標(biāo)題: Titlebook: Sean O’Casey; Modern Judgements Ronald Ayling Book 1969 Macmillan Publishers Limited 1969 Britain.history of literature.literature.Seán O’C [打印本頁] 作者: Sediment 時(shí)間: 2025-3-21 19:34
書目名稱Sean O’Casey影響因子(影響力)
書目名稱Sean O’Casey影響因子(影響力)學(xué)科排名
書目名稱Sean O’Casey網(wǎng)絡(luò)公開度
書目名稱Sean O’Casey網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Sean O’Casey被引頻次
書目名稱Sean O’Casey被引頻次學(xué)科排名
書目名稱Sean O’Casey年度引用
書目名稱Sean O’Casey年度引用學(xué)科排名
書目名稱Sean O’Casey讀者反饋
書目名稱Sean O’Casey讀者反饋學(xué)科排名
作者: gene-therapy 時(shí)間: 2025-3-21 21:28 作者: 懸崖 時(shí)間: 2025-3-22 02:08
O’Casey’s Photographic Realism (1929) of the building contractors of Dublin. Now he is known wherever the English language is spoken or read as a dramatist of considerable importance. His plays have brought a new popularity to the Abbey Theatre, as they have brought to that theatre an audience which had never known it before. It was an作者: NEG 時(shí)間: 2025-3-22 06:25 作者: Hippocampus 時(shí)間: 2025-3-22 09:20 作者: humectant 時(shí)間: 2025-3-22 12:59
Sean O’Casey: An Appreciation (1926)of Morality, Patriotism, and the Virtues of Home Life. An attempt by a wild young man to pull down the curtain, followed by the sudden and precipitant descent over the footlights of that identical young man on the point of somebody’s fist. Speeches from the gallery upon Death and Glory and the Immor作者: 窗簾等 時(shí)間: 2025-3-22 19:27
The Silver Tassie: A Letter (1928) bore in mind that the Abbey owed its recent prosperity to you. If you had not brought us your plays just at that moment I doubt if it would now exist. I read the first act with admiration, I thought it was the best first act you had written, and told a friend that you had surpassed yourself. The ne作者: 洞察力 時(shí)間: 2025-3-23 00:14 作者: MOTIF 時(shí)間: 2025-3-23 03:27 作者: Endearing 時(shí)間: 2025-3-23 07:28
Sean O’Casey and the Irish Drama (1934)and O’Neill, worn down to the semi-paralysed skeleton of the fine figure of a man we knew, merely lingered to remind us that Fate . the ironist he always claimed it was. Only O’Casey is left us from the triumvirate of our theatre, and there is much comfort in the realization that his last play ., pu作者: 壓倒性勝利 時(shí)間: 2025-3-23 13:26 作者: 有罪 時(shí)間: 2025-3-23 15:59
The Prodigality of Sean O’Casey (1951)and O’Neill, worn down to the semi-paralysed skeleton of the fine figure of a man we knew, merely lingered to remind us that Fate . the ironist he always claimed it was. Only O’Casey is left us from the triumvirate of our theatre, and there is much comfort in the realization that his last play ., pu作者: 笨拙的我 時(shí)間: 2025-3-23 19:34
O’Casey at Your Bedside (1958)ns the relation. Why Dublin? — one would like to know. The question recurs whenever one thinks of how much poetry and drama has come from that mediocre city in the last hundred years: Shaw, Wilde, Yeats, Synge, Joyce, Sean O’Casey — to say nothing of their lesser brothers inside or outside the Abbey作者: Entirety 時(shí)間: 2025-3-24 00:16
The Heroic Image: , (1966)inimum psychological complexity and no moral dilemmas. There are various elements latent in the situation which could have been worked up into more than one kind of neatly shaped dramatic action. It could have been a ‘love and honour’ conflict: Sheila Moorneen does her best to make it so, but Ayamon作者: interrogate 時(shí)間: 2025-3-24 04:18
Sean O’Casey, W. B. Yeats and the Dance of Life (1966)n terms of their readiness to dance. ‘One could never conceive of Griffith dancing a reel’, he remarks in . (p. 97),. ‘but could easily imagine Collins doing a wild dance in the courtyard of the castle.’ In . (p. 221), he reveres Jim Larkin as one who proclaimed ‘poetry, dancing, and principles’ as 作者: Lineage 時(shí)間: 2025-3-24 08:19
Illusion and Actuality in the Later O’Casey (1965)’ plays, in which ‘the author’s world seemed to be divided into two compartments — selfish, licentious capitalists and noble, pure Proletarians’. If Robinson is giving even a roughly just description of O’Casey’s world in 1921, the information is useful as an index to O’Casey’s imaginative preoccupa作者: Prostaglandins 時(shí)間: 2025-3-24 11:10 作者: 可卡 時(shí)間: 2025-3-24 17:25
