標(biāo)題: Titlebook: Screening Contemporary Irish Fiction and Drama; Marc C. Conner,Julie Grossman,R. Barton Palmer Book 2022 The Editor(s) (if applicable) and [打印本頁] 作者: 強(qiáng)烈興趣 時(shí)間: 2025-3-21 18:55
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作者: exorbitant 時(shí)間: 2025-3-21 22:07
2634-629X .Addresses some of the most‘important works that have impact.In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual作者: 失望昨天 時(shí)間: 2025-3-22 01:42 作者: BLINK 時(shí)間: 2025-3-22 08:01 作者: 歡騰 時(shí)間: 2025-3-22 08:43
,Filming Global Ireland: Roddy Doyle’s ,ts past and its present. The Ireland of mid-century, evoked in horses and fiddles and a pre-Vatican II Catholic church, was juxtaposed with the Ireland of the end of the century, as grinding poverty brought into relief new pressures of social change, class shifting, and imminent transformation. Much作者: CON 時(shí)間: 2025-3-22 12:54
,The Riddle of the Models of John Carney’s , (2016),al cycles and institutional structures that threaten the individual’s potential and the promise of exile as a means to escape such nets. Critical reviews of the film repeatedly characterize it as a mini-., noting its similarities to the 1991 film adaptation of Roddy Doyle’s novel, and describe it as作者: 預(yù)示 時(shí)間: 2025-3-22 20:59 作者: Madrigal 時(shí)間: 2025-3-23 00:52
,Mouth Not Eye: On Jordan’s Adaptation of Beckett’s ,kett, with Billie Whitelaw. Beckett’s version fixes a beam of light on Mouth in a dark space, flattening the plane of action and rendering mouth as a proto-image, but that image must be seen in a theater; Jordan splices camera cuts of the footage to show different sides of Moore’s head, creating an 作者: 方便 時(shí)間: 2025-3-23 02:46
,“The Joyce of Filum: Cinematic Accounts of ,”, the cinema shaped both Joyce’s creative impulses and the way readers understand much of his writing, including a number of documentaries specifically dealing with . that complement these creative efforts..The documentary that I examine in this essay, Hilary Fennell’s ., takes an approach heretofore作者: 真實(shí)的人 時(shí)間: 2025-3-23 08:36
,“One Beetle Recognizes Another”: Translation, Transformation, Transgression in Cartoon Saloon’s Filth-century Irish poem, “Messe ocus Pangur Bán” in Old Irish. From the moment the white cat appears in the film in connection with the scribe and artist Brother Aiden, it is clear that this film is more than just a series of pretty pictures exquisitely rendered and influenced by “Celtic” art. It is d作者: 和藹 時(shí)間: 2025-3-23 13:30 作者: 不規(guī)則 時(shí)間: 2025-3-23 15:16
: Sort of Adapting Irish History,and Dublin peregrinations of two heroin addicts) and . (a gloomy story of a lonely garage attendant and the terrible consequences of his misconceived gesture of friendship to a young man). Both of these releases won the Irish Film and Television Association award for best picture, and . would do so 作者: 使入迷 時(shí)間: 2025-3-23 20:10 作者: 頭腦冷靜 時(shí)間: 2025-3-23 22:55 作者: 新星 時(shí)間: 2025-3-24 03:00 作者: Spinal-Tap 時(shí)間: 2025-3-24 07:53 作者: 非秘密 時(shí)間: 2025-3-24 13:50 作者: 悄悄移動(dòng) 時(shí)間: 2025-3-24 15:18
Marc C. Conner,Julie Grossman,R. Barton Palmerlier years in secondary sources or even to identify possible location of such data in the Archives has been unsuccessful. Certainly, given the importance of this common hypothesis, there is room for future researchers to delve into Archival information; it is hard to believe the ever-correct Ragusan作者: BRAND 時(shí)間: 2025-3-24 20:01
Marc C. Connere early development of western fleets’ trading in the East, after Vasco da Gama had established a colony in India in 1503, and the first spices had been brought to Europe by Portuguese ships in 1506, it is clear from Figures 5.3 and 5.4 that Ragusan shipping capacity continued to expand for 70 some 作者: 高貴領(lǐng)導(dǎo) 時(shí)間: 2025-3-25 01:45 作者: 不連貫 時(shí)間: 2025-3-25 03:48 作者: sleep-spindles 時(shí)間: 2025-3-25 10:21
Eyal Amiranlier years in secondary sources or even to identify possible location of such data in the Archives has been unsuccessful. Certainly, given the importance of this common hypothesis, there is room for future researchers to delve into Archival information; it is hard to believe the ever-correct Ragusan作者: 無禮回復(fù) 時(shí)間: 2025-3-25 14:37
