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標題: Titlebook: Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics; Martin S. Lindauer Book 2020 The Editor(s) (if applic [打印本頁]

作者: nourish    時間: 2025-3-21 16:52
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作者: Minutes    時間: 2025-3-21 22:23

作者: Tonometry    時間: 2025-3-22 00:34

作者: Negligible    時間: 2025-3-22 06:49

作者: exhibit    時間: 2025-3-22 12:22

作者: GILD    時間: 2025-3-22 16:36
Mass-Produced Original Paintings and an Everyday Aestheticsetics are mass-produced paintings’ psychic closeness, enhancement of self-esteem, and the resonating effect of landscapes. The overlaps, parallels, and differences between a conventional and an everyday aesthetics are discussed.
作者: 小教堂    時間: 2025-3-22 20:58
What’s Wrong with Mass-Produced Original Paintings? and waning of artists’ reputations, the rushed and overwhelming nature of museum visits, the power and biases of experts and donors, the difficulties in appraising art, the selectivity of museum attendees, and the obscurity of modern art.
作者: APEX    時間: 2025-3-22 23:59

作者: AUGER    時間: 2025-3-23 01:39

作者: Truculent    時間: 2025-3-23 09:19

作者: heckle    時間: 2025-3-23 13:09
with directions for future research in the popular and traditional arts, the psychology of art, and, more broadly, the ties that transcend barriers between science, the arts, and the humanities. It will appeal978-3-030-51641-3
作者: 過度    時間: 2025-3-23 17:44

作者: 內(nèi)閣    時間: 2025-3-23 18:23
Book 2020n artist; and the extension of aesthetics to include an everyday kind.?.The book concludes with directions for future research in the popular and traditional arts, the psychology of art, and, more broadly, the ties that transcend barriers between science, the arts, and the humanities. It will appeal
作者: Minutes    時間: 2025-3-23 22:38

作者: arthroplasty    時間: 2025-3-24 04:38
Martin S. Lindauerat of a substantiveanalysis and explication of a Jabirian discourse, the.Book ofStones.. Here explicating Jabir‘s notions of substance andqualities, analyzing h978-0-7923-3254-1978-94-011-1898-9Series ISSN 0068-0346 Series E-ISSN 2214-7942
作者: NATTY    時間: 2025-3-24 08:52
Martin S. Lindauerat of a substantiveanalysis and explication of a Jabirian discourse, the.Book ofStones.. Here explicating Jabir‘s notions of substance andqualities, analyzing h978-0-7923-3254-1978-94-011-1898-9Series ISSN 0068-0346 Series E-ISSN 2214-7942
作者: Lamina    時間: 2025-3-24 11:27
Martin S. Lindauerat of a substantiveanalysis and explication of a Jabirian discourse, the.Book ofStones.. Here explicating Jabir‘s notions of substance andqualities, analyzing h978-0-7923-3254-1978-94-011-1898-9Series ISSN 0068-0346 Series E-ISSN 2214-7942
作者: 表示向下    時間: 2025-3-24 18:27

作者: Mendacious    時間: 2025-3-24 21:05

作者: 巡回    時間: 2025-3-24 23:53
ung anschlie?t, fortgesetzt wurde. Es soll zwar F?lle geben, in denen der Entdecker einer Reaktion diese auch gleich (oder ein wenig sp?ter) mit seinem Namen versehen hat - die Regel ist das keinesfalls. Die Taufe erfolgt vielmehr durch die Nutzerinnen und Nutzer, die somit die allgemeine Anwendbark
作者: 糾纏    時間: 2025-3-25 05:37
Martin S. Lindauerages for official denotation of urban locations; b) use of national languages for consistent toponymic naming; c) attention of urban authorities and city community to the functioning of local languages in a toponymic landscape. The comparative study has allowed to discover that the toponymic policy
作者: 多山    時間: 2025-3-25 08:44
ages for official denotation of urban locations; b) use of national languages for consistent toponymic naming; c) attention of urban authorities and city community to the functioning of local languages in a toponymic landscape. The comparative study has allowed to discover that the toponymic policy
作者: BAIT    時間: 2025-3-25 13:23
Martin S. Lindauerproximity of ethnic groups using network clustering techniques. The existence of these naming communities can be demonstrated without any prior knowledge about a name’s origins. The resulting new name-based ethnicity classification, termed ., conforms an innovative method of community assignment to
作者: grenade    時間: 2025-3-25 17:11
Martin S. Lindauerprevious chapters. As a result, analysing a “destination” country’s contemporary name register over space we can identify not only the settlement pattern of current migrants, but also of historic migrant populations even several generations after they died.
作者: Mechanics    時間: 2025-3-25 20:22

