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標(biāo)題: Titlebook: Natalia Ginzburg‘s Global Legacies; Stiliana Milkova‘Rousseva,Saskia Elizabeth Ziolkow Book 2024 The Editor(s) (if applicable) and The Aut [打印本頁]

作者: quick-relievers    時(shí)間: 2025-3-21 18:22
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作者: DIS    時(shí)間: 2025-3-21 20:18
https://doi.org/10.1007/978-3-031-49907-4Italian Literature; Feminism and Feminist Theory; Natalia Ginzburg; Women‘s Writing; Trauma; Jewish Histo
作者: 全神貫注于    時(shí)間: 2025-3-22 00:42
Stiliana Milkova‘Rousseva,Saskia Elizabeth ZiolkowOffers new, interdisciplinary approaches to Ginzburg’s works.Spans most of Ginzburg’s corpus – novels, essays, interviews, film criticism.Draws on trauma studies, queer and feminist theory, cinema stu
作者: Lament    時(shí)間: 2025-3-22 05:07
978-3-031-49909-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: 心胸狹窄    時(shí)間: 2025-3-22 11:25

作者: 一小塊    時(shí)間: 2025-3-22 15:08

作者: Iniquitous    時(shí)間: 2025-3-22 19:50
Publishing Natalia Ginzburg in the Anglophone Worlde 1980s, and considered Ginzburg their “best author.” While drawing on publishers’ and translators’ testimonies, this chapter will focus on translational paratexts from a double perspective: as narratological devices enhancing the authority of both the translation and the original text (Alvstad, .(3
作者: A精確的    時(shí)間: 2025-3-23 00:18
Ginzburg’s Worlds: The World-making Power of the Short Storyworld that Ginzburg’s stories foreground is often characterized by a tension between center and periphery, familiar and unfamiliar, the inside and the outside. The impossibility of resolving this tension within the constraints of the short story allows the writer to create a world that is not fixed,
作者: 污點(diǎn)    時(shí)間: 2025-3-23 04:05

作者: 沙草紙    時(shí)間: 2025-3-23 07:29

作者: 連系    時(shí)間: 2025-3-23 11:09
Topographies of Trauma, Loss, and Mourning in Natalia Ginzburg’s Early Worksof her marginalized female narrators, conferring to them a new centrality as the cartographers and storytellers of urban life. Furthermore, by situating these women in an unnamed urban landscape, Ginzburg grants their lived and mapped experiences a universal relevance.
作者: dragon    時(shí)間: 2025-3-23 16:35
Narrative Modes in Elsa Morante and Natalia Ginzburg’s Family Novelsf writing that reflects on how to tell the story of a family without frills, without lies, without defenses, but above all, without accusations. Revealing linguistic traits and lexical habits means talking about the ritual with which objects and persons come to be identified only by members of that
作者: 羊齒    時(shí)間: 2025-3-23 20:55

作者: NOMAD    時(shí)間: 2025-3-23 23:48

作者: 倔強(qiáng)不能    時(shí)間: 2025-3-24 04:10
Giovanna Faleschini Lerneraptive BEM, hp-version BEM, and coupling of FEM-BEM provides efficient computational tools for solving practical problems with applications in science and?engineering..978-3-030-79285-5978-3-030-79283-1
作者: Pseudoephedrine    時(shí)間: 2025-3-24 06:54

作者: FECK    時(shí)間: 2025-3-24 14:41
Enrica Maria Ferraraaptive BEM, hp-version BEM, and coupling of FEM-BEM provides efficient computational tools for solving practical problems with applications in science and?engineering..978-3-030-79285-5978-3-030-79283-1
作者: 釘牢    時(shí)間: 2025-3-24 16:44

作者: 稱贊    時(shí)間: 2025-3-24 20:57

作者: 不適當(dāng)    時(shí)間: 2025-3-25 01:52

作者: disrupt    時(shí)間: 2025-3-25 04:15
2635-2931 and scholars of Comparative and Italian literature, world literature, and women’s writing, as well as general readers of Ginzburg.?978-3-031-49909-8978-3-031-49907-4Series ISSN 2635-2931 Series E-ISSN 2635-294X
作者: triptans    時(shí)間: 2025-3-25 09:03

作者: 繁榮地區(qū)    時(shí)間: 2025-3-25 13:55

作者: offense    時(shí)間: 2025-3-25 16:48
Serena Todesco the mechanism of preconditioners and necessary tools for an.This book provides a comprehensive examination of preconditioners for boundary element discretisations of first-kind integral equations. Focusing on domain-decomposition-type and multilevel methods, it allows readers to gain a good underst
作者: 車床    時(shí)間: 2025-3-25 22:19

作者: 內(nèi)疚    時(shí)間: 2025-3-26 00:56
Maria Rizzarelli the mechanism of preconditioners and necessary tools for an.This book provides a comprehensive examination of preconditioners for boundary element discretisations of first-kind integral equations. Focusing on domain-decomposition-type and multilevel methods, it allows readers to gain a good underst
作者: landmark    時(shí)間: 2025-3-26 05:08

