標(biāo)題: Titlebook: New Indian Nuttahs; Comedy and Cultural Kavyta Kay Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 censorship.internet.soci [打印本頁] 作者: 使沮喪 時(shí)間: 2025-3-21 19:28
書目名稱New Indian Nuttahs影響因子(影響力)
書目名稱New Indian Nuttahs影響因子(影響力)學(xué)科排名
書目名稱New Indian Nuttahs網(wǎng)絡(luò)公開度
書目名稱New Indian Nuttahs網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱New Indian Nuttahs被引頻次
書目名稱New Indian Nuttahs被引頻次學(xué)科排名
書目名稱New Indian Nuttahs年度引用
書目名稱New Indian Nuttahs年度引用學(xué)科排名
書目名稱New Indian Nuttahs讀者反饋
書目名稱New Indian Nuttahs讀者反饋學(xué)科排名
作者: indemnify 時(shí)間: 2025-3-21 23:18 作者: BLOT 時(shí)間: 2025-3-22 00:46
978-3-030-07420-3The Editor(s) (if applicable) and The Author(s) 2018作者: 鞭打 時(shí)間: 2025-3-22 04:51 作者: SSRIS 時(shí)間: 2025-3-22 09:54 作者: 步履蹣跚 時(shí)間: 2025-3-22 16:45
https://doi.org/10.1007/978-3-319-97867-3censorship; internet; social media; identity; free speech; feminism; gender; representation; Asian; diaspora; 作者: accessory 時(shí)間: 2025-3-22 17:42
designed to enhance the lateral (spanwise) (y-z) plane view of the flow, i.e., looking into the flow, have been obtained and analyzed. The view is one moving with the flow (x-direction). In addition, a reevaluation of the films of Corino [2] was made. Finally, the ensembled averaged streamwise vort作者: Tincture 時(shí)間: 2025-3-22 23:37
Kavyta Kaye wake from attaining a moving equilibrium between the mean flow and the turbulent motion even closer to the wake origin than is the case for ordinary wakes. Prelimi nary measurements indicate that under the action of external turbulence the large eddies of conventional wake flows are broken down in作者: BLANC 時(shí)間: 2025-3-23 02:31 作者: CIS 時(shí)間: 2025-3-23 06:47 作者: grovel 時(shí)間: 2025-3-23 12:42 作者: muffler 時(shí)間: 2025-3-23 14:59
Kavyta Kay spanwise temperature variation seems to indicate streamwise rolls. The turbulence becomes increasingly more anisotropic with increasing Ti and the vertical heat flux decreases relative to the longitudinal heat flux or the vertical momentum flux. These variations are explained using time scale argum作者: Generalize 時(shí)間: 2025-3-23 21:41 作者: Receive 時(shí)間: 2025-3-23 23:40
Women in Internet Comedy,ower of comedy and the internet in the service of digital feminism and how, in doing so, are disrupting the male gaze (Mulvey, Screen 16:8–18, 1975) which has long influenced traditional media representations of women as well as one-dimensional notions of Indian womanhood.作者: 撤退 時(shí)間: 2025-3-24 03:28 作者: 有常識(shí) 時(shí)間: 2025-3-24 09:16
2731-4332 isidentification and as such, this book makes a further contribution to South Asian, communication, media & cultural studies.978-3-030-07420-3978-3-319-97867-3Series ISSN 2731-4332 Series E-ISSN 2731-4340 作者: LEVER 時(shí)間: 2025-3-24 14:38
,“New” India and the Nuttahs, a brief history of the trajectory of comedy in India to the present age of social media in which digital platforms such as YouTube and Facebook have afforded a new wave of comedians, a dynamic outlet in which discourses of the nation, identity, censorship, feminism, and representation have come to 作者: 分期付款 時(shí)間: 2025-3-24 18:46 作者: catagen 時(shí)間: 2025-3-24 19:23
Women in Internet Comedy,en from all walks of life in fighting sexual violence and inequities. Perhaps less visible is the feminist movement in the film and television industries where, with the exception of a few, the spheres of celebrity discourse largely disidentify with the term feminist. However, there is an emerging, 作者: 有助于 時(shí)間: 2025-3-25 02:37
Down to Brown: A Footnote on British Asian and South Asian American Comedy, of race and representation are becoming more prominent on social media..This chapter moves away from the internet comedy of India, as a central object of study, to its diasporic counterparts as located in Britain and North America, and explores the trajectory of South Asian comedy in these contexts作者: 音樂學(xué)者 時(shí)間: 2025-3-25 05:35
The Currency of Comedy,tonomous, creative space, the encroachment of corporations into this space has led to broader debates on freedom of expression and the functions of comedy in a democracy. This final chapter rounds up these discussion points and looks to potential research directions to take the new comedian and come作者: peak-flow 時(shí)間: 2025-3-25 09:37
ly, this picture is still far from completely clear. The present effort is to combine several techniques we have developed in the past in an attempt to further clarify the correct mechanism..Streamwise vorticity measurements were made at G?ttingen (Kastrinakis [1]) with a four-sensor vorticity probe作者: 無政府主義者 時(shí)間: 2025-3-25 13:29 作者: irradicable 時(shí)間: 2025-3-25 19:14 作者: Intruder 時(shí)間: 2025-3-25 23:26 作者: amphibian 時(shí)間: 2025-3-26 02:27
Kavyta Kayflow with the ambient flow can be enhanced significantly when the wake flow with the ambient flow can be enhanced significantly when the external flow is turbulent. For equal turbulence intensities of the external flow of about 3.5 % the effectiveness of a grid-generated external turbulent flow in i作者: 全面 時(shí)間: 2025-3-26 05:39
Kavyta Kayons were such that buoyancy remained negligible in the jet establishment zone but became important further downstream. It was found previously that entrainment ceases when the “difference” Richardson number Ri, based on the scales of the free mixing zone of the wall jet, increased to a value of 1/3 作者: crockery 時(shí)間: 2025-3-26 10:04
of temperature measured in a variety of laboratory and atmospheric flows. The model produces the correct sign of the odd-order structure functions, which varies with different flows, and in the inertial subrange yields the general variation with separation distance r observed in the experiments. In作者: 特征 時(shí)間: 2025-3-26 13:18 作者: deviate 時(shí)間: 2025-3-26 19:46 作者: 貧困 時(shí)間: 2025-3-26 23:26 作者: Factorable 時(shí)間: 2025-3-27 05:00
Riffing India Comedy, Identity, and Censorship,ywood representations, and by fluid ideas of identity and nation..This chapter explores how the comedians narrate the nation using strategies of intertextuality and deconstruction and how this is received by the Facebook sample group of millennials in a context where discourses of censorship and free speech are gaining increasing prominence.作者: Genteel 時(shí)間: 2025-3-27 08:38
,“New” India and the Nuttahs,afforded a new wave of comedians, a dynamic outlet in which discourses of the nation, identity, censorship, feminism, and representation have come to the fore in diffuse ways. These will be explored throughout this book through close readings of the videos, comments on social media sites, and a group interview with a sample of millennial Indians.作者: 培養(yǎng) 時(shí)間: 2025-3-27 11:39
10樓作者: 音樂會(huì) 時(shí)間: 2025-3-27 16:14
10樓作者: Psychogenic 時(shí)間: 2025-3-27 18:16
10樓作者: botany 時(shí)間: 2025-3-27 23:53
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