標(biāo)題: Titlebook: Rural Cinema Exhibition and Audiences in a Global Context; Daniela Treveri Gennari,Danielle Hipkins,Catherine Book 2018 The Editor(s) (if [打印本頁] 作者: 警察在苦笑 時(shí)間: 2025-3-21 16:48
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作者: collateral 時(shí)間: 2025-3-21 20:19 作者: Onerous 時(shí)間: 2025-3-22 01:34
Kanda’s Grounds and the Ritual Experience of Rural Cinema in Narok, Kenyantext of Arjun Appadurai’s (.. Minneapolis; London: University of Minnesota Press, 1996) view that local audiences of global electronic media participate in global culture through their participant reception of these media. It is established that the audience reception experience is adapted in a pro作者: 極小量 時(shí)間: 2025-3-22 07:22 作者: OCTO 時(shí)間: 2025-3-22 09:50 作者: 清洗 時(shí)間: 2025-3-22 13:32
UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the es to the way that the rural audience was liable to recruitment by government and related political and cultural institutions (Druick, Z., At the Margins of Cinema History: Mobile Cinema in the British Empire. Public, 40, 2009). These particular uses of the smaller gauge in mobilising cinema offer e作者: Emg827 時(shí)間: 2025-3-22 17:43
Book 2018uestions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ru作者: Engulf 時(shí)間: 2025-3-22 23:40 作者: 付出 時(shí)間: 2025-3-23 03:33 作者: 費(fèi)解 時(shí)間: 2025-3-23 08:57
José Carlos Lozano,Philippe Meers,Dani?l Biltereystunderlying issue of quasiparticle dynamics as to whether a quasiparticle Bloch state is realized in the periodic vortex lattice..978-4-431-56359-4978-4-431-54592-7Series ISSN 2190-5053 Series E-ISSN 2190-5061 作者: cravat 時(shí)間: 2025-3-23 12:02
Karina Aveyardunderlying issue of quasiparticle dynamics as to whether a quasiparticle Bloch state is realized in the periodic vortex lattice..978-4-431-56359-4978-4-431-54592-7Series ISSN 2190-5053 Series E-ISSN 2190-5061 作者: 脊椎動(dòng)物 時(shí)間: 2025-3-23 17:28
Jacqueline Maingardcies might doom many others to extinction. Ecologists now consider such mechanisms as a fundamental – and still poorly understood - driver of the ongoing biodiversity crisis. Hidden Pathways to Extinction makes978-3-030-86766-9978-3-030-86764-5Series ISSN 2509-6745 Series E-ISSN 2509-6753 作者: 不感興趣 時(shí)間: 2025-3-23 18:49
Mélisande Leventopouloscies might doom many others to extinction. Ecologists now consider such mechanisms as a fundamental – and still poorly understood - driver of the ongoing biodiversity crisis. Hidden Pathways to Extinction makes978-3-030-86766-9978-3-030-86764-5Series ISSN 2509-6745 Series E-ISSN 2509-6753 作者: cajole 時(shí)間: 2025-3-24 00:51
Ian Goodecies might doom many others to extinction. Ecologists now consider such mechanisms as a fundamental – and still poorly understood - driver of the ongoing biodiversity crisis. Hidden Pathways to Extinction makes978-3-030-86766-9978-3-030-86764-5Series ISSN 2509-6745 Series E-ISSN 2509-6753 作者: Ligneous 時(shí)間: 2025-3-24 03:14
Matthew D. Johnsoncies might doom many others to extinction. Ecologists now consider such mechanisms as a fundamental – and still poorly understood - driver of the ongoing biodiversity crisis. Hidden Pathways to Extinction makes978-3-030-86766-9978-3-030-86764-5Series ISSN 2509-6745 Series E-ISSN 2509-6753 作者: DOSE 時(shí)間: 2025-3-24 09:21
Lucie ?esálkovácies might doom many others to extinction. Ecologists now consider such mechanisms as a fundamental – and still poorly understood - driver of the ongoing biodiversity crisis. Hidden Pathways to Extinction makes978-3-030-86766-9978-3-030-86764-5Series ISSN 2509-6745 Series E-ISSN 2509-6753 作者: inspiration 時(shí)間: 2025-3-24 12:06 作者: refine 時(shí)間: 2025-3-24 16:51
vel in a more familiar level, we focus on the methodology based on hidden Markov processes. This will, we believe, help the reader to develop more in-depth understanding of the modeling issues thereby benefiting their future research.978-1-4419-5448-0978-1-4020-7940-5Series ISSN 1570-5811 Series E-ISSN 2214-7977 作者: 子女 時(shí)間: 2025-3-24 21:16 作者: tattle 時(shí)間: 2025-3-25 00:27 作者: condone 時(shí)間: 2025-3-25 04:12
Elisa Ravazzolits across international markets, we find that the US market correlates positively with the other markets for the permanent component, but negatively for the temporal component. This implies that the USA moves in the same direction as the other three countries in the long run, and in an opposite dire作者: legitimate 時(shí)間: 2025-3-25 07:29 作者: 商談 時(shí)間: 2025-3-25 12:57
Jessica L. Whiteheadts across international markets, we find that the US market correlates positively with the other markets for the permanent component, but negatively for the temporal component. This implies that the USA moves in the same direction as the other three countries in the long run, and in an opposite dire作者: 骯臟 時(shí)間: 2025-3-25 18:32
ts across international markets, we find that the US market correlates positively with the other markets for the permanent component, but negatively for the temporal component. This implies that the USA moves in the same direction as the other three countries in the long run, and in an opposite dire作者: slow-wave-sleep 時(shí)間: 2025-3-25 23:13 作者: 接合 時(shí)間: 2025-3-26 01:20 作者: constitute 時(shí)間: 2025-3-26 05:54 作者: Confound 時(shí)間: 2025-3-26 11:28
s to another, producing unpredictable effects. In worst case scenarios, the lossof one species might doom many others to extinction. Ecologists now consider such mechanisms as a fundamental – and still poorly understood - driver of the ongoing biodiversity crisis. Hidden Pathways to Extinction makes作者: capillaries 時(shí)間: 2025-3-26 14:19
