標題: Titlebook: Repetition in Performance; Returns and Invisibl Eirini Kartsaki Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 contemporary [打印本頁] 作者: 實體 時間: 2025-3-21 18:39
書目名稱Repetition in Performance影響因子(影響力)
書目名稱Repetition in Performance影響因子(影響力)學科排名
書目名稱Repetition in Performance網(wǎng)絡公開度
書目名稱Repetition in Performance網(wǎng)絡公開度學科排名
書目名稱Repetition in Performance被引頻次
書目名稱Repetition in Performance被引頻次學科排名
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書目名稱Repetition in Performance年度引用學科排名
書目名稱Repetition in Performance讀者反饋
書目名稱Repetition in Performance讀者反饋學科排名
作者: 圣人 時間: 2025-3-21 21:24
https://doi.org/10.1057/978-1-137-43054-0contemporary performance; spectatorship; movement; choreography; Pina Bausch; Anne Teresa De Keersmaeker; 作者: Talkative 時間: 2025-3-22 04:01 作者: decode 時間: 2025-3-22 06:42 作者: myriad 時間: 2025-3-22 11:32 作者: flaggy 時間: 2025-3-22 16:43 作者: 類人猿 時間: 2025-3-22 19:59
Stein, Beckett, Rainer , and Brown, in the works of Gertrude Stein, Samuel Beckett, Yvonne Rainer, and Trisha Brown. The writings of Stein and Beckett, as well as Judson’s innovations in movement, have influenced contemporary performance, discussed in this book, and this writing.作者: MOTTO 時間: 2025-3-22 21:33 作者: 美麗的寫 時間: 2025-3-23 03:28
After Lacan, and Slavoj ?i?ek (on Lacan) to offer an understanding of desire as a circular path that infinitely moves to and from its goal, without ever reaching an ending. Marco Berrettini’s performance . (2014) offers an opportunity to think about the impossibility of desire’s fulfilment.作者: THE 時間: 2025-3-23 09:31
ift in great wealth, and government instability...Scholars and practitioners alike will find the case studies in this book provide nuanced insights into such disruptions, as well as discussion of best practices to ensure successful business solutions..978-3-031-55958-7978-3-031-55956-3作者: habile 時間: 2025-3-23 10:01
gert werden und so Mitarbeitende zum selbstorganisierten Aufbau von Future Skills enabled werden.?Inhalte:- 16 Future Skills- Erfassen und Entwickeln von Future Skills- Toolbox für die Entwicklung von Future Skills- Einführung eines Future-Skills-Management- Future Skills – quo vadis? Die digitale und kostenf978-3-7910-5824-5作者: 高調(diào) 時間: 2025-3-23 14:57 作者: d-limonene 時間: 2025-3-23 21:55 作者: 我們的面粉 時間: 2025-3-23 23:27 作者: Ptsd429 時間: 2025-3-24 03:00 作者: hemorrhage 時間: 2025-3-24 09:40 作者: 性滿足 時間: 2025-3-24 14:11
Eirini Kartsakigies to respond to rapid change and disruptions in the marketplace. By staying future-focused while navigating the present, edgefactory offered new and differentiated services to their clients, exceeded client expectations, received positive results from internal engagement surveys, increased annual作者: 意外 時間: 2025-3-24 17:53 作者: 不能逃避 時間: 2025-3-24 21:45 作者: 心胸狹窄 時間: 2025-3-25 01:20
müssen bef?higt werden, ihre heute noch nicht bekannten Herausforderungen selbstorganisiert bew?ltigen zu k?nnen. Deshalb sind Skills immer Future Skills.Das Trainingsbuch zeigt, wie mittels Future-Skills-Analyse die vorhandenen und fehlenden Kernkompetenzen in einer Organisation erfasst, analysiert作者: LVAD360 時間: 2025-3-25 04:39 作者: 關心 時間: 2025-3-25 09:51 作者: 變異 時間: 2025-3-25 11:40
Eirini Kartsakiould be to tailor the contract between the project owner and the project contractor to the respective project stage, with conversions along the way. Information asymmetry between owner and contractor also suggests the need to tailor a contract to a project’s situation. In line with this, the chapter作者: obtuse 時間: 2025-3-25 17:35
Eirini Kartsakie utilizes a unique collective intelligence process to address long-term global resilience beyond 2030 by harnessing the potential of paradigm-shifting frontier technologies and emerging social trends. This case study explains not only how and why climate change itself is an issue of disruption, but作者: Creditee 時間: 2025-3-25 22:47 作者: 來就得意 時間: 2025-3-26 01:56
Eirini Kartsakiication—specifically, increased social media usage and engagement with digital communities. Viewing this disruption in a more positive light, and as an opportunity, allowed edgefactory—a creative works company with world headquarters in Orlando, Florida—to expand future-focused activities while navi作者: cataract 時間: 2025-3-26 07:02 作者: 懶洋洋 時間: 2025-3-26 10:53 作者: 克制 時間: 2025-3-26 16:09 作者: 潰爛 時間: 2025-3-26 18:30
After Barthes,om Pina Bausch’s . (1977), I narrate my experience as a viewer. I propose that the role of the viewer is to perform repetition and its content, to come closer to repetition, to become part of it. An active engagement with repetition gives rise to difficult pleasures, or, borrowing Barthes’s term, ce作者: inflate 時間: 2025-3-26 22:07
After Stein,ns in Anne Teresa De Keersmaekers’ . . (1982), give rise to an overwhelming emotion of things happening at the same time. I discuss a mode of temporal unfolding which draws attention to the present and points towards an engagement with repetition that may be experienced as immediate. I use Henri Ber作者: HEPA-filter 時間: 2025-3-27 01:19 作者: lacrimal-gland 時間: 2025-3-27 06:46
After Lacan, and Slavoj ?i?ek (on Lacan) to offer an understanding of desire as a circular path that infinitely moves to and from its goal, without ever reaching an ending. Marco Berrettini’s performance . (2014) offers an opportunity to think about the impossibility of desire’s fulfilment.作者: bile648 時間: 2025-3-27 12:58
After Stein, unfolding which draws attention to the present and points towards an engagement with repetition that may be experienced as immediate. I use Henri Bergson’s understanding of time and real duration to unpack the Steinian simultaneity.作者: Decrepit 時間: 2025-3-27 17:01 作者: prediabetes 時間: 2025-3-27 18:20
Performance Returns,oduced in each encounter with repetition. Lone Twin Theatre’s work stages a particular way of looking and looking again. It seems to invite a return to it, and to make the viewer aware of the types of repetition that take place within it, saying something about these repetitions and demanding the viewer to say something too.作者: nauseate 時間: 2025-3-27 23:59 作者: Eclampsia 時間: 2025-3-28 05:14
Book 2017d structures repeat in performances by Pina Bausch, Anne Teresa De Keersmaeker, Lone Twin Theatre, Haranczak/Navarre and Marco Berrettini. It?addresses repetition in relation to processes of desire and draws attention to the forces that repetition captures and makes visible. What is it in performanc作者: abject 時間: 2025-3-28 08:10
Deformation Twinning in Nanocrystalline fcc Copper and Aluminum,erimental evidences and molecular simulation results on deformation twinning and partial dislocation emissions from grain boundaries, and then discusses recent analytical models on the nucleation and growth of deformation twins. These models are compared with experimental results to establish their validity and limitations.
