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標題: Titlebook: Reenacting Shakespeare in the Shakespeare Aftermath; The Intermedial Turn Thomas Cartelli Book 2019 The Editor(s) (if applicable) and The A [打印本頁]

作者: 粗略    時間: 2025-3-21 17:54
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作者: 證明無罪    時間: 2025-3-21 21:48

作者: Anticoagulant    時間: 2025-3-22 03:33

作者: Anthrp    時間: 2025-3-22 06:51
https://doi.org/10.1057/978-1-137-40482-4Shakespeare; Hamlet; Thomas Ostermeier; Annie Dorsen; Romeo Castellucci; Peter Greenaway; Ivo van Hove; The
作者: 通便    時間: 2025-3-22 12:12

作者: 共和國    時間: 2025-3-22 13:02

作者: 拍下盜公款    時間: 2025-3-22 20:53
surprisingly—thought-provoking, structurally complex, and relevant to contemporary society, as the essays in this volume attest. The scholars, teachers, and authors represented here offer their perspectives on this engaging genre..Within these pages, a reader will find a wealth of ideas to help tea
作者: Etching    時間: 2025-3-22 22:38

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作者: badinage    時間: 2025-3-24 00:12

作者: Inclement    時間: 2025-3-24 05:58
Thomas Cartelliruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i
作者: BUDGE    時間: 2025-3-24 06:45
Thomas Cartelliruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i
作者: LASH    時間: 2025-3-24 10:49

作者: WAX    時間: 2025-3-24 17:13
Thomas Cartelliruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i
作者: musicologist    時間: 2025-3-24 20:47
ruled by fantasy. This means that the self and the other will not only ‘mis-recognize’ each other, but they will attempt to destroy each other in an attempt to save themselves from the threat the other poses to their existence. From this analytical perspective, although the relation with the other i
作者: 按時間順序    時間: 2025-3-25 00:38

作者: FEIGN    時間: 2025-3-25 04:11
c books. The contributors offer provocations, questioning the texts and pushing the boundaries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect
作者: 立即    時間: 2025-3-25 07:30

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作者: 現(xiàn)暈光    時間: 2025-3-25 19:09

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作者: 傷心    時間: 2025-3-26 03:10

作者: 忍受    時間: 2025-3-26 05:03
Thomas Cartellimy desire, denies my desire in such a way that it denies and excludes ‘me’, my identity. I have also argued, however, that not every social identity is equally exposed to radical antagonism and that not every threat to the identity results in violence.
作者: Uncultured    時間: 2025-3-26 11:50

作者: 符合你規(guī)定    時間: 2025-3-26 14:39
Thomas Cartellimy desire, denies my desire in such a way that it denies and excludes ‘me’, my identity. I have also argued, however, that not every social identity is equally exposed to radical antagonism and that not every threat to the identity results in violence.
作者: Benzodiazepines    時間: 2025-3-26 20:51
my desire, denies my desire in such a way that it denies and excludes ‘me’, my identity. I have also argued, however, that not every social identity is equally exposed to radical antagonism and that not every threat to the identity results in violence.
作者: 有罪    時間: 2025-3-26 22:43

作者: FIN    時間: 2025-3-27 04:10

作者: Atrium    時間: 2025-3-27 08:06
ries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect978-94-6300-758-0
作者: rectum    時間: 2025-3-27 10:21

作者: 倒轉(zhuǎn)    時間: 2025-3-27 14:59

作者: MEEK    時間: 2025-3-27 19:19

作者: 廣口瓶    時間: 2025-3-27 23:30
Book 2019come consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an .un.doing and a .re.doing, above all a doing .differently. of what otherwise continues to be enacted as the same.
作者: Enrage    時間: 2025-3-28 04:44

作者: Oratory    時間: 2025-3-28 09:14
Ghosts of History: Edward Bond’s , and Heiner Müller’s eare for our own time must be redeployed in a manner that disrupts expectations and denies easy access to escape or evasion. While Bond’s . inducts us into a pained moral accountability that cannot be sublimed away, . sustains a negativism that deforms, defies, and opposes whatever the normative order sponsors and supports, Shakespeare included.
作者: fulcrum    時間: 2025-3-28 13:28

作者: 廣口瓶    時間: 2025-3-28 15:24

作者: Customary    時間: 2025-3-28 22:21
Reenacting Shakespeare in the Shakespeare Aftermathve space and condition of awareness wherein all things Shakespearean are available for reassembly and reenactment. Reenactment signifies both an .doing and a .doing, above all a doing . of what continues to be enacted as the same. This transformational approach to models of the past is rooted in the
作者: Modicum    時間: 2025-3-28 22:56

作者: nascent    時間: 2025-3-29 05:59
Ghosts of History: Edward Bond’s , and Heiner Müller’s ation of Shakespeare’s last years in .. The fourth focuses on Heiner Müller’s . a landmark product Western cultural history, which it densely references and explodes in eight outspoken pages of text. For Bond, as for Müller, “We have not arrived at ourselves if Shakespeare writes our plays.” Shakesp
作者: 修正案    時間: 2025-3-29 07:58

作者: 聾子    時間: 2025-3-29 12:12





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