標(biāo)題: Titlebook: Memory, Forgetting and the Moving Image; Caterina Albano Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Memory studies.cul [打印本頁(yè)] 作者: 懇求 時(shí)間: 2025-3-21 17:50
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作者: Conflagration 時(shí)間: 2025-3-21 23:00
Memory, Forgetting and the Moving Image978-1-137-36588-0Series ISSN 2634-6257 Series E-ISSN 2634-6265 作者: discord 時(shí)間: 2025-3-22 03:55
Caterina AlbanoBridges contemporary art (film/video and sound installation), neuropsychology and culture pointing to the synergies and insight that can be gained from this interdisciplinary approach for an understan作者: 左右連貫 時(shí)間: 2025-3-22 04:57 作者: 不能約 時(shí)間: 2025-3-22 09:16 作者: heartburn 時(shí)間: 2025-3-22 16:03
Afterword: Contingency and the Performativity of Remembering and Forgetting,Drawing on the chapters’ discussion and the artworks considered, the afterword briefly considers the significance of the contingency of memory and the performativity of remembering and forgetting to today’s globalized environments of memory.作者: LAPSE 時(shí)間: 2025-3-22 21:02 作者: pulse-pressure 時(shí)間: 2025-3-23 00:40
Caterina Albanoathematical beauty. In this volume we o?er a collection of various problems in set theory. Most of classical set theory is covered, classical in the sense that independence methods are not used, but classical also in the sense that most results come fromtheperiod,say,1920–1970.Manyproblemsarealsorel作者: 言行自由 時(shí)間: 2025-3-23 02:44 作者: Aggregate 時(shí)間: 2025-3-23 07:20
Caterina Albanoathematical beauty. In this volume we o?er a collection of various problems in set theory. Most of classical set theory is covered, classical in the sense that independence methods are not used, but classical also in the sense that most results come fromtheperiod,say,1920–1970.Manyproblemsarealsorel作者: entitle 時(shí)間: 2025-3-23 11:29 作者: Asperity 時(shí)間: 2025-3-23 14:52 作者: Frisky 時(shí)間: 2025-3-23 19:00
2634-6257 at inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan.978-1-137-36588-0Series ISSN 2634-6257 Series E-ISSN 2634-6265 作者: dainty 時(shí)間: 2025-3-23 23:09 作者: Interstellar 時(shí)間: 2025-3-24 03:37
Caterina Albano Most of classical set theory is covered, classical in the sense that independence methods are not used, but classical also in the sense that most results come fromtheperiod,say,1920–1970.Manyproblemsarealsorel978-1-4419-2140-6978-0-387-36219-9Series ISSN 0941-3502 Series E-ISSN 2197-8506 作者: 松軟無(wú)力 時(shí)間: 2025-3-24 08:09
Caterina Albano Most of classical set theory is covered, classical in the sense that independence methods are not used, but classical also in the sense that most results come fromtheperiod,say,1920–1970.Manyproblemsarealsorel978-1-4419-2140-6978-0-387-36219-9Series ISSN 0941-3502 Series E-ISSN 2197-8506 作者: CORE 時(shí)間: 2025-3-24 12:12 作者: 自愛(ài) 時(shí)間: 2025-3-24 15:26 作者: 古文字學(xué) 時(shí)間: 2025-3-24 23:01 作者: 極大痛苦 時(shí)間: 2025-3-25 00:40 作者: 反話 時(shí)間: 2025-3-25 04:56
Caterina Albanotheory as developed after the discovery of modern axiomatic Although the ?rst decades of the 20th century saw some strong debates on set theory and the foundation of mathematics, afterwards set theory has turned into a solid branch of mathematics, indeed, so solid, that it serves as the foundation o作者: 易于交談 時(shí)間: 2025-3-25 09:51 作者: MORT 時(shí)間: 2025-3-25 13:31 作者: Allodynia 時(shí)間: 2025-3-25 18:03
d into a solid branch of mathematics, indeed, so solid, that it serves as the foundation of the whole building of mathematics. Later generations, honest to Hilbert’s dictum, “No one can chase us out of the paradise that Cantor has created for us” proved countless deep and interesting theorems and al作者: 刺耳 時(shí)間: 2025-3-25 22:09
