標(biāo)題: Titlebook: Max Weber and the Culture of Anarchy; Sam Whimster (Reader in Sociology) Book 1999 Palgrave Macmillan, a division of Macmillan Publishers [打印本頁] 作者: 候選人名單 時間: 2025-3-21 18:51
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作者: languid 時間: 2025-3-21 23:51
978-0-333-73021-8Palgrave Macmillan, a division of Macmillan Publishers Limited 1999作者: 急性 時間: 2025-3-22 00:41
http://image.papertrans.cn/m/image/627856.jpg作者: EXCEL 時間: 2025-3-22 05:14 作者: 北極熊 時間: 2025-3-22 12:13 作者: LITHE 時間: 2025-3-22 13:41 作者: 險代理人 時間: 2025-3-22 18:40
Max Weber, Anarchism and Libertarian Culture: Personality and Power Politics,s and anarchism. Rather than thinking of anarchism as a fundamental critique and turning away from society, studies now note that anarchists had creative impacts back on society. In Barcelona writers and academics derived inspiration from the anarchists, and in Paris the fruitful relationship has be作者: 圍巾 時間: 2025-3-23 00:20
Max Weber: A German Intellectual and the Question of War Guilt after the Great War,s though suffering from the impact of an individual and private catastrophe. For a better understanding of this reaction it may be helpful to put Weber in his social context. As a member of the bourgeois and intellectual elite of the Kaiserreich Max Weber shared their politics and gallant upper-midd作者: Encumber 時間: 2025-3-23 01:37 作者: 起來了 時間: 2025-3-23 08:13
Max Weber, Leo Tolstoy and the Mountain of Truth,ross, wife of Otto Gross. As can be seen in Sam Whimster’s essay and Max Weber’s letters from Ascona (see above), this friend of both Max and Marianne sorely needed some support in her struggle for the custody of her son Peter. And so it might seem purely coincidental that Max Weber found himself st作者: Isolate 時間: 2025-3-23 12:47
Weber and Dostoyevsky on Church, Sect and Democracy,nother: between Weber’s formulations of the relationships between church, sect and democracy and certain themes in Dostoyevsky’s writing. Dostoyevsky was not a central influence on Weber, but we do know that he had read and discussed ., making explicit reference to it on more than one occasion.. We 作者: 高歌 時間: 2025-3-23 15:50
,The ‘Science of Reality’ of Music History: on the Historical Background to Max Weber’s Study of Musth which the Heidelberg theologian Hans von Schubert comments, presumably in late 1912, on a lecture by Max Weber on the ‘sociology of music’ given in his Heidelberg home on Ziegelh?user Landstrasse.. It shows the difficulty Weber’s contemporaries faced in fitting his widely diverse interests within作者: 大方不好 時間: 2025-3-23 18:31 作者: Crepitus 時間: 2025-3-23 23:14
Max Weber and German Expressionism,l experience and rational knowledge, empathy and understanding, subjective and objective, private and public, content (seen as amorphous, dynamic and anarchic) and form (seen as static and rigid). It is recognised that Weber’s sense of disintegration gives him a great deal in common with the creativ作者: Gnrh670 時間: 2025-3-24 04:34 作者: Crepitus 時間: 2025-3-24 06:56
Sam WhimsterLaunched in 1923 as part of the surge in specialist fiction magazines in the American popular market (Goodstone xiv), . was the longest lived of the supernatural and fantasy publications—and yet throughout most of its history it lost money and never exceeded a circulation of 50,000 (Haining 11), at 作者: 大量殺死 時間: 2025-3-24 10:48
Max Webercerning the Late Arthur Jermyn and His Family” (1921) and “Under the Pyramids” (1924). While the vast amount of Lovecraft’s writing that touches upon the issue of race, in particular that of African American ethnicity, means that it would be impossible to include everything, I have chosen to focus o作者: 乏味 時間: 2025-3-24 16:51 作者: meditation 時間: 2025-3-24 19:08
Carl Levydably—been neglected in many previous readings.. For obvious reasons, Walker Evans’s stature as a seminal photographer of the 1930s coupled with the innovatory nature of his collaboration with Agee in . has led to a focus on the interaction between image and text as predominantly photographic by nat作者: saphenous-vein 時間: 2025-3-25 00:18
Karl-Ludwig Ay’s protagonists, alike. The horrors of war, the idiocies of battle permeate the works of both writers. However, while Frank McConnel accurately views Vonnegut as the most recognizably Hemingwayesque of the new generation of writers to emerge after World War II (163), it is usually to separate himsel作者: NORM 時間: 2025-3-25 04:34 作者: Indelible 時間: 2025-3-25 07:29
Edith Hankewhile. Most of these artist figures are male—religious prophet and scribe Bokonon of ., who invents a new religion so that a group of downtrodden Caribbean islanders become like actors “employed full time … in a play they understood” (174-75); hapless millionaire Eliot Rosewater, who experiments wit作者: 泥沼 時間: 2025-3-25 15:24 作者: bourgeois 時間: 2025-3-25 16:58