作者: 江湖郎中    時間: 2025-3-26 04:03
Martin S. Lindauerevels through internal and external influences in parents. A review of these studies in several countries is presented providing additional clues that allow us to disentangle social strata in a population, especially with respect to ethnicity in forenaming practices.
作者: SOBER    時間: 2025-3-26 07:48

作者: 執(zhí)    時間: 2025-3-26 08:41

作者: NAVEN    時間: 2025-3-26 13:13
and descriptive details of about forty other poems that express the author’s search for his poetic signature, for versions of a more authentic name than his own, some original sense of self that resists the vagaries of language and the material world.
作者: Indigence    時間: 2025-3-26 19:03
Martin S. Lindauern Frost’s poetry, the search for identity through external structures in nature and, as I have tried to emphasize, preexisting linguistic structures, inevitably fails. The game of the name ends without satisfaction, even if the game haunts the searcher with a pending answer.
作者: 松果    時間: 2025-3-26 21:20
Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics
作者: pulmonary-edema    時間: 2025-3-27 03:08
Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics978-3-030-51641-3
作者: Gyrate    時間: 2025-3-27 08:33

作者: Blemish    時間: 2025-3-27 13:27
Martin S. LindauerExamines contribution of mass-produced original painting to the psychology of art, psychological aesthetics, and art criticism.Reveals the particular psychological characteristics of an everyday aesth
作者: 審問    時間: 2025-3-27 15:19
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作者: G-spot    時間: 2025-3-27 18:39
The Psychology of Art: A Research PerspectiveThe possibly good, bad, and neutral influences of exposure to mass-produced original paintings, based on the findings reported in Chap. ., are discussed. Several . experiments on perception, learning, and development are proposed. The methodological advantages of including mass-produced original paintings in studies of art are emphasized.
作者: conquer    時間: 2025-3-28 01:11
https://doi.org/10.1007/978-3-030-51641-3psychological aesthetics; psychology of art; creativity; Aesthetics; Popular Art; art history; fine arts; a
作者: Ptsd429    時間: 2025-3-28 04:30
The Characteristics of Mass-Produced Original Paintingsces. The work of several well-known popular artists is described (e.g., Thomas Kinkade), as are the anonymous Chinese artists of Dafen village as well as internet artists. The justification for treating mass-produced paintings as originals is discussed.
作者: creatine-kinase    時間: 2025-3-28 08:45
Historical and Contemporary Approaches to the Popular Artsustrial Revolution; and the Works Progress Administration [WPA]); in contemporary studies in sociology (the artistic preferences of omnivores and univores; high- and low-brow taste cultures; Gans, Bourdieu); and in psychology (sentimental art). The relative neglect of popular paintings in psychology and cultural studies is noted.
作者: conceal    時間: 2025-3-28 13:51

作者: acrophobia    時間: 2025-3-28 18:27
An Overview of the Studiesocus on (1) mass-produced paintings, (2) comparisons between mass-produced and matched museum paintings, and (3) the ability to recognize the two kinds of paintings. The studies also examined the role of age, gender, art background, and setting in responding to both kinds of paintings. A table outlines the studies.
作者: 抑制    時間: 2025-3-28 21:25

作者: CRUMB    時間: 2025-3-29 02:12

作者: 中古    時間: 2025-3-29 04:57
What This Book Is Aboutplained. Mass-produced original paintings are described along with their importance to art criticism, the psychology of art, and aesthetics; why they serve as a bridge between the popular and traditional arts; and how their study interrelates science and the humanities. Noted, too, is the place of m
作者: 咆哮    時間: 2025-3-29 09:56

作者: GEN    時間: 2025-3-29 12:37
Can Mass-Produced Original Paintings Be Called Art? Discussed are changes in the status of art and reputation of artists over time; the acceptance of forgeries as genuine; the role of assistants by historical and contemporary artists; the origins and goals of Pop Art; challenges by Marxists and feminists; and the role of gatekeepers (critics, histor
作者: NAIVE    時間: 2025-3-29 17:22

作者: 樂意    時間: 2025-3-29 21:46

作者: 直言不諱    時間: 2025-3-30 00:49

作者: 相同    時間: 2025-3-30 04:35
Historical and Contemporary Approaches to the Popular Artsustrial Revolution; and the Works Progress Administration [WPA]); in contemporary studies in sociology (the artistic preferences of omnivores and univores; high- and low-brow taste cultures; Gans, Bourdieu); and in psychology (sentimental art). The relative neglect of popular paintings in psychology
作者: Stagger    時間: 2025-3-30 09:04

作者: convert    時間: 2025-3-30 15:52

作者: Explosive    時間: 2025-3-30 16:55
The Findingsg by museums, hanging in homes), judgments (of familiarity and complexity), and recognition. The results also include the mixed influence of age, gender, art background, and setting. Mass-produced original paintings compared favorably with museum examples on most measures.




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