標(biāo)題: Titlebook: Nineteenth-Century Verse and Technology; Machines of Meter Jason David Hall Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 [打印本頁] 作者: fasten 時(shí)間: 2025-3-21 19:24
書目名稱Nineteenth-Century Verse and Technology影響因子(影響力)
書目名稱Nineteenth-Century Verse and Technology影響因子(影響力)學(xué)科排名
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書目名稱Nineteenth-Century Verse and Technology網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Nineteenth-Century Verse and Technology讀者反饋學(xué)科排名
作者: Atmosphere 時(shí)間: 2025-3-21 22:33 作者: 散步 時(shí)間: 2025-3-22 02:06 作者: ANIM 時(shí)間: 2025-3-22 05:37
Introduction,highlights some of the main interfaces between meter and machines in the nineteenth century, raises key questions (e.g., about the choice of materials, the role of scansion), and provides a chapter-by-chapter summary of the book.作者: judicial 時(shí)間: 2025-3-22 12:41 作者: 成績上升 時(shí)間: 2025-3-22 16:00
Meter Manufactories,choolboys as a mainstay of nineteenth-century liberal education. The institution of “scholastic prosody” constituted not only a pedagogical apparatus that fundamentally structured the Victorian metrical imaginary—fostering many of the period’s poets and prosodists—but also purveyed a set of processe作者: Pcos971 時(shí)間: 2025-3-22 19:31 作者: ablate 時(shí)間: 2025-3-23 00:22
The Automatic Flow of Verse,became a topic of interest to phrenologists, physiologists, physicians, and surgeons, who assessed metrical ability and deficiency from the perspective of their specialist fields. Their pronouncements about meter—often grounded in the materiality of the body or the embodied mind—advanced a new vocab作者: 暴行 時(shí)間: 2025-3-23 04:14
Instrumental Prosody,scrutinized by a newly mechanized verse science. By the turn of the century, metrical verse was being subjected to a rigorous measurement regime, underwritten by a robust materialism in physiology and psychology, in coordination with burgeoning technologies of sound. Experimentalists assisted in the作者: Concerto 時(shí)間: 2025-3-23 06:22 作者: 休戰(zhàn) 時(shí)間: 2025-3-23 10:38
Measurement, Temporality, Abstraction,lar ones with an apparently irregular or imperceptibly fast engine cadence. While some machines beat in time with the metrics of the New Prosody, others seemed to have no discernible “metrical” organization at all.作者: Hiatus 時(shí)間: 2025-3-23 17:43 作者: 仇恨 時(shí)間: 2025-3-23 18:22 作者: 學(xué)術(shù)討論會(huì) 時(shí)間: 2025-3-24 00:13 作者: mastoid-bone 時(shí)間: 2025-3-24 02:57
Instrumental Prosody,ttered lines of metered poetry but also of inscribing their own, ostensibly more accurate and trustworthy, “record” of a poem’s rhythm. This experimental phase of prosodic enquiry, which prized material acoustic rhythms over metrical abstractions, offered a counterpoint to the theories and practices作者: 射手座 時(shí)間: 2025-3-24 06:49 作者: 顛簸地移動(dòng) 時(shí)間: 2025-3-24 12:20 作者: 高興一回 時(shí)間: 2025-3-24 15:58 作者: 拒絕 時(shí)間: 2025-3-24 22:19
Nineteenth-Century Verse and Technology978-3-319-53502-9Series ISSN 2634-6494 Series E-ISSN 2634-6508 作者: AWE 時(shí)間: 2025-3-24 23:15 作者: 有權(quán) 時(shí)間: 2025-3-25 03:45 作者: analogous 時(shí)間: 2025-3-25 07:37 作者: faultfinder 時(shí)間: 2025-3-25 14:39
Jason David HallRepositions thinking about nineteenth-century meter and a variety of texts and practices associated with it.Examines how both writing in meter and about it participates in the nineteenth century’s “cu作者: 我不怕犧牲 時(shí)間: 2025-3-25 19:22
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