標(biāo)題: Titlebook: Storytelling in the Media Convergence Age; Exploring Screen Nar Roberta Pearson,Anthony N. Smith Book 2015 Palgrave Macmillan, a division o [打印本頁] 作者: Recovery 時間: 2025-3-21 16:56
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書目名稱Storytelling in the Media Convergence Age被引頻次學(xué)科排名
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書目名稱Storytelling in the Media Convergence Age讀者反饋學(xué)科排名
作者: 鴕鳥 時間: 2025-3-21 22:10
http://image.papertrans.cn/s/image/878459.jpg作者: 離開就切除 時間: 2025-3-22 01:25
Book 2015Why do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan作者: 斷言 時間: 2025-3-22 06:01 作者: Concomitant 時間: 2025-3-22 10:21
ction attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan978-1-349-48192-7978-1-137-38815-5作者: 犬儒主義者 時間: 2025-3-22 14:18 作者: Subdue 時間: 2025-3-22 19:42 作者: 執(zhí)拗 時間: 2025-3-22 23:04
The , Journey: Brand Consistency and Cross-Media Intertextuality in Game Adaptation source for any adaptation’; and, (2) scholars should no longer engage in value-comparative studies that persistently devalue adaptations into newer media by negatively comparing their narratives and aesthetics with typically highbrow literature source texts.. In what follows, I take up two of Leitc作者: 總 時間: 2025-3-23 04:44
Lengthy Interactions with Hideous Men: Walter White and the Serial Poetics of Television Anti-Heroes, a trend typically identified by the character type of the anti-hero. The rise of serial television’s anti-heroes raises a key question: why would we want to subject ourselves to lengthy interactions with such hideous men?.作者: 遺傳 時間: 2025-3-23 09:03 作者: Morbid 時間: 2025-3-23 09:43
Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture as ‘a(chǎn) childlike storytelling ‘playground’ … a place that enables storytellers to create tales of friends and foes who share great adventures in enchanting lands’.. Note the choice of language here: Pixar is not merely a studio, company, or group of people, but a ..作者: 美食家 時間: 2025-3-23 15:37
in Plain Sight: UK Promotion, Exhibition and Reception of Contemporary French Film Narrativerguing that such ‘genre-blending films’ were causing British audiences to reassess their expectations.. Philippe Rostain, head of international sales for the French film company Gaumont SA, similarly claimed in 2001 that French cinema had finally ‘freed itself from its arthouse ghetto’, while French作者: gnarled 時間: 2025-3-23 21:40 作者: ethereal 時間: 2025-3-24 01:09 作者: palliate 時間: 2025-3-24 05:01 作者: liaison 時間: 2025-3-24 10:27 作者: 預(yù)示 時間: 2025-3-24 12:05 作者: 乏味 時間: 2025-3-24 17:15 作者: 逃避現(xiàn)實(shí) 時間: 2025-3-24 21:07
Seriality: Nintendo’s Narratives and Audience Targeting within the Video Game Console Industrydisintegration of the drawbridge and Bowser’s descent into the lava below upon which Mario enters an adjacent room where Peach awaits. Screen text conveys her highness’ gratitude — ‘Thank you Mario!’, confirming that the hero’s ‘quest is over’.作者: Mucosa 時間: 2025-3-25 00:29
in Mumbai: ‘A Few More Songs and a Lot More Ass Kicking’e dominant narrative structure of commercial Indian cinema, the case study of the Hindi . presented in this chapter offers a privileged insight into the adaptation of narrative forms across different national and institutional contexts.作者: peptic-ulcer 時間: 2025-3-25 04:45 作者: 槍支 時間: 2025-3-25 08:43 作者: appall 時間: 2025-3-25 13:38 作者: CURL 時間: 2025-3-25 19:20 作者: Chauvinistic 時間: 2025-3-25 20:07
