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標(biāo)題: Titlebook: Race, Class, and Gender in "Medieval" Cinema; Lynn T. Ramey,Tison Pugh Book 2007 Palgrave Macmillan, a division of Nature America Inc. 200 [打印本頁(yè)]

作者: Cession    時(shí)間: 2025-3-21 17:10
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作者: 絆住    時(shí)間: 2025-3-21 21:11
Reversing the Crusades: Hegemony, Orientalism, and Film Language in Youssef Chahine’s onal . turns out to be, and how much it resembles in some respects the Hollywood versions of the Crusades that it seeks to answer. I will argue that this impression is in fact a result of the film’s strategy, which is as much to enter into dialogue with Western filmic representations of the Crusades
作者: resilience    時(shí)間: 2025-3-22 03:16

作者: Harness    時(shí)間: 2025-3-22 06:55
Mission Historical, Or “[T]here Were a Hell of a Lot of Knights”: Ethnicity and Alterity in Jerry Brncern identity, and how an individual constructs a sense of self, and of meaning: where do we belong, what is our relationship to place, to our culture, to nation, and to belief? Is there destiny, and what of free will? The search for answers triangulates Arthur with transfigured notions of homeland
作者: 甜得發(fā)膩    時(shí)間: 2025-3-22 09:26

作者: CAPE    時(shí)間: 2025-3-22 13:26
In Praise of Troubadourism: Creating Community in Occupied France, 1942–43ation of a mythical past performs important cultural work for these filmmakers as well as for the Occupation French audience who viewed the film. While the chapters in this volume ask important questions about how modern directors use medieval settings to infuse their works with modern preoccupation
作者: 飛行員    時(shí)間: 2025-3-22 20:02
The Hawk, the Wolf, and the Mouse: Tracing the Gendered other in Richard Donner’s elle Pfeiffer) is a hawk. After a variety of adventures, Phillipe finally helps the lovers return to Aquila, both to kill the evil bishop who has cursed them and to break the enchantment, allowing them to coexist in their human forms.
作者: 箴言    時(shí)間: 2025-3-23 00:28
The “other” Women of Sherwood: The Construction of Difference and Gender in Cinematic Treatments of ers have received more critical attention,. we highlight instead pivotal women in the Sherwood film canon, not only the obvious Maid Marian, but also other and Othered female figures—Marian’s serving woman, Queen Eleanor, men performing female roles, women performing male roles—whose depictions refl
作者: 小木槌    時(shí)間: 2025-3-23 05:04
Lynn Shutterss etwa 10 kW sind bipolare Leistungstransistoren und MOSFET im Einsatz. Diese Halbleiter wurden in Abschnitt 3 beschrieben. Als weitere Bauelemente haben sich bew?hrt: Der Thyristor, der Triac, der GTO (Abschaltthyristor) sowie der IGBT (Insulated-gate-bipolar-transistor).
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作者: Valves    時(shí)間: 2025-3-23 17:07

作者: 巧辦法    時(shí)間: 2025-3-23 21:25
The New Middle Ageshttp://image.papertrans.cn/r/image/820296.jpg
作者: 法官    時(shí)間: 2025-3-23 22:12

作者: 不安    時(shí)間: 2025-3-24 02:32

作者: 憲法沒(méi)有    時(shí)間: 2025-3-24 07:58

作者: impale    時(shí)間: 2025-3-24 12:40
Introduction: Filming the “other” Middle Agess Joan of Arc films in the late nineteenth century, the Middle Ages has served as a preferred setting for exploring on the silver screen some of society’s deepest concerns.. But the marriage of film and history is frequently somewhat inharmonious because, as Vivian Sobchack observes, combining moder
作者: Dislocation    時(shí)間: 2025-3-24 16:27
Once, Present, and Future Kings: , and the Multitemporality of Medieval Filmin him in the Holy Land, he uses terms that will be familiar to any student of the frontier myth and its cinematic expression, the Western. There, he tells Balian, “a man can repair his fortunes”; there “you are not what you were born, but what you have it in yourself to be.” In the East you can, if
作者: 裙帶關(guān)系    時(shí)間: 2025-3-24 20:29

作者: saturated-fat    時(shí)間: 2025-3-25 00:49
Reversing the Crusades: Hegemony, Orientalism, and Film Language in Youssef Chahine’s ser’s consolidation of power, it was directed by one of the leading figures in modern Egyptian cinema, whose lifetime achievement in film has been complex, critical, and resistant. It is often cited as one of the few film versions of the Crusades from the point of view of the Saracen leader, and one
作者: cocoon    時(shí)間: 2025-3-25 05:18