Memory, Modernity and the Moving Image, of the twentieth century and the significance of the moving image in such a reconceptualization. Central to the modern redefinition of memory in psychology, psychoanalysis and culture at large is the theorization of forgetting and a grounding of the individual and her life story in memory. The chap作者: LAP 時(shí)間: 2025-3-26 01:34
,Mémoir(e) and Mémoire(s), its historical formation and cultural ramifications, and questions the three components: life story, self and memory. The chapter considers the frisson between memories and life stories by examining four artworks by US artist Kerry Tribe. In her work, Tribe explores the tension between the psycholo作者: crease 時(shí)間: 2025-3-26 08:12
Trauma, Latency and Amnesia,c memories and the role that a film has played in their definition and theorization. The chapter asks why the film goes unnoticed despite the acknowledgement of the studies that it supported drawing attention to transcultural articulations of amnesia and latency in globalized politics of memorializa作者: 符合你規(guī)定 時(shí)間: 2025-3-26 09:58
Sound, Trace and Interference,re discussed in relation to cultural and transcultural models of memory. The chapter considers the memory trace as sound (an inherent component of the moving image) through the artistic practice of sound artist Bill Fontana. By translocating and broadcasting environmental atmospherics across differe作者: 態(tài)度暖昧 時(shí)間: 2025-3-26 15:25
Amnesia and the Archive, and the psychology of memory, the chapter questions the potential of rememoration afforded by the filmic archival trace as affect and emotion. The chapter focuses on the works of artists and filmmakers Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Farocki, and Eyal Sivan, whose prac作者: Shuttle 時(shí)間: 2025-3-26 19:46 作者: Celiac-Plexus 時(shí)間: 2025-3-26 22:31 作者: 僵硬 時(shí)間: 2025-3-27 04:09
Sound, Trace and Interference, quasi-simultaneity, obsolescence and duration of new digital technologies thus foregrounding some the issues that denote the uses of the past in our time. The chapter examines the interference but also potential for rememoration that the traces of what is unremembered or silenced can generate.作者: Bronchial-Tubes 時(shí)間: 2025-3-27 08:00
Memory, Modernity and the Moving Image,ter further relates this process to the cultural alignment of mind and screen and discusses the theoretical and experimental relevance of the moving image in the theorization of memory processes and the study of trauma. Critical is the problematic that forgetting inscribes in twentieth and twenty-first century discourses of memory.作者: 是比賽 時(shí)間: 2025-3-27 12:03
Amnesia and the Archive,tice variously re-montages and remediates archival film footage to question the repressed and unremembered traces within the archive of the contested histories of fascism, colonialism and the Holocaust soliciting a reflection on their enduring presence at the boundaries of cultural and transcultural articulations of memory and history.作者: micronized 時(shí)間: 2025-3-27 16:38 作者: GRAVE 時(shí)間: 2025-3-27 18:40
Book 2016s informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to conteste作者: Charitable 時(shí)間: 2025-3-27 23:47
The more mature options using fluidised bed reactors have been extensively studied at semi industrial scale. Furthermore, a novel concept using entrained flow reactors has been assessed by investigating the sorbent properties of various raw meals in such a system...?.978-3-658-39247-5978-3-658-39248-2作者: ARC 時(shí)間: 2025-3-28 05:40 作者: 誘使 時(shí)間: 2025-3-28 08:36
Egidius SchmalzriedtLogistikprozesse mit konkreten Vorgaben für die → Einrichtungstechnik und das Geb?ude. Zur F. z?hlt ebenfalls die Phase der Realisierung und Inbetriebnahme (→ Anlaufmanagement). Das Ziel der F. ist die Verwirklichung eines wirtschaftlichen, technisch einwandfreien Ablaufs der Produktion unter Gew?hr
