標(biāo)題: Titlebook: On the Aesthetics of Roman Ingarden; Interpretations and Bohdan Dziemidok,Peter McCormick Book 1989 Kluwer Academic Publishers 1989 aesthe [打印本頁] 作者: Spouse 時(shí)間: 2025-3-21 16:25
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作者: eulogize 時(shí)間: 2025-3-21 23:49 作者: Proclaim 時(shí)間: 2025-3-22 03:30
The Sculptural Work of Art,. For although he carefully avoided giving too blatant an impression of being involved in systematic theory construction, out of the diversity of his inquiries into central art forms emerges a beautifully appointed aesthetic theory. And this theory could no more be his than if it carried with it his personal imprimatur.作者: 同謀 時(shí)間: 2025-3-22 05:37
Ingarden, Inscription, and Literary Ontology,citly and repeatedly rejects from the ontological make-up of the literary work of art. I refer to the visual or graphic dimension of the literary work; and I mean by this not the visual imagery which the work’s words evoke, by simply the written, printed, or (as we shall for convenience generally denote it) the inscribed form of the text.作者: Exposition 時(shí)間: 2025-3-22 11:43
Ingarden on the Theatre,tional value are exceptional. The ideas expressed in both articles are the main subject of my considerations, although Ingarden also dealt with the question of drama and of theatrical performance in many other places in his book, considering them from various angles..作者: 楓樹 時(shí)間: 2025-3-22 15:01 作者: 拱墻 時(shí)間: 2025-3-22 18:11
https://doi.org/10.1007/978-94-009-2257-0aesthetics; bibliography; comparative; concept; death; interpret; literary studies; metaphysics; ontology; or作者: cartilage 時(shí)間: 2025-3-22 23:14 作者: 束縛 時(shí)間: 2025-3-23 03:30
The Work of Art and Aesthetic Categories According to Ingarden, work of art. Most modern aesthetic theories seem to share this conviction. However, the explanation of artistic values through the operation of a certain kind of object (works of art) leads to unexpected and even paradoxical results, which appear even in competent and conscientious studies.作者: 牽索 時(shí)間: 2025-3-23 08:16 作者: 去掉 時(shí)間: 2025-3-23 12:11
On the Aesthetics of Roman Ingarden978-94-009-2257-0Series ISSN 0924-4530 作者: 放逐某人 時(shí)間: 2025-3-23 16:39
,Ingarden’s Theory of Values and the Evaluation of the Work of Art,The theory of values has today assumed a central place in contemporary aesthetics. It seems to me that the reasons for this predominant position should be sought not only in the theoretical and cognitive importance of axiological problems but also in their ideological significance.作者: Pandemic 時(shí)間: 2025-3-23 21:17 作者: defray 時(shí)間: 2025-3-24 02:13 作者: 改正 時(shí)間: 2025-3-24 05:42
,On Ingarden’s Conception of the Musical Composition,Roman Ingarden’s “Utwor muzyczny i sprawa jego tozsa-mo?ci” (The Musical Composition and the Matter of Its Identity) as well as his other studies concerning different domains of art have for years been an inexhaustible stimulus for diverse considerations on aesthetics.作者: Blemish 時(shí)間: 2025-3-24 09:26
ty, to unconscientious salaried workers. Among the other groups guilty of anti-social behaviour of this kind, three categories of women were identified as contributing to the breakdown of social discipline: wives and mothers who failed to devote their time to the upbringing of their children; single作者: Legion 時(shí)間: 2025-3-24 12:27 作者: 痛恨 時(shí)間: 2025-3-24 16:34
G. David Pollicke 1945, we find that there have been many armed conflicts in disregard of UN Charter obligations. According to the Nürnberg Charter and a resolution of the UN General Assembly, to wage war in violation of an international treaty is a . (see Appendices 1(a) and 13).作者: 使迷惑 時(shí)間: 2025-3-24 19:18 作者: multiply 時(shí)間: 2025-3-25 02:42 作者: Infant 時(shí)間: 2025-3-25 05:33 作者: 極力證明 時(shí)間: 2025-3-25 08:15 作者: 退出可食用 時(shí)間: 2025-3-25 13:05
Book 1989ere he brought those interests to focus on a set of issues that would occupy him creatively throughout the vicissitudes of his long and difficult scholarly life. More- over, aesthetics is also the field where Ingarden perhaps most succeeded in orchestrating the many themes he owed to his phenomenolo作者: STERN 時(shí)間: 2025-3-25 17:17
0924-4530 icult scholarly life. More- over, aesthetics is also the field where Ingarden perhaps most succeeded in orchestrating the many themes he owed to his phenomenolo978-94-010-7511-4978-94-009-2257-0Series ISSN 0924-4530 作者: altruism 時(shí)間: 2025-3-25 22:36 作者: TIGER 時(shí)間: 2025-3-26 03:15
Peter McCormickthy of academic study, distinct from moral theology, and with immediate practical applications in the relations among rulers. Grotius was a great innovator, not because he disregarded the work of his predecessors and contemporaries, but because he brought their disparate work into coherent relations作者: neutral-posture 時(shí)間: 2025-3-26 04:51 作者: 飛鏢 時(shí)間: 2025-3-26 09:13
Danuta Kuznickaformance, between words and deeds. There is, in the first place, the contradiction between the obligation which states have assumed under international treaties not to resort to armed force, as against the way states actually behave. The UN Charter is a treaty to which most of the world’s sovereign 作者: 浮雕 時(shí)間: 2025-3-26 13:41 作者: 外觀 時(shí)間: 2025-3-26 20:47 作者: Abduct 時(shí)間: 2025-3-27 00:31
The Structure of Artworks,r philosophic orientation — they have found a permanent place in Polish aesthetic thought and one can hardly imagine a contemporary investigation in aesthetics taking no account of Ingarden’s impressive achievement. Yet despite some fascination with his aesthetic system, nothing like a “school of In作者: modest 時(shí)間: 2025-3-27 01:09
The Work of Art and Aesthetic Categories According to Ingarden, work of art. Most modern aesthetic theories seem to share this conviction. However, the explanation of artistic values through the operation of a certain kind of object (works of art) leads to unexpected and even paradoxical results, which appear even in competent and conscientious studies.作者: Ancillary 時(shí)間: 2025-3-27 08:37 作者: 有罪 時(shí)間: 2025-3-27 12:15
,Ingarden’s and Muka?ovsky’s Binominal Definition of the Literary Work of Art,th phenomenology and structuralism. However, a closer look at these positions reveals that in spite of their manifestly different epis-temologies, on a number of other issues they are not as disparate as one might assume. Even though Ingarden, unlike Mukarovsky, “considered [the literary work] as so作者: Nonporous 時(shí)間: 2025-3-27 15:00
The Sculptural Work of Art,llection takes as its unifying theme the aesthetics of Ingarden, I’m confident that he would find this emphasis congenial. For, in this case, it is the phenomenon of sculpture itself which makes Ingarden’s reflections so welcome. Little could have give him greater satisfaction than to know that appr作者: Dna262 時(shí)間: 2025-3-27 21:03
Ingarden on the Theatre,rned with theatre: “The Stage Play” (317–23) and the appendix “The Function of Language in the Theatre” (377–93). The latter Ingarden wrote in the fifties,. more than twenty years after the former. Though he does not comment on this, it seem an important fact because from the current point of view t作者: MIME 時(shí)間: 2025-3-27 23:11
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