Distortions in Spacetime: Emergent Narrative Practices in Comics’ Transition from Print to Screen been underway since before the general adoption of the World Wide Web and recent developments in portable display devices have advanced the pace of this change. Smartphones and tablet computers now provide a single platform that supports a wide range of visual, narrative and interactive media. As c作者: 砍伐 時間: 2025-3-26 03:24 作者: 男生戴手銬 時間: 2025-3-26 07:41
It’s a Branded New World: The Influence of State Policy upon Contemporary Italian Film Narrativessed in 2010, but enforced in 2011, encourages non-media companies to invest in Italian film production using the twofold incentives of tax credit and product placement. In Italy product placement, which consists of ‘incorporating brands in movies in return for money or for some promotional or other作者: Accord 時間: 2025-3-26 11:54 作者: debris 時間: 2025-3-26 15:45 作者: 樂章 時間: 2025-3-26 20:08 作者: glomeruli 時間: 2025-3-27 00:50
in Plain Sight: UK Promotion, Exhibition and Reception of Contemporary French Film Narrative 35 per cent of the films released in Britain between 2002 and 2009, subtitled films only gathered 3 per cent of the box-office takings.. The limited appeal of foreign-language films has often been attributed to ‘the almost pathological British fear of subtitles’, yet the availability of films, dete作者: 新字 時間: 2025-3-27 01:45 作者: gospel 時間: 2025-3-27 05:39 作者: Omniscient 時間: 2025-3-27 10:07
ction attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan978-1-349-48192-7978-1-137-38815-5作者: 嚙齒動物 時間: 2025-3-27 15:13 作者: Vertical 時間: 2025-3-27 18:45 作者: 熱心 時間: 2025-3-27 22:32
Iain Robert Smithteinwirkungen diagnostiziert? Wie l?sst sich ermitteln, welche Rolle Alkohol bei der Todesursache spielt? Und wie sehen die Rechtsbeziehungen zwischen Arzt und Patient aus?.über die Arbeit des Rechtsmediziners bestehen sehr unterschiedliche Vorstellungen. Mit dem Lehrbuch Rechtsmedizin werden diese 作者: 猛烈責(zé)罵 時間: 2025-3-28 05:38
Roberta Pearsoner Basis der festgestellten Todesursache. Neben gewaltsamen und nichtnatürlichen Todesf?llen gibt es pl?tzliche natürliche, aber auch unklare Todesf?lle. Die klinische Rechtsmedizin bezieht sich auf die Untersuchung von Gewaltopfern. Dazu z?hlen Opfer von verschiedenen Formen der K?rperverletzung, d作者: 躲債 時間: 2025-3-28 09:11
Alessandro CataniaBeispiels, der Verwendung einer logisch-systematischen Unterscheidung verschiedener Referenzarten, genauer darzustellen. Es handelt sich um die ?Dreiteilung der Bezeichnungswege‘ in Kongruenz (mu?ābaqa), Inklusion (ta?ammun) und Implikation (iltizām). Dieses Beispiel ist von besonderem Interesse, we作者: 小平面 時間: 2025-3-28 14:01
Aaron Calbreath-FrasieurBeispiels, der Verwendung einer logisch-systematischen Unterscheidung verschiedener Referenzarten, genauer darzustellen. Es handelt sich um die ?Dreiteilung der Bezeichnungswege‘ in Kongruenz (mu?ābaqa), Inklusion (ta?ammun) und Implikation (iltizām). Dieses Beispiel ist von besonderem Interesse, we作者: olfction 時間: 2025-3-28 16:11
Beispiels, der Verwendung einer logisch-systematischen Unterscheidung verschiedener Referenzarten, genauer darzustellen. Es handelt sich um die ?Dreiteilung der Bezeichnungswege‘ in Kongruenz (mu?ābaqa), Inklusion (ta?ammun) und Implikation (iltizām). Dieses Beispiel ist von besonderem Interesse, we作者: 碎石 時間: 2025-3-28 21:07
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