Ever a Fighter: , (1960)the Irish fight for freedom; Eire’s subsequent civil conflict; the first Great War; Fascism and Communism in armed opposition; the second Great War; strike action in Ireland. He has missed no contemporary opportunity, and where actual fighting is not the issue its place is taken by the many richly d作者: Iniquitous 時(shí)間: 2025-3-24 21:09 作者: 土坯 時(shí)間: 2025-3-25 03:03 作者: BUDGE 時(shí)間: 2025-3-25 04:07
In Sean O’Casey’s Golden Days (1965)cademic cliché experts who preferred the correctness of .. That situation remains unchanged. The modern repertoire is still formed by the promulgation of clichés which it is sacrilegious to question and which may still be the . of criticism in the year 2500.作者: myelography 時(shí)間: 2025-3-25 10:23
Ever a Fighter: , (1960)our most comprehensive dramatic document on peace. Peace and conflict are interdependent; a true diagnosis of peace will expose the dominant forces battling beneath its apparent calm; and this is just what O’Casey did in ., patterning out the life of peace-time London in a series of ritual-conflicts.作者: Pastry 時(shí)間: 2025-3-25 15:21 作者: 坦白 時(shí)間: 2025-3-25 16:23 作者: alleviate 時(shí)間: 2025-3-25 23:31 作者: Iatrogenic 時(shí)間: 2025-3-26 01:35
A Dramatist of New-born Ireland (1927)ius. We throw brickbats readily, and compliments with difficulty, and I am not sure that it is not, when all is said, better for men of talent or genius to get more than a fair share of brickbats at first — we invariably recall them eventually — than to get more than a fair share of compliments. To 作者: amputation 時(shí)間: 2025-3-26 05:38
O’Casey’s Photographic Realism (1929)nge was a poet, with all the attributes of a poet; O’Casey is a photographic artist who retouches his films with an acid pencil to produce an effect of grotesque satire. All his characters are taken directly from the Dublin slums, placed in positions and surroundings which give the appearance of car作者: Banister 時(shí)間: 2025-3-26 11:18 作者: 冬眠 時(shí)間: 2025-3-26 14:47 作者: FIG 時(shí)間: 2025-3-26 16:58
The Silver Tassie (1929)bserve its facets of tragedy, comedy, and open farce that their flashing becomes at last one flash and perhaps, by imaginative and symbolic transition, one spiritual light. Unity is to spring from diversity. The elements of drama are to be compounded — not separated, not mixed.作者: genuine 時(shí)間: 2025-3-27 00:35
Sean O’Casey and the Irish Drama (1934)mples of Broadway and London’s West End, and he signals to us with play after play that we can have him solely on his own terms. Such independence being most unusual, and also extremely disconcerting when money – money for stage productions – is involved, he enters only the portals of theatrical ent作者: 信徒 時(shí)間: 2025-3-27 03:45
Poetry in Revolt (1954) implications. After the first four plays he changed from the realistic treatment of Irish slum life to a partly symbolic or stylised treatment of English life, though he returned to Ireland in . and to Dublin in .. It is doubtful whether his work gained by that change. Indeed, many of us who watche作者: 博愛家 時(shí)間: 2025-3-27 05:36 作者: fastness 時(shí)間: 2025-3-27 09:48 作者: 漂亮才會(huì)豪華 時(shí)間: 2025-3-27 13:57 作者: 不滿分子 時(shí)間: 2025-3-27 19:05
James Agaterehensive modelling of complex foreground systems in the electromobility field and their interaction with diverse backgrounds and partial contexts.978-3-030-82936-0978-3-030-82934-6Series ISSN 2194-0541 Series E-ISSN 2194-055X 作者: duplicate 時(shí)間: 2025-3-28 01:38 作者: 平息 時(shí)間: 2025-3-28 04:44
is also considered to be a characteristic of the postmodern era, in which communication is taken to be a process whereby “meaning is produced through negotiation and contention between the author, the reader (the receiver) and the culture” (Firat and Dholakia, 2006: 146).作者: INERT 時(shí)間: 2025-3-28 06:20
government are described in terms of threats and challenges. Following the attention paid to the essence of local government in terms of the distance between the central and local government institutions, the Chapter concludes with a description of appropriate policies within the local socio-economi作者: 犬儒主義者 時(shí)間: 2025-3-28 12:55 作者: 會(huì)犯錯(cuò)誤 時(shí)間: 2025-3-28 18:17