作者: Incorporate    時(shí)間: 2025-3-25 07:29

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作者: 多產(chǎn)子    時(shí)間: 2025-3-25 16:11
Inner-City Chivalry in Gil Junger’s ,: A South Central Yankee in King Leo’s Courtmula.. Though universally panned by critics, Gil Junger’s 2001 comedy offers an intriguing postcolonial fantasy that draws upon and transforms the very real oppression of urban modernity in inner-city communities like South Central LA by transporting the ghetto to the Eurocentric Middle Ages. At fir
作者: CAND    時(shí)間: 2025-3-25 20:58
Queering the Medieval Dead: History, Horror, and Masculinity in Sam Raimi’s , Trilogyt Ash (Bruce Campbell) fights his possessed friends in a desperate bid for survival, to the battlefields of Arthurian England in 1300, where the conflict takes on an epic scope.. Time traveling back through history functions as an antidote to the modern-day emasculation of Ash, who is feminized in h
作者: acrobat    時(shí)間: 2025-3-26 03:43
In Praise of Troubadourism: Creating Community in Occupied France, 1942–43scribe the appropriation of the medieval past to create a sentimental present.. While for Thomas troubadourism held dangerous implications of filmic collaboration with Hitler’s Germany, her argument that the Middle Ages is easily misused as a far-removed, imaginary space in which to address contempo
作者: covert    時(shí)間: 2025-3-26 07:12

作者: 培養(yǎng)    時(shí)間: 2025-3-26 10:48
The Hawk, the Wolf, and the Mouse: Tracing the Gendered other in Richard Donner’s d on “a thirteenth century European legend,” like many medieval truth-claims, this one turns out to be the product of invention, one of the few genuinely medieval qualities the work displays. Edward Khmara, the film’s scriptwriter, dispels this myth, suggesting instead that the story came to him whi
作者: vanquish    時(shí)間: 2025-3-26 13:55

作者: 牛的細(xì)微差別    時(shí)間: 2025-3-26 19:33
The “other” Women of Sherwood: The Construction of Difference and Gender in Cinematic Treatments of ddle Ages. Because their original medieval and Tudor literary sources are obscure, plot points and characters in Robin Hood films are familiar-but-fluid, resulting in a body of self-referentially “reel” versions of the greenwood legend that reflect major social developments of the past century as mu
作者: genuine    時(shí)間: 2025-3-26 22:32

作者: 貿(mào)易    時(shí)間: 2025-3-27 04:09
Book 2007cupations into a setting that would normally be considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to explore modern preoccupations with human identity.
作者: TIGER    時(shí)間: 2025-3-27 07:29

作者: 名字    時(shí)間: 2025-3-27 11:28

作者: brassy    時(shí)間: 2025-3-27 15:13
Samurai on Shifting Ground: Negotiating the Medieval and the Modern in , and amental social instability.. Eschewing the static social model of the majority of samurai films, in which the class origins of the individual transcend the fluctuations of a modernizing world, Kurosawa sets his wily warriors upon a shifting socioeconomic stage that keeps questions of identity continuously in play.
作者: 要素    時(shí)間: 2025-3-27 18:43

作者: Hiatal-Hernia    時(shí)間: 2025-3-28 00:35

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作者: Project    時(shí)間: 2025-3-28 15:55

作者: Asseverate    時(shí)間: 2025-3-28 21:35
Caroline Jewers für Elektromotoren, Heiz- und Schmelz?fen, Elektrolyse- und Galvanikanlagen, Hochspannungsgleichstromübertragung (HGü) oder Sendeanlagen. Auch in der Kraftfahrzeugtechnik und im Haushalt findet die Leistungselektronik zunehmend Verwendung. Bild 5–1 gibt eine übersicht über die wichtigsten Leistungs
作者: 眨眼    時(shí)間: 2025-3-29 00:34

作者: 駕駛    時(shí)間: 2025-3-29 03:10
nn. Speziell im Siemens-Umfeld taucht für die SPS auch immer wieder der Begriff?AG (Automatisierungsger?t) auf. Im Englischen hei?t die SPS Programmable Logic Controller (PLC). Die beiden Begriffe Steuern und Regeln sind in der DIN?19226 definiert und lassen sich wie folgt erkl?ren: Bei einer . beei
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作者: 尾巴    時(shí)間: 2025-3-29 14:37

作者: 使閉塞    時(shí)間: 2025-3-29 18:42

作者: alleviate    時(shí)間: 2025-3-29 20:14
tion & AI at the International School of Management. He is founder and director of the JuS.TECH Institute for AI and Sustainability, co-founder of the WeGoFive initiative for productive human-AI cooperation and978-3-662-64004-3978-3-662-64005-0
作者: AWE    時(shí)間: 2025-3-30 02:41
Teela Sanders,Jane Scoular,Rosie Campbell,Jane Pitcher,Stewart Cunninghamman education focuses upon creative planning moving like a pendulum between nature and freedom...The present collection of papers focuses on the underpinnings of the creative workings of the human strategies of reason..978-90-481-7601-4978-1-4020-6302-2Series ISSN 0167-7276 Series E-ISSN 2542-8330
作者: 不滿分子    時(shí)間: 2025-3-30 04:10

作者: 使厭惡    時(shí)間: 2025-3-30 09:39





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