標(biāo)題: Titlebook: National Theatres in a Changing Europe; S. E. Wilmer (Associate Professor of Drama and a F Book 2008 Palgrave Macmillan, a division of Mac [打印本頁] 作者: Aggrief 時間: 2025-3-21 19:35
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作者: 山崩 時間: 2025-3-21 20:41 作者: 石墨 時間: 2025-3-22 02:26
ical dimension of science comes to light, above all, in what science closes its eyes to.” Some of the philosophical and ethical concerns of Horkheimer and Cohen were pressed on my consciousness as a student under the former at the University of Frankfurt in 1930–31. My appreciation for Cohen emerges作者: Incumbent 時間: 2025-3-22 05:00
S. E. Wilmerntinue to be integral to our sense of self and our relations to our fellow human beings. We would do well to be mindful of the continuity of European and also Indigenous moral traditions and law in respect of the dead when deciding whether the greater good is now to allow these relics to be buried, 作者: Concrete 時間: 2025-3-22 10:30
Marvin Carlsonifeways and culture of Australia’s first peoples. However, my concern in this chapter is to show that it is questionable whether studies of Indigenous Australian cranial morphology played any significant part in strengthening polygenetic accounts of human natural history. Rather, British anatomists 作者: 細(xì)頸瓶 時間: 2025-3-22 14:37 作者: –scent 時間: 2025-3-22 18:27 作者: PHON 時間: 2025-3-22 21:42 作者: Debrief 時間: 2025-3-23 01:33 作者: staging 時間: 2025-3-23 06:44 作者: 一罵死割除 時間: 2025-3-23 11:15
National Theatres: Then and Nowg so provide interesting insights into how the ideas of nationhood and of theatre operate in different times and different places. Although my remarks will focus on the National Theatre in Europe, I will also look more briefly at some of the ways this essentially European idea was interpreted outsid作者: REIGN 時間: 2025-3-23 17:39
The National Stage and the Naturalized House: (Trans)National Legitimation in Modern Europe tried to cultivate national consciousness through the creation of a national repertoire as opposed to the internationally dominant French comedy and Italian opera, a broad national audience as opposed to an aristocratic coterie, and a stable public institution in a capital or would-be capital city,作者: 鎮(zhèn)壓 時間: 2025-3-23 18:32
Towards a History of National Theatres in Europe an important qualifier; some states ignored their people to begin theatres as a part of their political (often imperial) agendas and many national cultures have maintained theatres that had little connection to real or hoped-for statehood. In my view, connecting National Theatres to the rise and de作者: LITHE 時間: 2025-3-24 01:59 作者: Insulin 時間: 2025-3-24 04:44
2947-4949 tutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands.978-1-349-35610-2978-0-230-58291-0Series ISSN 2947-4949 Series E-ISSN 2947-4957 作者: 彎腰 時間: 2025-3-24 10:32
The Development of National Theatres in Europe in the Eighteenth and Nineteenth Centuriesement that led to the creation of National Theatres, the ideologies that underlay it, and some of the processes inherent in it. I want to look first at their origins in the seventeenth and eighteenth centuries and then consider more closely the nineteenth-century developments that were allied to the rise of nationalism.作者: 啟發(fā) 時間: 2025-3-24 14:07
Introductionnd eighteenth centuries as royally established institutions to entertain the elite with plays, operas, and ballets that reflected their aristocratic values. With the advent of the Hamburg National Theatre in 1767, a new concept developed of a municipal theatre to educate the bourgeoisie and help ins作者: 慷慨不好 時間: 2025-3-24 17:43
The Development of National Theatres in Europe in the Eighteenth and Nineteenth Centuriesal Theatres being created in the last decade, for example, in Spain, Hungary, Slovenia, and Scotland. In this chapter I want to review the general movement that led to the creation of National Theatres, the ideologies that underlay it, and some of the processes inherent in it. I want to look first a作者: inhibit 時間: 2025-3-24 21:38
National Theatres: Then and Nowcross nationalities and cultures, when we consider individual usages we find that there are almost as many varieties of National Theatre as there are National Theatres themselves. There is certainly a general consensus of opinion about what a National Theatre is, but even the best known National The作者: 放大 時間: 2025-3-25 00:14
The National Stage and the Naturalized House: (Trans)National Legitimation in Modern Europe century, have more often than not preceded the nation-states that they claimed to represent. The leaders of these movements and institutions were usually actor-managers whose social status was ambiguous, or intellectuals who, as members of the educated middle classes, lacked political representatio作者: PON 時間: 2025-3-25 05:02
Towards a History of National Theatres in Europeeneralities that rarely connect with the obdurate facts of the historical record. Accordingly I will tighten my focus in two ways. First, I will primarily examine prototypical National Theatres between 1760 and 2006. While as many as three hundred theatre companies and performance venues probably ca作者: Anticonvulsants 時間: 2025-3-25 08:51
ation, reasoning, and critical thinking and that is informal, empirical, naturalistic, practical, applied, concrete, and historical; and an interest in Galileo’s life and thought—his scientific achievements, Inquisition trial, and methodological lessons in light of his iconic status as “father of mo作者: obtuse 時間: 2025-3-25 12:09
S. E. Wilmer .. Less well known are his collegial connections with those in other fields. For some years he and I have been colleagues and friends, and have often made common cause at Boston University between his Center for the Philosophy and History of Science, and my Institute for Philosophy and Religion. Ou作者: 四目在模仿 時間: 2025-3-25 16:00 作者: 保守 時間: 2025-3-25 22:12 作者: Thyroid-Gland 時間: 2025-3-26 00:28
Marvin Carlson variation in humankind from the second decade of the nineteenth century until around the mid-1850s. Historians of racial science have generally assumed that by the mid-nineteenth century a shift away from environmentalist explanations of human variation occurred. Growing credence was given to the i作者: 雄辯 時間: 2025-3-26 05:18
Loren Krugern who have actively assisted in the repatriation of the Indigenous dead. One cannot but be mindful of the risks inherent in subjecting the facts of past human experience to present-day ethical judgement. But in this chapter I question whether the means by which remains were acquired during the long 作者: 脆弱么 時間: 2025-3-26 11:50 作者: Lasting 時間: 2025-3-26 13:55
rtesian mappings to achieve their primary goals of expropriating economic resources, establishing political dominance, and claiming cultural superiority. Though colonial scientists constantly needed Great Lakes people for information and supplies, they had little regard for Great Lakes society. The 作者: 設(shè)施 時間: 2025-3-26 19:40 作者: integral 時間: 2025-3-26 22:51 作者: Affirm 時間: 2025-3-27 04:32
National Theatres in a Changing Europe978-0-230-58291-0Series ISSN 2947-4949 Series E-ISSN 2947-4957 作者: Cardiac-Output 時間: 2025-3-27 06:33
Studies in International Performancehttp://image.papertrans.cn/n/image/661509.jpg作者: 新奇 時間: 2025-3-27 13:07
Book 2008Examining the ways in which national theatres have formed and evolved over time, this new collection highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands.作者: 不安 時間: 2025-3-27 17:09 作者: INCH 時間: 2025-3-27 21:33
