派博傳思國(guó)際中心

標(biāo)題: Titlebook: New Queer Sinophone Cinema; Local Histories, Tra Zoran Lee Pecic Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 PRC.China.S [打印本頁(yè)]

作者: 有判斷力    時(shí)間: 2025-3-21 18:55
書目名稱New Queer Sinophone Cinema影響因子(影響力)




書目名稱New Queer Sinophone Cinema影響因子(影響力)學(xué)科排名




書目名稱New Queer Sinophone Cinema網(wǎng)絡(luò)公開(kāi)度




書目名稱New Queer Sinophone Cinema網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱New Queer Sinophone Cinema被引頻次




書目名稱New Queer Sinophone Cinema被引頻次學(xué)科排名




書目名稱New Queer Sinophone Cinema年度引用




書目名稱New Queer Sinophone Cinema年度引用學(xué)科排名




書目名稱New Queer Sinophone Cinema讀者反饋




書目名稱New Queer Sinophone Cinema讀者反饋學(xué)科排名





作者: 寬大    時(shí)間: 2025-3-22 00:10
Thirdspace of ,,liceman and the powerless queer subject, the chapter suggests that the in-between spaces in . attest to the ways New Queer Sinophone Cinema challenges essentialised positionings and introduces new methods of viewing non-normative sexuality in and outside the PRC.
作者: RENIN    時(shí)間: 2025-3-22 04:10
,Crossing Time and Space: Female Desire in Yan Yan Mak’s ,,nly an event of the past but also that which imagined in the future. The chapter suggests that Mak’s film employs Thirdspace, in which familiarity and estrangement coalesce, as way of problematising both coming out narratives and the act of looking. Finally, the chapter explores Mak’s positioning of
作者: CHYME    時(shí)間: 2025-3-22 07:00
,Zero Chou’s , Trilogy,f the real and the fantastic, provincialises Judith Butler’s notions of drag as a discursive practice, adding localised historicisations of queer desire that do not follow Euro-American notions of gender parody. Then, the chapter examines Chou’s 2007 Teddy Award-winning film ., which continues to re
作者: 對(duì)手    時(shí)間: 2025-3-22 09:23
Queer Auteurs of Hong Kong Cinema,ons of representability in queer Hong Kong cinema. First, it suggests that Scud’s 2010 film . frustrates and alienates the viewer, and by undermining the ‘gay film’ genre, forces him/her to re-think his/her relationship with the film. Second, the chapter argues that Kit Hung’s 2009 film . Chime, whi
作者: 格子架    時(shí)間: 2025-3-22 14:28
Zoran Lee Pecictions- und Interaktionsfeld. Ein den Vollzugsaufgaben entsprechend zusammengesetzter und gegliederter Vollzugsstab. kann das Geschehen in der Institution mit den Gefangenen vollzugszielorientiert einrichten. Das Strafvollzugsgesetz enth?lt deshalb mit § 154 Abs. 1 eine Kooperationsklausel, wonach al
作者: FACT    時(shí)間: 2025-3-22 18:14
Zoran Lee Pecictions- und Interaktionsfeld. Ein den Vollzugsaufgaben entsprechend zusammengesetzter und gegliederter Vollzugsstab. kann das Geschehen in der Institution mit den Gefangenen vollzugszielorientiert einrichten. Das Strafvollzugsgesetz enth?lt deshalb mit § 154 Abs. 1 eine Kooperationsklausel, wonach al
作者: BRAVE    時(shí)間: 2025-3-23 00:00

作者: 投射    時(shí)間: 2025-3-23 04:52
Zoran Lee Pecicgshelfer). § 154 Abs. 2 S. 1 StVollzG gebietet darüber hinaus ausdrücklich die Zusammenarbeit mit den Verb?nden der freien Wohlfahrtspflege.. Die personelle Anstaltsstruktur umfasst ferner die Beteiligung der Inhaftierten, die nicht nur i.S.d. § 4 Abs. 1 StVollzG selbst an ihrer Behandlung mitwirken
作者: Gleason-score    時(shí)間: 2025-3-23 07:45

作者: 勉勵(lì)    時(shí)間: 2025-3-23 11:36

作者: yohimbine    時(shí)間: 2025-3-23 17:15

作者: NAIVE    時(shí)間: 2025-3-23 19:12
http://image.papertrans.cn/n/image/665701.jpg
作者: Inelasticity    時(shí)間: 2025-3-23 22:22
https://doi.org/10.1057/978-1-349-94882-6PRC; China; Sinophone; Queer; Asia; Taiwan; Hong Kong; chinese
作者: fatty-acids    時(shí)間: 2025-3-24 03:35
Zoran Lee PecicUniquely intersects academic fields focused on queer cultures and Sinophone cinemas.Pays close attention to complex queer.spaces where ‘China’.meets the periphery.RethinksEurocentric perspectives on C
作者: Interdict    時(shí)間: 2025-3-24 07:44
Thirdspace of ,,liceman and the powerless queer subject, the chapter suggests that the in-between spaces in . attest to the ways New Queer Sinophone Cinema challenges essentialised positionings and introduces new methods of viewing non-normative sexuality in and outside the PRC.
作者: anthropologist    時(shí)間: 2025-3-24 13:46

