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標(biāo)題: Titlebook: Media Literacy and Semiotics; Elliot Gaines Book 2010 Elliot Gaines 2010 culture.ideology.media.media literacy.Narrative.semiotics.space.s [打印本頁]

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書目名稱Media Literacy and Semiotics被引頻次學(xué)科排名




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作者: Stress-Fracture    時間: 2025-3-21 23:34

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Elliot Gaineslective operation. Our experimental results show that in a multithreaded . program, the merged request based RMA operations achieve over 100 Million Messages Per Second (MMPS). It achieves over 10 MMPS compared to 4.5 MMPS with default RMA operations in a single threaded environment. Also, we achiev
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Elliot Gainestter production system context, the interaction between production resources (PRs) can be swiftly adapted to meet both the variety of customers’ needs and the optimization goals. In the scientific literature, several architectural configurations have been devised so far to this aim, namely: hierarch
作者: 使堅硬    時間: 2025-3-23 22:52
Elliot Gainesn avail on data analysis and response capabilities, often empowered by Machine Learning algorithms, which can help clinician in diagnostic as well as therapeutic decisions. On the other hand, in the context of eSociety, eCommunities can be essential actors for managing and structuring medical data.
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Elliot Gainesby combining multiple outstanding merged request handles or using the same merged request handle for additional operations. We show that introducing such simple yet powerful semantics in . provides many productivity and performance advantages. In this paper, we first introduce the interfaces and sem
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Elliot Gainesby combining multiple outstanding merged request handles or using the same merged request handle for additional operations. We show that introducing such simple yet powerful semantics in . provides many productivity and performance advantages. In this paper, we first introduce the interfaces and sem
作者: LAITY    時間: 2025-3-25 03:08
rams. Developed over the last twenty years, TAU has evolved with each new generation of HPC systems and scales efficiently to hundreds of thousands of cores. TAU’s organic growth has resulted in a loosely coupled software toolbox such that novice users first encountering TAU’s complexity and vast ar
作者: 暗指    時間: 2025-3-25 06:12
Introduction: Media Literacy and Semiotics,dressed in the media; for example, the 1990s television situation comedy . was promoted as a show about nothing. But rather than being about nothing, . was a series of stories featuring a cast of comic characters that illustrated a particular contemporary set of values, beliefs, lifestyles, and prac
作者: 確定的事    時間: 2025-3-25 11:11
Media Literacy and Semiotics, distribution are expensive, and media messages are constructed by individuals and teams of people with the intention of sending messages that influence public opinions and individual actions. It is therefore necessary for every individual and social group to be able to critically analyze and unders
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The Necessary Ambiguity of Communication,ok on from the boardwalk in front of a saloon. In the foreground, a cowboy points a smoking gun, but a dish of something fluid, perhaps a cream pie, is splashing across his face. Just in front of the cowboy, a clown in a polka-dotted shirt with a ruffled collar lies sprawled on the ground, his tongu
作者: NOT    時間: 2025-3-25 16:14
Power and Proxy in Media Semiotics,on CNN because King got Paris Hilton to appear after she was released from jail. Referring to Paris Hilton, Moore said, “She is our proxy.” Jon Stewart laughed and responded, “She is the canary in the coal mine.”. A canary was traditionally used in mines because it would suffocate from a lack of oxy
作者: Functional    時間: 2025-3-25 23:38
Audiences, Identity, and the Semiotics of Space,r the contexts of events in time and space. The literature about space and time is rich and complex, but this chapter is limited to a practical treatment of these concepts in relation to media and audiences. . are receivers of specific conventional modes of communication intended for many people. In
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Entertainment, Culture, Ideology, and Myth,iety. Media products and innovations take many forms, such as television programs, advertising, film, the Internet, electronic games, literature, and comic books, to name a few that provoke perpetual debates about their effects. Entertainment and nonfiction, such as the various forms of journalism,
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to on a daily basis. In this comprehensive book, a basic model of semiotic logic is applied to a variety of media studies to promote critical thinking and media literacy. Elliot Gaines systematically analyzes the hidden meanings in mass-mediated products and texts, and shows how basic meaning struct
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Entertainment, Culture, Ideology, and Myth,comic books, to name a few that provoke perpetual debates about their effects. Entertainment and nonfiction, such as the various forms of journalism, raise questions about representations and issues related to politics, sex, violence, and crime, and their impact on social values, beliefs, and practices within a given culture.
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News, Culture, Information, and Entertainment,munication to reach vast numbers of people. Following well-established institutional practices, media producers are generally dependent on many kinds of expensive technologies and equipment to create and distribute media products intended to inform, entertain, or persuade audiences.
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Book 2010 literacy. Elliot Gaines systematically analyzes the hidden meanings in mass-mediated products and texts, and shows how basic meaning structures underlie everything from The Daily Show to television documentaries to infotainment.
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and media literacy. Elliot Gaines systematically analyzes the hidden meanings in mass-mediated products and texts, and shows how basic meaning structures underlie everything from The Daily Show to television documentaries to infotainment.978-0-230-10828-8978-0-230-11551-4
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Introduction: Media Literacy and Semiotics,tices. And while most entertainment is taken for granted as simple amusement, the topics, events, and issues that motivate stories affect social discourse about aspects of everyday life. Perhaps even more significant is that the same can be said about nonfiction media.
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Power and Proxy in Media Semiotics,gen before humans would and thus act as a signal to warn coal miners of impending disaster. The reference to celebrity heiress Paris Hilton suggests that she appeals to audiences who love, disdain, or ridicule her as a sign that stands for the pleasures and problems inherent in a life of privilege and excess unavailable to most people.
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Audiences, Identity, and the Semiotics of Space, spite of producers’ intentions to program media to inform, entertain, or persuade, individuals are situated in time and space to experience, interpret, and understand meanings from their own diverse points of view.
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Book 2010ily basis. In this comprehensive book, a basic model of semiotic logic is applied to a variety of media studies to promote critical thinking and media literacy. Elliot Gaines systematically analyzes the hidden meanings in mass-mediated products and texts, and shows how basic meaning structures under
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The Narrative Semiotics of ,,Experience is spontaneous and continuous. Only after the fact is conscious experience translated into language, stories, and descriptions that engender understanding of the world around us. According to William James,
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