Michael Patrick Gillespieand (citizenship) rights in the course of the 20th century. Such cautious approaches also do not tell us why this organizational form appears as a very different construct in the economic imaginary, for instance in the words of Jensen and Meckling, who argue that ‘Stripped to its essentials, the cor作者: 惰性氣體 時(shí)間: 2025-3-25 16:31 作者: carbohydrate 時(shí)間: 2025-3-25 22:30 作者: OPINE 時(shí)間: 2025-3-26 04:13 作者: HUMID 時(shí)間: 2025-3-26 07:43
Kathleen Costello-Sullivan,Julie Grossmanly via population-of-origin dummies in the econometric models. However, this would also apply for institutional legacies in general (especially informal ones, which are partly independent from the formal institutions prevailing at a certain time and place). Hence, most of this research is not based 作者: Goblet-Cells 時(shí)間: 2025-3-26 11:02
Lesley Brillly via population-of-origin dummies in the econometric models. However, this would also apply for institutional legacies in general (especially informal ones, which are partly independent from the formal institutions prevailing at a certain time and place). Hence, most of this research is not based 作者: condemn 時(shí)間: 2025-3-26 15:49
Eamonn Jordanly via population-of-origin dummies in the econometric models. However, this would also apply for institutional legacies in general (especially informal ones, which are partly independent from the formal institutions prevailing at a certain time and place). Hence, most of this research is not based 作者: MONY 時(shí)間: 2025-3-26 19:17 作者: 廚房里面 時(shí)間: 2025-3-26 21:05 作者: atrophy 時(shí)間: 2025-3-27 02:38
2634-629X cessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has978-3-031-04570-7978-3-031-04568-4Series ISSN 2634-629X Series E-ISSN 2634-6303 作者: ascetic 時(shí)間: 2025-3-27 06:44
Introduction, national cinemas, however, including those of other EU members, are as dependent on the national literary establishment for their source material (including original scripts by prominent novelists and dramatists). It would be an understatement to say that literary adaptation has played a substantia作者: 捏造 時(shí)間: 2025-3-27 11:39 作者: 我怕被刺穿 時(shí)間: 2025-3-27 16:15 作者: 有角 時(shí)間: 2025-3-27 19:48 作者: 南極 時(shí)間: 2025-3-27 22:01 作者: Obverse 時(shí)間: 2025-3-28 05:30
,“One Beetle Recognizes Another”: Translation, Transformation, Transgression in Cartoon Saloon’s Filtered through a contemporary, multicultural collaborative group of artists, writers, and musicians. The result is an impressionistic, complex, and layered expression of medieval Ireland and the monastic scribal experience, as well as the long scholarly tradition that seeks to describe it, that is ne作者: 調(diào)整校對 時(shí)間: 2025-3-28 06:54 作者: Liberate 時(shí)間: 2025-3-28 13:50 作者: 發(fā)微光 時(shí)間: 2025-3-28 14:39 作者: 猜忌 時(shí)間: 2025-3-28 21:13 作者: 驚呼 時(shí)間: 2025-3-29 02:06 作者: 細(xì)微的差異 時(shí)間: 2025-3-29 04:44
,“How should we remember what happened?”: Cultural Representations of Institutional Abuse in Jim Shed that the recently uncovered skeletal remains of hundreds of babies and children at the Bon Secours Mother and Baby home in Tuam, Galway were at the forefront of his mind while making the film. The film, therefore, implores us to consider it alongside developing events at Tuam, and in the essay I s作者: 灰姑娘 時(shí)間: 2025-3-29 11:02
Book 2022ow rivals literature as Ireland’s key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has作者: MOAT 時(shí)間: 2025-3-29 12:06
Marc C. Conner,Julie Grossman,R. Barton PalmerOffers twelve original essays on contemporary Irish film adaptations.Features top scholars in Contemporary Irish Literature and Film Studies.Addresses some of the most‘important works that have impact作者: VEIL 時(shí)間: 2025-3-29 16:50 作者: 蟄伏 時(shí)間: 2025-3-29 22:27
https://doi.org/10.1007/978-3-031-04568-4Adaptation; Irish Film; Irish Cinema; Irish Culture; National Cinema; New Irish Cinema作者: instulate 時(shí)間: 2025-3-30 00:10 作者: 艦旗 時(shí)間: 2025-3-30 07:05
Screening Contemporary Irish Fiction and Drama978-3-031-04568-4Series ISSN 2634-629X Series E-ISSN 2634-6303 作者: 兒童 時(shí)間: 2025-3-30 11:50 作者: brother 時(shí)間: 2025-3-30 15:36
Marc C. Conner,Julie Grossman,R. Barton Palmer as that of Harris (2003) and Carter (1972) which devotes several chapters to diplomatic developments over more than seven centuries with each of the main neighbours, trading partners, suzerains, friends, and foes in effect for each of the historical phases listed in Chapter 3. The chapter title ave