作者: GRATE    時(shí)間: 2025-3-24 17:06
a’.meets the periphery.RethinksEurocentric perspectives on C.This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both
作者: Accomplish    時(shí)間: 2025-3-24 19:10
Book 2016e PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both concepts as local and global, homebound as well as diasporic. Queerness in this book not only problematises the positioning of non-normative desires within the Sinophone; it also challenges Eurocentric critica
作者: Interregnum    時(shí)間: 2025-3-25 03:11
Introduction,challenging both heteronormative ideas of a national Chinese cinema and Euro-American notions of queerness. The chapter offers an outline of the book’s aims and scope, highlighting its structure and methodology.
作者: Priapism    時(shí)間: 2025-3-25 07:06

作者: hereditary    時(shí)間: 2025-3-25 10:43
,Zero Chou’s , Trilogy,work Euro-American notions of gender parody by complicating the . (butch/femme) binary. The chapter also suggests that . repositions the image of the . back to it queer origins. Finally, the chapter suggests that in her 2009 film ., Chou employs and reworks both the schoolgirl romance as well as the tomboy melodrama.
作者: Traumatic-Grief    時(shí)間: 2025-3-25 14:18
Queer Auteurs of Hong Kong Cinema,lst offering a similar method of subverting the gay film genre, employs slowness as a way of thwarting the viewer’s expectations. Finally, the chapter suggests that intertextuality in . establishes Hung as a queer auteur whose work references and continues the Sinophone cinematic tradition.
作者: 盡責(zé)    時(shí)間: 2025-3-25 17:11
Book 2016l perspectives on filmic representation that are tied to the idea of the binary between East/West. New Queer Sinophone Cinema will appeal to scholars in Chinese and film studies, as well as to anyone who is interested in queer Chinese cinema..
作者: 枯燥    時(shí)間: 2025-3-25 22:36

作者: 使成整體    時(shí)間: 2025-3-26 04:02
Political Significance of Economic Sanctions,ical reaction. They may demonstrate unity within an alliance and firm resolve in taking some action; they may serve as a warning against policies or actions which may provoke sanctions; they may be designed to impress the domestic population of the sanctioning county. All of the possible objectives,
作者: JEER    時(shí)間: 2025-3-26 06:44

作者: 衰老    時(shí)間: 2025-3-26 12:21

作者: archaeology    時(shí)間: 2025-3-26 15:59

作者: 藝術(shù)    時(shí)間: 2025-3-26 20:15
Dustin S. Stoltz,Michael Lee Wood of these complications, many diabetic patients receive less than optimal cancer therapy..A matter of concern for cancer promotion is all conditions causing hyperinsulinemia, both endogenous (insulin-resistant diseases with compensatory hyperinsulinemia, like obesity and prediabetes) and exogenous.
作者: Optometrist    時(shí)間: 2025-3-26 22:29

作者: Erythropoietin    時(shí)間: 2025-3-27 01:43
Dekodieren als kritische Methode: Lektüren zu einer Geschlechterordnung der Erinnerung am Beispiel ve Akteure die Vergangenheit für ihre Interessen ge- oder missbrauchen, sondern auch die Frage, in welcher Weise die Darstellung von und das Sprechen über die Vergangenheit soziale und politisch handelnde Akteure . und welche Interessen und Positionen damit überhaupt . werden. Hieraus folgt wiederum,
作者: BROOK    時(shí)間: 2025-3-27 09:19

作者: 健壯    時(shí)間: 2025-3-27 13:16
Sarah Turner,Jason Nurse,Shujun Li Grundlagen ableitbaren Voraussetzungen der Messverfahren wie z.?B. die Anforderungen an die Schallfelder und die daraus ableitbaren Festlegungen der Messverfahren (z.?B. Position und Anzahl von Lautsprechern und Mikrofonen) werden eingehend diskutiert. Auf praktische Fragestellungen wie die Notwend
作者: reserve    時(shí)間: 2025-3-27 15:19

作者: 耐寒    時(shí)間: 2025-3-27 18:54
,A Short-Lived, Momentous Periodical, 1889–90,ery different way of presenting and interpreting anarchism from those commonly accepted in the anarchist camp, especially outside of Italy, and mainly inspired by Bakunin’s and Kropotkin’s theories’ (., 8).




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