Book 2018field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural ci作者: chiropractor 時(shí)間: 2025-3-26 18:25
The Social Experience of Going to the Movies in the 1930s–1960s in a Small Texas Border Town: Moviegren or teenagers. The chapter explores the way American and Mexican films interacted with their complex double ascription to the US and to Mexican linguistic and cultural features and were part of their complex strategies to navigate between their new American national identity and their still strong and pervasive Mexican cultural roots.作者: Type-1-Diabetes 時(shí)間: 2025-3-26 23:02
The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia in providing young people with a legitimate, public place to gather and interact. This chapter examines how the cultural and social spaces created by rural cinemas can be crucial to fostering the development of positive youth identities and attachment to place.作者: 雄偉 時(shí)間: 2025-3-27 04:09 作者: PHON 時(shí)間: 2025-3-27 07:53 作者: 安裝 時(shí)間: 2025-3-27 10:06 作者: 斷言 時(shí)間: 2025-3-27 14:31 作者: 泛濫 時(shí)間: 2025-3-27 20:47
The Business of ‘Wholesome Entertainment’: The Mascioli Film Circuit of Northeastern Ontario single gathering in the region. The Palace Theatre was an impressive structure with 1248 seats and an elaborate design that rivalled movie palaces in major Canadian cities. This movie palace was one of many theatres built by Leo Mascioli, who had theatres throughout the resource communities of Nort作者: Terminal 時(shí)間: 2025-3-28 01:20
Spaces In-Between: The Railway and Early Cinema in Rural, Western CanadaCanada and its rural landscape. Prior histories have neglected how a primary audience for these films were the people of rural Canada themselves. Railways sponsored first films of Manitoba’s rural prairie, made by R. A. Hardie in 1897, who exhibited them across the Canadian West multiple times befor作者: 集中營(yíng) 時(shí)間: 2025-3-28 03:06
Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917dscape, the culture of Co?s in the nineteenth century was one of stable property, settled community, and self-sufficiency. As the century turned, residents sought to sustain traditions while adapting to a modern regional economy that imported finished goods, while exporting staples, tourism, and, in作者: 手銬 時(shí)間: 2025-3-28 09:12
Oral Memories of Cinema-Going in Rural Italy of the 1950ses. Cinema-going of this period has typically been analysed in the context of its burgeoning urban centres, although in 1951 over 40% of the working population in Italy was still agricultural. In this chapter, we are using data drawn from over 1000 questionnaires gathered across Italy to consider ho作者: refine 時(shí)間: 2025-3-28 14:29 作者: 豐滿中國(guó) 時(shí)間: 2025-3-28 17:37 作者: gnarled 時(shí)間: 2025-3-28 19:27 作者: Exhilarate 時(shí)間: 2025-3-29 01:59
Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa both primary and secondary sources, this chapter discusses Plaatje’s perceptions of cinematic representation and race, how he acquired films in Britain, Canada, South Africa, and the USA, as well as a projector in the USA and a generator in South Africa. This provides the context for a discussion o作者: EXALT 時(shí)間: 2025-3-29 04:59
Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of ‘Pathé-Ruraltation and control of rural cinemagoing practices in France before the Second World War. Baptized the ‘Pathé-Rural’, the 17.5 mm projector was the keystone of Pathé’s policy of .. The reduced film format was thought to permit the opening of the rural market, helping cinema’s commercial diffusion in 作者: debouch 時(shí)間: 2025-3-29 09:42
UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the rld. The report published by UNESCO in 1949 on . surveys the extending geography of cinema and supporting media into rural areas, enabling some audiences to experience film for the first time in their lives. It is tempting to regard this cinema as a local, intimate, and communal return to the itiner作者: Scleroderma 時(shí)間: 2025-3-29 14:40
Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1ive Year Plan (1953–1957), focusing on rural film teams in Shaanxi province. It argues that the rural film projection network emerged gradually and, once constructed, showed strong signs of local variation even below the provincial level. National and provincial administrators aimed to create a unif作者: vibrant 時(shí)間: 2025-3-29 19:09 作者: subacute 時(shí)間: 2025-3-29 20:56 作者: 適宜 時(shí)間: 2025-3-30 03:57 作者: 懶惰人民 時(shí)間: 2025-3-30 04:19 作者: 協(xié)定 時(shí)間: 2025-3-30 11:10 作者: Fester 時(shí)間: 2025-3-30 13:44
The Use of Geographical Categories in Cinema Studies: An Ontological Examinatione them is an important issue this chapter seeks to address. By deconstructing the geographical categories of urban and rural, this chapter deals with the complexity of using geographical categories and offers some tools to better interpret the main contributions presented in this book.作者: intercede 時(shí)間: 2025-3-30 19:58
Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917uffer population loss and stimulate fresh flows of people, ideas, and commerce. These networks mediated cinema’s relation to existing practices, regulating the timing, speed, and direction of cinema’s development as it was transformed around feature films and purpose-built movie venues.作者: 歌唱隊(duì) 時(shí)間: 2025-3-30 23:51 作者: CANT 時(shí)間: 2025-3-31 03:42