P. S. O’Hegartyimpact assessment of the microfinance sector is examined through Randomised Controlled Trials (RCT), where there is an isolation of the effect of a chosen innovation by assigning a random selection of individuals or villages to the innovation (the treatment group), and another equivalent selection o作者: ESPY 時(shí)間: 2025-3-28 21:38
A. E. Maloneimpact assessment of the microfinance sector is examined through Randomised Controlled Trials (RCT), where there is an isolation of the effect of a chosen innovation by assigning a random selection of individuals or villages to the innovation (the treatment group), and another equivalent selection o作者: 機(jī)密 時(shí)間: 2025-3-28 23:26 作者: Control-Group 時(shí)間: 2025-3-29 04:48
W. B. Yeatseen microstructural morphology, crystallography, and mechanisms to the material response at different scales; methods of identifying representative volume elements using microstructure and material characterization, and robust deterministic and probabilistic modeling of deformation and damage.?.Enco作者: anniversary 時(shí)間: 2025-3-29 10:06 作者: 口味 時(shí)間: 2025-3-29 15:19 作者: 出沒 時(shí)間: 2025-3-29 15:33 作者: 敬禮 時(shí)間: 2025-3-29 20:03 作者: 改變立場 時(shí)間: 2025-3-30 00:06
John Gassner To implement the take-off weight calculation method, software has been developed. It allows studying the influence of the wing geometric parameters (such as aspect ratio (.), taper ratio (.), airfoil relative thickness (.) and sweep angle (.)) on aerodynamic performance, power-to-weight ratio and a作者: 引導(dǎo) 時(shí)間: 2025-3-30 06:35
Jacques Barzun, that matters, but business capabilities and concerts separation. Methods for handling transactions in asynchronous distributed system show that each service is usually an isolated system apart with its own dedicated database. This means you can no longer take advantage of the 2PC to maintain the c作者: 貴族 時(shí)間: 2025-3-30 09:53 作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-30 15:28
William A. Armstrong, that matters, but business capabilities and concerts separation. Methods for handling transactions in asynchronous distributed system show that each service is usually an isolated system apart with its own dedicated database. This means you can no longer take advantage of the 2PC to maintain the c作者: 小木槌 時(shí)間: 2025-3-30 19:08
John Jordanfluence of meteorological elements on the flight of the aerial vehicles with empennage by using the “weight” functions of these elements. “Weight” function can be represented analytically or graphically. The way of determining the average ballistic meteorological elements for aerial vehicles within 作者: Keratin 時(shí)間: 2025-3-31 00:06
Robert Hoganate of structural elements in their interaction, the finite element method is used. As a result of the study, the simulation with various geometry of computational domain has been carried out. The results of different approaches to reduce the calculation time when using 2D geometry are compared. Usi作者: 富饒 時(shí)間: 2025-3-31 04:45 作者: 類似思想 時(shí)間: 2025-3-31 06:19
Macmillan Publishers Limited 1969作者: ORBIT 時(shí)間: 2025-3-31 12:44 作者: Modify 時(shí)間: 2025-3-31 15:08 作者: infarct 時(shí)間: 2025-3-31 20:55
Modern Judgementshttp://image.papertrans.cn/s/image/862982.jpg作者: 情節(jié)劇 時(shí)間: 2025-4-1 01:06
https://doi.org/10.1007/978-1-349-15301-5Britain; history of literature; literature; Seán O’Casey; twentieth century; British and Irish Literature作者: pessimism 時(shí)間: 2025-4-1 03:15 作者: 詩集 時(shí)間: 2025-4-1 07:07
donesia. Various types of government and their characteristics, as well as the types of policies, are described in relation to their connection to the society. In addition, a classification and interpretation is presented of the role of the official authorities and the legislative context in this pr作者: monogamy 時(shí)間: 2025-4-1 14:03 作者: 友好關(guān)系 時(shí)間: 2025-4-1 17:19 作者: Immobilize 時(shí)間: 2025-4-1 20:50 作者: 模范 時(shí)間: 2025-4-2 01:39