Christoph Braunn many different time periods. These perspectives inevitably alter the way we see time and how it functions in relation to individuals, to nations, and to humanity. Science fiction’s epic temporal scale, like its potential spatial range (whole galaxies), means that it looks at things from a distance作者: 兩棲動物 時間: 2025-3-25 22:41 作者: insular 時間: 2025-3-26 02:36
Mary Shieldsappeal to many contemporary girls, whose fandom is still expressed in public via the Web. To theorize the Beatles’ lasting popularity among female youth, this chapter first considers the Beatles’ relationship to girl culture, especially in the context of the .. The Beatles invoked girl-group discour作者: 無可非議 時間: 2025-3-26 06:36 作者: machination 時間: 2025-3-26 10:18
Introduction to Weber, Ascona and Anarchism,al and cultural ‘habitus’ — that ingrained disposition that controlled all one’s actions in the world? It might haunt us as duty, or it might simply be discarded as in America in favour of the pursuit of wealth as a competitive sport.作者: Bmd955 時間: 2025-3-26 14:48
Max Weber, Leo Tolstoy and the Mountain of Truth,randed for several weeks in these ‘realms of the fabulous’.. This German scholar found himself among dropouts, philosophers of life, and existential reformers; among people who had, either deliberately or out of necessity, placed themselves in opposition to the bourgeois order and had broken with it.作者: Canyon 時間: 2025-3-26 18:36
Max Weber and German Expressionism,e writers of his time; all were in some way aware that the social and intellectual framework which formed their heritage was no longer sustainable. This resulted in an overwhelming sense of cultural crisis — ..作者: 朋黨派系 時間: 2025-3-26 21:13
Book 1999in both English and German) of a series of letters written by Max Weber in 1913 and 1914 during his stays at the anarchist settlement of Ascona. The letters show Weber debating with the issues of free love, eroticism, patriarchy, anarchism, terrorism, pacifism, political and personal convictions and作者: Vsd168 時間: 2025-3-27 04:01 作者: 虛構(gòu)的東西 時間: 2025-3-27 08:47 作者: anarchist 時間: 2025-3-27 09:28
Weber and Lawrence and Anarchism, the other people attending the 1995 Max Weber (British Sociological Association) conference. I was well aware, when I published . that I was not a Weber scholar, and not surprised that there . reviewers who found the book lacking in scholarly decorum.作者: intrigue 時間: 2025-3-27 16:14
Max Weber, Anarchism and Libertarian Culture: Personality and Power Politics,ive impacts back on society. In Barcelona writers and academics derived inspiration from the anarchists, and in Paris the fruitful relationship has been noted between bohemias and the popularisation of new forms of capitalist consumption.作者: faculty 時間: 2025-3-27 18:56 作者: Gustatory 時間: 2025-3-27 22:45 作者: AMOR 時間: 2025-3-28 03:13 作者: 刪減 時間: 2025-3-28 07:30 作者: NEX 時間: 2025-3-28 11:46 作者: PATHY 時間: 2025-3-28 14:54 作者: 常到 時間: 2025-3-28 20:22
Love and Death. Weber, Wagner and Max Klinger, them some decades later to Eduard Baumgarten, who recorded: ‘On the wall opposite Max Weber’s desk hung an original etching by Max Klinger. On the way home she wondered what kind of person would have hung this picture on the wall opposite him.’作者: SOBER 時間: 2025-3-29 02:16 作者: Commentary 時間: 2025-3-29 06:40
Sam Whimsterlowing his death, Lovecraft’s work was kept in print, and his “mythos” continued, by a small coterie of associates and acolytes, most obviously by August Derleth through Arkham House, the publishing company he established to reprint Lovecraft’s works.作者: Respond 時間: 2025-3-29 07:51
Max Weberiverse continent in favor of utilizing it as an aesthetic signifier. The presentation of the African subcontinent in these stories reflects a process, which I wish to propose is significant for its ability to situate Lovecraft in a Gothic tradition; its reflection of wider American fears concerning 作者: 牢騷 時間: 2025-3-29 12:53
Martin Greens a static photographic lens as a metaphor for how to animate, rather than merely capture, the lives of the sharecroppers. In this context, Agee’s “animation” operates on two levels; in a cinematic sense it gives the appearance of movement and presence, in a spiritual and sacred sense it brings to l作者: Ballerina 時間: 2025-3-29 18:02
Carl Levys a static photographic lens as a metaphor for how to animate, rather than merely capture, the lives of the sharecroppers. In this context, Agee’s “animation” operates on two levels; in a cinematic sense it gives the appearance of movement and presence, in a spiritual and sacred sense it brings to l作者: 被告 時間: 2025-3-29 23:38
Karl-Ludwig Aylf described as “a simple minded play about men who enjoy killing and those who don’t”—can be read as a critique of Hemingway’s work as a whole. More specifically, Vonnegut might well have had the protagonist of ., (1929), Frederic Henry, in mind as a likely candidate for what the Vonnegut persona, 作者: ingenue 時間: 2025-3-30 01:47