting together a number of creative manifestations that utilize Arabic as a tool of resistance. Projects discussed cannot be appreciated without highlighting some of the historical conditions and developments that affected the Arabic language in the region and beyond.作者: 人造 時(shí)間: 2025-3-28 11:15
Sheherazade Says No: Artful Resistance in Contemporary Egyptian Political Cartoonect matter), we arrive at a view of Egyptian cartoonists as socio-psychoanalysts, who link past, present, and potential futures, share in the pain of their cherished community, and transform it, if only for a moment, into laughter.作者: 知識(shí)分子 時(shí)間: 2025-3-28 16:09 作者: 外來(lái) 時(shí)間: 2025-3-28 19:59 作者: BIPED 時(shí)間: 2025-3-29 01:13 作者: 妨礙 時(shí)間: 2025-3-29 06:44 作者: 的闡明 時(shí)間: 2025-3-29 09:29
978-3-319-87525-5The Editor(s) (if applicable) and The Author(s) 2017作者: 山間窄路 時(shí)間: 2025-3-29 11:56 作者: infarct 時(shí)間: 2025-3-29 16:11
Andrea Vieira Zanellaon, there are also privacy concerns, especially in healthcare. The Health Insurance Portability and Accountability Act (HIPAA) is one of the essential regulations in healthcare, and it sets strict standards for the privacy and security of patient data. Often, data integration can be complex because 作者: Leisureliness 時(shí)間: 2025-3-29 23:02
Matthew Ryan Smith devised for three-dimensional boundary layers, and have the following common features: (i) the main dependent variables are the velocities and pressure; (ii) the latter are computed on a number of staggered, interlacing grids, each of which is associated with a particular variable; (iii) a hybrid c作者: 漂亮 時(shí)間: 2025-3-30 03:40 作者: 生氣地 時(shí)間: 2025-3-30 06:02
Jayne Howell devised for three-dimensional boundary layers, and have the following common features: (i) the main dependent variables are the velocities and pressure; (ii) the latter are computed on a number of staggered, interlacing grids, each of which is associated with a particular variable; (iii) a hybrid c作者: 固定某物 時(shí)間: 2025-3-30 08:15 作者: Arteriography 時(shí)間: 2025-3-30 15:58
óscar García Agustín devised for three-dimensional boundary layers, and have the following common features: (i) the main dependent variables are the velocities and pressure; (ii) the latter are computed on a number of staggered, interlacing grids, each of which is associated with a particular variable; (iii) a hybrid c作者: 放逐某人 時(shí)間: 2025-3-30 19:05
Mohamed M. Helmy,Sabine Frerichs devised for three-dimensional boundary layers, and have the following common features: (i) the main dependent variables are the velocities and pressure; (ii) the latter are computed on a number of staggered, interlacing grids, each of which is associated with a particular variable; (iii) a hybrid c作者: kyphoplasty 時(shí)間: 2025-3-31 00:47
10樓作者: Indict 時(shí)間: 2025-3-31 04:15
10樓作者: corporate 時(shí)間: 2025-3-31 07:59
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