標(biāo)題: Titlebook: On Lightness in World Literature; Bede Scott Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 English literature.liter [打印本頁(yè)] 作者: 無感覺 時(shí)間: 2025-3-21 17:52
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作者: 兩棲動(dòng)物 時(shí)間: 2025-3-21 20:24
Superficiality,newspaper’s readers were told, Hain had spent several years studying “social conditions” in Japan. As his interests were “chiefly literary,” however, he had also “made a careful study of Japanese literature, and [had] arrived at some interesting conclusions on the subject.” These conclusions were as作者: cathartic 時(shí)間: 2025-3-22 03:17 作者: 激勵(lì) 時(shí)間: 2025-3-22 05:53 作者: 策略 時(shí)間: 2025-3-22 12:01 作者: 特別容易碎 時(shí)間: 2025-3-22 14:53
Triviality,of world literature were produced: Sei Shonagon’s . (.) and Murasaki Shikibu’s . (.). Although my focus in this chapter will be on the first of these, I would like to begin by comparing the two, for the contrast between their dominant affective qualities—between the joyful inconsequentiality of the 作者: 破譯 時(shí)間: 2025-3-22 17:02 作者: heterogeneous 時(shí)間: 2025-3-22 23:28
Bede Scottnion why this silencing occurs. First, international opinion demands that the society examine the abuses of the past; but residents fear that an examination will disrupt the peace and their reputation as a model for the world. A second related problem is that delving into the past, no matter how imp作者: 歡騰 時(shí)間: 2025-3-23 04:53 作者: Cardiac-Output 時(shí)間: 2025-3-23 05:37 作者: 征稅 時(shí)間: 2025-3-23 11:34 作者: Mundane 時(shí)間: 2025-3-23 13:54
Irreverence,e ludic tendencies, the “grand games,” of the eighteenth century (. 15–16). As I have suggested once before, this argument strikes me as entirely plausible. But perhaps it is not necessary merely to imagine this alternate universe; perhaps this “other history” actually did transpire, only somewhere 作者: 過于光澤 時(shí)間: 2025-3-23 18:26 作者: GUMP 時(shí)間: 2025-3-24 01:23 作者: Abjure 時(shí)間: 2025-3-24 05:19
parate sources, Scott makes a strong case for the universality of this particular aesthetic value, while also subjecting its underlying structural features to close critical scrutiny..? ?.? ? ??.978-1-349-46930-7978-1-137-34684-1作者: 癡呆 時(shí)間: 2025-3-24 08:06 作者: Alopecia-Areata 時(shí)間: 2025-3-24 11:09 作者: 泥土謙卑 時(shí)間: 2025-3-24 16:54
Bede Scotthe guaranteed representation each group receives. Finally, because of the divisions still in the society, victims are often silenced because they cannot tell their stories until they have a sympathetic audience on both sides, but they likely cannot find a sympathetic audience on both sides until the作者: Capture 時(shí)間: 2025-3-24 21:00 作者: 遺傳 時(shí)間: 2025-3-25 01:15 作者: Bucket 時(shí)間: 2025-3-25 04:06
978-1-349-46930-7Palgrave Macmillan, a division of Nature America Inc. 2013作者: Albumin 時(shí)間: 2025-3-25 10:31 作者: 憤慨一下 時(shí)間: 2025-3-25 13:35 作者: GUISE 時(shí)間: 2025-3-25 16:58
https://doi.org/10.1057/9781137346841English literature; literature; Narrative; Voltaire; world literature作者: LITHE 時(shí)間: 2025-3-25 21:57
ttle has been written on the adjective that actually defines this category. What, precisely, does it signify, and what are some of the key strategies by which the effect of lightness is achieved within literary discourse? In this original and engaging study, Bede Scott explores the aesthetic quality作者: Monocle 時(shí)間: 2025-3-26 03:51 作者: AIL 時(shí)間: 2025-3-26 07:08
Book 2013een written on the adjective that actually defines this category. What, precisely, does it signify, and what are some of the key strategies by which the effect of lightness is achieved within literary discourse? In this original and engaging study, Bede Scott explores the aesthetic quality of lightn作者: 賠償 時(shí)間: 2025-3-26 09:57
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