標題: Titlebook: Reenacting Shakespeare in the Shakespeare Aftermath; The Intermedial Turn Thomas Cartelli Book 2019 The Editor(s) (if applicable) and The A [打印本頁] 作者: 粗略 時間: 2025-3-21 17:54
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath影響因子(影響力)
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath影響因子(影響力)學(xué)科排名
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath網(wǎng)絡(luò)公開度
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath被引頻次
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath被引頻次學(xué)科排名
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath年度引用
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath年度引用學(xué)科排名
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath讀者反饋
書目名稱Reenacting Shakespeare in the Shakespeare Aftermath讀者反饋學(xué)科排名
作者: 證明無罪 時間: 2025-3-21 21:48 作者: Anticoagulant 時間: 2025-3-22 03:33 作者: Anthrp 時間: 2025-3-22 06:51
https://doi.org/10.1057/978-1-137-40482-4Shakespeare; Hamlet; Thomas Ostermeier; Annie Dorsen; Romeo Castellucci; Peter Greenaway; Ivo van Hove; The作者: 通便 時間: 2025-3-22 12:12 作者: 共和國 時間: 2025-3-22 13:02 作者: 拍下盜公款 時間: 2025-3-22 20:53
surprisingly—thought-provoking, structurally complex, and relevant to contemporary society, as the essays in this volume attest. The scholars, teachers, and authors represented here offer their perspectives on this engaging genre..Within these pages, a reader will find a wealth of ideas to help tea作者: Etching 時間: 2025-3-22 22:38 作者: AMBI 時間: 2025-3-23 02:44 作者: 機密 時間: 2025-3-23 08:59 作者: endarterectomy 時間: 2025-3-23 10:00 作者: 復(fù)習 時間: 2025-3-23 14:55 作者: 諄諄教誨 時間: 2025-3-23 21:41 作者: badinage 時間: 2025-3-24 00:12 作者: Inclement 時間: 2025-3-24 05:58
Thomas Cartelliruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i作者: BUDGE 時間: 2025-3-24 06:45
Thomas Cartelliruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i作者: LASH 時間: 2025-3-24 10:49 作者: WAX 時間: 2025-3-24 17:13
Thomas Cartelliruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i作者: musicologist 時間: 2025-3-24 20:47
ruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i作者: 按時間順序 時間: 2025-3-25 00:38 作者: FEIGN 時間: 2025-3-25 04:11
c books. The contributors offer provocations, questioning the texts and pushing the boundaries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect作者: 立即 時間: 2025-3-25 07:30 作者: 最高峰 時間: 2025-3-25 15:17 作者: 現(xiàn)暈光 時間: 2025-3-25 19:09 作者: 讓你明白 時間: 2025-3-25 21:04 作者: 傷心 時間: 2025-3-26 03:10 作者: 忍受 時間: 2025-3-26 05:03
Thomas Cartellimy desire, denies my desire in such a way that it denies and excludes ‘me’, my identity. I have also argued, however, that not every social identity is equally exposed to radical antagonism and that not every threat to the identity results in violence.作者: Uncultured 時間: 2025-3-26 11:50 作者: 符合你規(guī)定 時間: 2025-3-26 14:39
Thomas Cartellimy desire, denies my desire in such a way that it denies and excludes ‘me’, my identity. I have also argued, however, that not every social identity is equally exposed to radical antagonism and that not every threat to the identity results in violence.作者: Benzodiazepines 時間: 2025-3-26 20:51
my desire, denies my desire in such a way that it denies and excludes ‘me’, my identity. I have also argued, however, that not every social identity is equally exposed to radical antagonism and that not every threat to the identity results in violence.作者: 有罪 時間: 2025-3-26 22:43 作者: FIN 時間: 2025-3-27 04:10 作者: Atrium 時間: 2025-3-27 08:06
ries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect978-94-6300-758-0作者: rectum 時間: 2025-3-27 10:21 作者: 倒轉(zhuǎn) 時間: 2025-3-27 14:59 作者: MEEK 時間: 2025-3-27 19:19 作者: 廣口瓶 時間: 2025-3-27 23:30
Book 2019come consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an .un.doing and a .re.doing, above all a doing .differently. of what otherwise continues to be enacted as the same. 作者: Enrage 時間: 2025-3-28 04:44 作者: Oratory 時間: 2025-3-28 09:14
Ghosts of History: Edward Bond’s , and Heiner Müller’s eare for our own time must be redeployed in a manner that disrupts expectations and denies easy access to escape or evasion. While Bond’s . inducts us into a pained moral accountability that cannot be sublimed away, . sustains a negativism that deforms, defies, and opposes whatever the normative order sponsors and supports, Shakespeare included.作者: fulcrum 時間: 2025-3-28 13:28 作者: 廣口瓶 時間: 2025-3-28 15:24 作者: Customary 時間: 2025-3-28 22:21
Reenacting Shakespeare in the Shakespeare Aftermathve space and condition of awareness wherein all things Shakespearean are available for reassembly and reenactment. Reenactment signifies both an .doing and a .doing, above all a doing . of what continues to be enacted as the same. This transformational approach to models of the past is rooted in the作者: Modicum 時間: 2025-3-28 22:56 作者: nascent 時間: 2025-3-29 05:59
Ghosts of History: Edward Bond’s , and Heiner Müller’s ation of Shakespeare’s last years in .. The fourth focuses on Heiner Müller’s . a landmark product Western cultural history, which it densely references and explodes in eight outspoken pages of text. For Bond, as for Müller, “We have not arrived at ourselves if Shakespeare writes our plays.” Shakesp作者: 修正案 時間: 2025-3-29 07:58 作者: 聾子 時間: 2025-3-29 12:12