標(biāo)題: Titlebook: Science, Entertainment and Television Documentary; Vincent Campbell Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 science [打印本頁(yè)] 作者: 債權(quán)人 時(shí)間: 2025-3-21 18:10
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作者: 昏睡中 時(shí)間: 2025-3-21 21:07
Vincent Campbellgional economic performance based on an input-output framework. We define economic criteria for measuring this performance, such as real GDP per worker, and pick out the `best’ performing region per sector. Taken together for all sectors, the input vectors of those `best’ performing regions define a作者: 骨 時(shí)間: 2025-3-22 03:58 作者: 逗留 時(shí)間: 2025-3-22 06:12 作者: ovation 時(shí)間: 2025-3-22 10:14 作者: 鑒賞家 時(shí)間: 2025-3-22 13:25 作者: interrupt 時(shí)間: 2025-3-22 18:16
knowledge production in high-technology industries in Austria. Spillovers occur because knowledge created by universities has some of the characteristics of public goods, and creates value for firms and other organisations. The chapter lies in the research tradition that finds thinking in terms of a作者: fidelity 時(shí)間: 2025-3-22 22:24 作者: Physiatrist 時(shí)間: 2025-3-23 04:11
https://doi.org/10.1057/978-1-137-38538-3science communication; television documentary; factual entertainment; media studies; film studies作者: 嚴(yán)重傷害 時(shí)間: 2025-3-23 05:39 作者: GLUE 時(shí)間: 2025-3-23 09:52
y with regard to the representation of science. New types of factual programming that combine documentary techniques with those of entertainment formats (such as drama, game-shows and reality TV) have come in for strident criticism. Often featuring spectacular visual effects produced by Computer Gen作者: 生意行為 時(shí)間: 2025-3-23 14:54
Introduction: The Changing Landscape of Television Science,nked to the development of multi-channel, multi-platform and international markets, the development of new genres of television programme (such as reality TV), and the emergence of new techniques such as computer-generated imagery (CGI). The chapter concludes with an overview of the aims and structure of the book.作者: critic 時(shí)間: 2025-3-23 19:50
Analytical Frameworks: Science, Documentary and Factual Entertainment,hniques used in factual television depictions of science, and that rather than as vehicles for the simple transmission of scientific knowledge, analysis shows how they often represent science as spectacular, awe-inspiring and sublime.作者: Kernel 時(shí)間: 2025-3-23 23:35 作者: Conflagration 時(shí)間: 2025-3-24 02:59
Palaeontology: Monsters from Lost Worlds,w tensions between science and entertainment in modern-day extinct animal television programmes reflect long-standing patterns of cultural understanding of ‘monsters’ from lost worlds, linked to aesthetic traditions in the representation of deep time.作者: 陶器 時(shí)間: 2025-3-24 08:30 作者: arabesque 時(shí)間: 2025-3-24 11:38
Earth and Atmospheric Sciences: Extreme Weather and Natural Disasters,scientific experts. In focusing on disaster impacts, the destruction of built capital and imaging disasters through the use of CGI Campbell argues ‘weather porn’ programmes are part of the cultural tradition of the apocalyptic sublime response to extreme weather and natural disasters.作者: Conserve 時(shí)間: 2025-3-24 16:44
Pseudoscience and Popular Beliefs,ry techniques like CGI, developing their own techniques for making claims to serious investigation of popular beliefs like the use of night-vision cameras. Campbell concludes that their strategies and prominence on factual television channels represent the real risks to television science.作者: Ganglion 時(shí)間: 2025-3-24 19:06
Introduction: The Changing Landscape of Television Science,nment television. The chapter begins with an outline of concerns about the current landscape of television science, and then offers an overview of the historical development of science in factual television tracing the key organisations, programmes and figures in the development of science documenta作者: 匍匐前進(jìn) 時(shí)間: 2025-3-25 01:28 作者: 沉默 時(shí)間: 2025-3-25 07:19 作者: 四溢 時(shí)間: 2025-3-25 09:16
Palaeontology: Monsters from Lost Worlds, late 1990s. This chapter analyses factual entertainment and television documentary programmes on palaeontology with a particular focus on the representational traditions of palaeoimagery. Campbell explores how traditions within natural history films, such as the ‘blue chip’ series of David Attenbor作者: lattice 時(shí)間: 2025-3-25 15:13
Archaeology: Ancient Secrets and Treasures,ary television. This chapter focuses on trends for generic hybridity in archaeology programmes using game show, true crime and drama documentary formats alongside well-established documentary formats for depicting the past and producing a distinctive archaeological gaze on television. Campbell conce作者: 令人不快 時(shí)間: 2025-3-25 16:34 作者: acclimate 時(shí)間: 2025-3-25 20:05
Pseudoscience and Popular Beliefs,levision channels, dealing with pseudoscientific topics such as ufology, parapsychology and cryptozoology. Despite being ‘for entertainment purposes only’ the chapter shows how programmes on pseudoscience and popular beliefs regularly draw on the ‘trappings of science’ and the techniques of document作者: 有角 時(shí)間: 2025-3-26 02:23 作者: Mumble 時(shí)間: 2025-3-26 07:18 作者: FANG 時(shí)間: 2025-3-26 11:32
Vincent Campbells, we provide an explanation for convergence. Finally, the concept of technological distance is used for signalling bottlenecks and economic waste in regional production. Best performing technologies are obviously more capital intensive and less labour intensive.作者: 火車(chē)車(chē)輪 時(shí)間: 2025-3-26 14:11 作者: 擋泥板 時(shí)間: 2025-3-26 20:18
Vincent Campbellt have been possible. We should like, in addition, to thank Angela Spence for her careful linguistic editing and assistance in co-ordinating the production of the camera ready copy. Lastly, but not least, we wish to express our gratitude for support from our home institutions, and in particular the 作者: 愛(ài)花花兒憤怒 時(shí)間: 2025-3-26 22:40 作者: Myelin 時(shí)間: 2025-3-27 01:56
hen needed — to implement models that include them explicitly. The empirical results confirm the presence of geographically mediated university spillovers that transcend the spatial scale of political districts. They, moreover, demonstrate that such spillovers follow a clear distance decay pattern.作者: Hot-Flash 時(shí)間: 2025-3-27 05:29 作者: Stagger 時(shí)間: 2025-3-27 11:00
Book 2016id. Campbell considers if in fact; when considered in relation to the principles, practices and communication strategies of different sciences; these shows can be seen to offer more complex and rich representations that construct sciences as objects of wonder, awe and the sublime..作者: 尊重 時(shí)間: 2025-3-27 16:55
ly are valid. Campbell considers if in fact; when considered in relation to the principles, practices and communication strategies of different sciences; these shows can be seen to offer more complex and rich representations that construct sciences as objects of wonder, awe and the sublime..978-1-137-38538-3作者: BLANK 時(shí)間: 2025-3-27 18:23 作者: JOT 時(shí)間: 2025-3-27 22:07 作者: 合并 時(shí)間: 2025-3-28 03:28 作者: FATAL 時(shí)間: 2025-3-28 08:09
on 0,5?% für die Kontaktierungen produziert, so w?re jeder KS praktisch fehlerhaft. Nur Fehlerraten im Bereich unter Eins zu einer Million sind akzeptabel. Kap.?8 ist deshalb der KS-Prüftechnik gewidmet..Der Einsatz von Mikroprozessoren und Halbleitern erfordert eine EMV-feste Konstruktion im Bordne作者: 熱情的我 時(shí)間: 2025-3-28 13:41