作者: BLANC    時(shí)間: 2025-3-26 11:42

作者: Dislocation    時(shí)間: 2025-3-26 16:28
,Introduction: Global Ginzburg—Reading Natalia Ginzburg in the Twenty-First Century,glophone and Italian scholarship from around the world, situating Ginzburg’s works in major critical discourses and mobilizing further lines of inquiry. The introduction, “Global Ginzburg: Reading Natalia Ginzburg in the 21st Century,” provides a brief overview of Natalia Ginzburg’s life and recepti
作者: 吼叫    時(shí)間: 2025-3-26 20:09
Publishing Natalia Ginzburg in the Anglophone Worlded the prestigious Strega Prize, she enjoyed wide success. However, just recently, she has become a cult figure, with her work the object of a rediscovery beyond Italy, and her name inspiring a new generation of writers (Milkova, Special Issue: Reading Natalia Ginzburg. ., 22 February. ., 2021). Thi
作者: exceed    時(shí)間: 2025-3-26 23:52
Ginzburg’s Worlds: The World-making Power of the Short Storyxplains his criterion for the selection of the stories included in the volume. The scholar highlights how, in his view, what characterizes the novel as a genre is, in his own words, “a different dimension of reality” and “the ability to create a world that is complete with everything,” as opposed to
作者: Mortal    時(shí)間: 2025-3-27 03:33
Born Untranslatable? On the Translation, Reception and Transnational Circulation of Ginzburg’s heral circulation of women writers. Drawing on the Swedish case, the two translations of the novel will undergo “a close reading at a distance” (Walkowitz, .. Columbia University Press, 2015), focusing on the texts and the paratexts as well as the cultural contexts in which they appeared. Particular
作者: Scleroderma    時(shí)間: 2025-3-27 09:11
Women’s Bodies in Natalia Ginzburg’s Fictions a form of resistance against facile binaries, including the mind-body divide inherited from the Enlightenment tradition. This chapter reads Ginzburg’s narrative fiction in relation to feminist concerns about the body and embodiment as the foundation for new epistemologies that challenge existing c
作者: Anterior    時(shí)間: 2025-3-27 13:28
The Female Voice as a Form of Resistance: Natalia Ginzburg’s Speech Actsveryday family sagas, with their houses, complicated relationships and dramas, marks her works from . (1963) to the more openly vocal text of . (., 1964). This chapter analyzes the specificity of the voice as a strategic tool in Ginzburg’s unique diegetic constructions. I look at a few examples from
作者: 墻壁    時(shí)間: 2025-3-27 16:49
From Closet to Absence: Queering Family Roles and Gender Norms in Natalia Ginzburg’s , and lena in the novelette . (1951) to the invention of the “absent” queer character, linguistically performed through epistolary dialogue in . (1973). Written twenty years apart, the two books respond to diverse historical context and social climate, revealing, in both cases, the adoption of a forward-t
作者: fodlder    時(shí)間: 2025-3-27 18:17
“When a Film is Beautiful, I Remember it”: Natalia Ginzburg at the Moviestions of essays . (.), . (.), and . (.), but most of her film criticism, such as her 40 film reviews for the column “Cinema” in the weekly newspaper ., remains uncollected (and untranslated). This chapter aims to reconstruct Ginzburg’s self-portrait as a spectator: a self-portrait refracted in her u
作者: 軍械庫    時(shí)間: 2025-3-27 22:24
Topographies of Trauma, Loss, and Mourning in Natalia Ginzburg’s Early Worksellas collected in . (1964). The chapter first argues that Ginzburg’s essay “Portrait of a Friend” (1957) elaborates and maps an urban topography grounded in Turin’s melancholy nature and conflating cityscape and affective terrain, external reality and interior landscape. Ginzburg’s urban topographi
作者: Obstruction    時(shí)間: 2025-3-28 05:00
Narrative Modes in Elsa Morante and Natalia Ginzburg’s Family Novels.), winner of the 1963 Strega Prize. Reinterpreted as creative projects that employ diverse expressive modalities to narrate the family, the two texts’ stylistic and thematic particularities expose a profound split in the conception of the family story itself. On the one hand, reality is transfigure
作者: Antarctic    時(shí)間: 2025-3-28 07:07
Neither Rich, Nor Poor, Neither Jewish, Nor Catholic: The Legacies of Natalia Ginzburg’s Negationsewish, nor Catholic. While at times Ginzburg’s reflections on her nothingness lead to remarks about a sense of displacement or not belonging, in her essay “The Little Virtues” Ginzburg highlights the power of being neither rich nor poor, a space which creates the possibility of money not guiding one
作者: 增減字母法    時(shí)間: 2025-3-28 12:27

作者: canvass    時(shí)間: 2025-3-28 18:40

作者: Thyroid-Gland    時(shí)間: 2025-3-28 22:41
Born Untranslatable? On the Translation, Reception and Transnational Circulation of Ginzburg’s the three English translations of the .. One result is that the standardization norm seems to be losing support. Another important result is that the passage from the first to the second Swedish translation reveals an increasingly hegemonic role of the English language and culture.
作者: 離開    時(shí)間: 2025-3-29 01:10
The Female Voice as a Form of Resistance: Natalia Ginzburg’s Speech Actsf female voices also functionally serve as formidable thermometers of the Italian society Ginzburg was describing and aptly deconstructing, i.e. a world of continuous tensions and ambivalent relations between men and women.
作者: 鋼筆尖    時(shí)間: 2025-3-29 03:54

作者: Phonophobia    時(shí)間: 2025-3-29 10:04
2635-2931 aws on trauma studies, queer and feminist theory, cinema stuOffering comparative and interdisciplinary approaches to Natalia Ginzburg, this volume situates Ginzburg’s works within major critical discourses to articulate innovative readings and mobilize further lines of inquiry. The first section, “W
作者: epicondylitis    時(shí)間: 2025-3-29 13:48

作者: 纖細(xì)    時(shí)間: 2025-3-29 17:29
Luther and the Anabaptists, the top of an imposing hierarchy of ecclesiastical power, reserved for itself the sole right to interpret Scripture and to summon councils in order to preserve its power. Through these human additions the Word of God was made to suffer. It needed to be released from human encumbrances. That is precisely what Luther set about to do.




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