標(biāo)題: Titlebook: Revenge Drama in European Renaissance and Japanese Theatre; From Hamlet to Madam Kevin J. Wetmore Book 2008 Kevin J. Wetmore, Jr. 2008 dram [打印本頁] 作者: INFER 時(shí)間: 2025-3-21 18:01
書目名稱Revenge Drama in European Renaissance and Japanese Theatre影響因子(影響力)
書目名稱Revenge Drama in European Renaissance and Japanese Theatre影響因子(影響力)學(xué)科排名
書目名稱Revenge Drama in European Renaissance and Japanese Theatre網(wǎng)絡(luò)公開度
書目名稱Revenge Drama in European Renaissance and Japanese Theatre網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Revenge Drama in European Renaissance and Japanese Theatre被引頻次
書目名稱Revenge Drama in European Renaissance and Japanese Theatre被引頻次學(xué)科排名
書目名稱Revenge Drama in European Renaissance and Japanese Theatre年度引用
書目名稱Revenge Drama in European Renaissance and Japanese Theatre年度引用學(xué)科排名
書目名稱Revenge Drama in European Renaissance and Japanese Theatre讀者反饋
書目名稱Revenge Drama in European Renaissance and Japanese Theatre讀者反饋學(xué)科排名
作者: connoisseur 時(shí)間: 2025-3-21 22:25 作者: slow-wave-sleep 時(shí)間: 2025-3-22 03:49
978-1-349-37127-3Kevin J. Wetmore, Jr. 2008作者: HEDGE 時(shí)間: 2025-3-22 05:33 作者: 繼而發(fā)生 時(shí)間: 2025-3-22 11:25
“The Play’s the Thing”: Cross-cultural Adaptation of Revenge Plays through Traditional Drama injunction to theatre for theatre’s sake: “the play’s the thing.” In context, however, Hamlet advocates theatre as a means to an end—the play is not the thing in and of itself. In fact, the play is less important than the effect it can achieve—that is, to cause Claudius to reveal his guilt in the murder of Old Hamlet.作者: debase 時(shí)間: 2025-3-22 14:48
Carol Fisher Sorgenfreients may contest the self-governing imperative and they may use the public of the class as an arena to denigrate their classmates. The discussion contrasts insights gained in ethnographic projects carried out in classrooms in Germany, Sweden and Switzerland and is informed by a governmentality persp作者: BOOM 時(shí)間: 2025-3-22 19:23 作者: laceration 時(shí)間: 2025-3-23 00:44 作者: quiet-sleep 時(shí)間: 2025-3-23 05:17 作者: myocardium 時(shí)間: 2025-3-23 08:55 作者: 四溢 時(shí)間: 2025-3-23 12:52
ents may contest the self-governing imperative and they may use the public of the class as an arena to denigrate their classmates. The discussion contrasts insights gained in ethnographic projects carried out in classrooms in Germany, Sweden and Switzerland and is informed by a governmentality persp作者: Pituitary-Gland 時(shí)間: 2025-3-23 14:39
Aaron M. Cohenhen diese Gruppen aus Interpreten, die – kulturell betrachtet – divergente Interpretationshorizonte besitzen. Bei allen genannten Problemstellungen tauchen auf methodischer und methodologischer Ebene v?llig neue Fragen für die Forschungspraxis auf..978-3-658-00871-0作者: 立即 時(shí)間: 2025-3-23 18:46 作者: 伸展 時(shí)間: 2025-3-24 01:06 作者: GILD 時(shí)間: 2025-3-24 02:33
Junko Saekihen diese Gruppen aus Interpreten, die – kulturell betrachtet – divergente Interpretationshorizonte besitzen. Bei allen genannten Problemstellungen tauchen auf methodischer und methodologischer Ebene v?llig neue Fragen für die Forschungspraxis auf..978-3-658-00871-0作者: 縱欲 時(shí)間: 2025-3-24 06:41 作者: 阻礙 時(shí)間: 2025-3-24 12:49 作者: troponins 時(shí)間: 2025-3-24 18:00 作者: 使無效 時(shí)間: 2025-3-24 21:27 作者: 大門在匯總 時(shí)間: 2025-3-25 02:08
ok explores the story behind the science, in particular his relationships with other key figures in the cryogenics field, most notably Nicholas Kurti at Oxford, and his work outside cryogenics, including his novel ideas on the engineering of the pyramids..978-3-030-61201-6978-3-030-61199-6Series ISSN 2365-0613 Series E-ISSN 2365-0621 作者: 細(xì)微的差異 時(shí)間: 2025-3-25 05:32 作者: 混雜人 時(shí)間: 2025-3-25 08:32 作者: 控制 時(shí)間: 2025-3-25 13:28 作者: outrage 時(shí)間: 2025-3-25 16:20
Kevin J. Wetmore Jr. and superfluidity.Explores his work beyond research in expaThis short but revealing biography tells the story of Kurt Mendelssohn FRS, one of the founding figures in the field of cryogenics, from his beginnings in Berlin through his move to Oxford in the 1930s, and his groundbreaking work in low te作者: Occipital-Lobe 時(shí)間: 2025-3-25 23:05 作者: Axillary 時(shí)間: 2025-3-26 02:30 作者: 柏樹 時(shí)間: 2025-3-26 05:36 作者: cortisol 時(shí)間: 2025-3-26 11:17
Kevin J. Wetmore Jr.lic, as public performance and of public concern. Which publics created and addressed through performances of parenting and how do parents feel about it? Which aspects of parenting are considered private and which are ‘public’ and therefore commented on or policed by other actors than the parents? I作者: 不適當(dāng) 時(shí)間: 2025-3-26 16:16 作者: Ergots 時(shí)間: 2025-3-26 18:52 作者: 無意 時(shí)間: 2025-3-26 22:13 作者: 上坡 時(shí)間: 2025-3-27 03:05 作者: Etymology 時(shí)間: 2025-3-27 07:44 作者: 入會 時(shí)間: 2025-3-27 10:27 作者: 可忽略 時(shí)間: 2025-3-27 17:21
J. Thomas Rimerisnah.Includes supplementary material: .Angesichts der allt?glichen und allgegenw?rtigen ?Interkultur“ wird die qualitative Sozialforschung zunehmend mit Problemen konfrontiert, die mit ihren herk?mmlichen Verfahren nicht mehr angemessen analysierbar sind – sei es, weil sie im eigenen Land auf das M作者: formula 時(shí)間: 2025-3-27 17:47
Junko Saekiisnah.Includes supplementary material: .Angesichts der allt?glichen und allgegenw?rtigen ?Interkultur“ wird die qualitative Sozialforschung zunehmend mit Problemen konfrontiert, die mit ihren herk?mmlichen Verfahren nicht mehr angemessen analysierbar sind – sei es, weil sie im eigenen Land auf das M作者: 彎腰 時(shí)間: 2025-3-27 22:45
Kevin J. Wetmore Jr.isnah.Includes supplementary material: .Angesichts der allt?glichen und allgegenw?rtigen ?Interkultur“ wird die qualitative Sozialforschung zunehmend mit Problemen konfrontiert, die mit ihren herk?mmlichen Verfahren nicht mehr angemessen analysierbar sind – sei es, weil sie im eigenen Land auf das M作者: 河潭 時(shí)間: 2025-3-28 05:26 作者: Mitigate 時(shí)間: 2025-3-28 10:07
pan and compares that tradition with that in European Renaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas of Europe and Japan tell us about the periods th作者: Eclampsia 時(shí)間: 2025-3-28 13:16
Introduction: “Thinking Upon Revenge”alth, revenge is a primary motive for the behavior of many dramatic characters and remains one of the major themes of world drama. A cataloging of the great plays of world drama demonstrates that revenge was an early, common, and important theme. Beginning with the Greeks and plays like . and contin作者: 特別容易碎 時(shí)間: 2025-3-28 17:13 作者: overwrought 時(shí)間: 2025-3-28 19:27 作者: 成績上升 時(shí)間: 2025-3-29 01:20 作者: single 時(shí)間: 2025-3-29 06:30 作者: 紀(jì)念 時(shí)間: 2025-3-29 10:36 作者: eulogize 時(shí)間: 2025-3-29 12:06
The Horizontal e subject of a hundred films, and various other manifestations, including parodies and a modern-day opera, occupies a special place in the Japanese literary and dramatic canons. This can also be said for . in a global context. This assertion is substantiated by the early translations of the story or作者: 敘述 時(shí)間: 2025-3-29 16:42
in the 1980sg about the Japanese.” My respect for Tsurumi as a pioneer scholar of modern Japanese popular culture helped convince me that perhaps I should some day learn more about what I had always felt to be a distasteful chapter in Japanese cultural history. For myself, whose acquaintance with Japan began in作者: CUB 時(shí)間: 2025-3-29 22:12
