標(biāo)題: Titlebook: Making Plays; Interviews with Cont Duncan Wu (University Lecturer in Romantic Studies Book 2000 Palgrave Macmillan, a division of Macmillan [打印本頁] 作者: COAX 時(shí)間: 2025-3-21 18:31
書目名稱Making Plays影響因子(影響力)
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書目名稱Making Plays網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Making Plays被引頻次學(xué)科排名
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書目名稱Making Plays讀者反饋學(xué)科排名
作者: DIKE 時(shí)間: 2025-3-21 22:50
Duncan Wuellular Networks. describes single-user, multiuser, network MIMO technologies and system-level aspects of cellular networks, including channel modeling, resource scheduling, interference mitigation, and simulat978-1-4899-9652-7978-0-387-77523-4作者: Diaphragm 時(shí)間: 2025-3-22 01:51 作者: 表臉 時(shí)間: 2025-3-22 07:20 作者: 干旱 時(shí)間: 2025-3-22 11:45 作者: 范圍廣 時(shí)間: 2025-3-22 16:47 作者: Irascible 時(shí)間: 2025-3-22 20:26
Duncan Wuen to perform numerical analyses. MATLAB is very easy to learn and de facto a worldwide standard programming language in universities and industry. End-of chapter problems are added to provide additional training opportunities and to reinforce the knowledge gained. Over the last decade, spurred by t作者: Hdl348 時(shí)間: 2025-3-22 22:16 作者: LAIR 時(shí)間: 2025-3-23 03:45 作者: Modicum 時(shí)間: 2025-3-23 07:24 作者: Confirm 時(shí)間: 2025-3-23 12:52
ple solutions or simply num- erical answers. This path can seem tedious to all but the most motivated of students, so an alternative which can provide many of the benefits of direct circuit testing within the time and resources available is of im- mediate interest. This is where the MINNIE and HSpice simulati978-0-412-42760-2978-94-011-3122-3作者: bleach 時(shí)間: 2025-3-23 15:41
Duncan Wu (University Lecturer in Romantic Studies作者: MIRE 時(shí)間: 2025-3-23 21:55
Max Stafford-Clark,he first production of Greenland (1988). In 1993 Stafford-Clark co-founded an independent company, Out of Joint, with Sonia Friedman. Since then he has been responsible for commissioning the writing and production of some of the most important new works of the 1990s, including Mark Ravenhill’s Shopp作者: Myofibrils 時(shí)間: 2025-3-24 00:29
Introduction,es and distorts everything it touches; the medium is inherently larger-than-life, and inherently alien from the viewer. Its characters pass through the consciousness of the audience in disembodied form. But theatre is more direct: its audience is engaged with the lives of other human beings in the s作者: Charitable 時(shí)間: 2025-3-24 05:01
Max Stafford-Clark,any, 1970–74, he specialised in new plays. That provided a foundation for his work with Joint Stock Theatre Croup, which he co-founded in 1974. Joint Stock developed the workshop approach by which writers collaborated with actors in researching the subject of their plays (explained below). This was 作者: Cholecystokinin 時(shí)間: 2025-3-24 08:52 作者: 情節(jié)劇 時(shí)間: 2025-3-24 11:32
Nicholas Hytner,7. He is the director of many distinguished theatrical productions; for the RSC he was responsible for . (1988) and . (1990); at the National he directed Alan Bennett’s adaptation of . (1990) and . (1991). In addition, he has directed operas and musicals — notably . (Drury Lane, 1989; Broadway, 1991作者: 芭蕾舞女演員 時(shí)間: 2025-3-24 15:05 作者: 復(fù)習(xí) 時(shí)間: 2025-3-24 20:14 作者: Etching 時(shí)間: 2025-3-25 01:24
Michael Blakemore,itizens, Glasgow, 1966–68, and went on to become Associate Director of the National Theatre, 1971–76. He has directed, among many others, Peter Nichols’ . (1967), . (featuring Leonard Rossiter in one of his great comic stage roles, 1969), David Hare’s . (1974), Nichols’ . (1977), and Miller’s . (198作者: 不容置疑 時(shí)間: 2025-3-25 05:14
cket-based cellular networks.Provides unified cellular syste.As the theoretical foundations of multiple-antenna techniques evolve and as these multiple-input multiple-output (MIMO) techniques become essential for providing high data rates in wireless systems, there is a growing need to understand th作者: Notorious 時(shí)間: 2025-3-25 08:10
Duncan Wucket-based cellular networks.Provides unified cellular syste.As the theoretical foundations of multiple-antenna techniques evolve and as these multiple-input multiple-output (MIMO) techniques become essential for providing high data rates in wireless systems, there is a growing need to understand th作者: 招人嫉妒 時(shí)間: 2025-3-25 14:03 作者: 滲入 時(shí)間: 2025-3-25 17:14
Duncan Wud-year electrical and computer engineering students. It is also based on the author‘s tutorial courses on the subject presented to practicing engineers in industry. The primary motivation has been to familiarize the reader with the essential tools and methods used to describe the dynamic behavior of作者: 元音 時(shí)間: 2025-3-25 22:21 作者: 自負(fù)的人 時(shí)間: 2025-3-26 00:25 作者: congenial 時(shí)間: 2025-3-26 05:54 作者: MELON 時(shí)間: 2025-3-26 12:27 作者: 舔食 時(shí)間: 2025-3-26 16:34
Duncan Wud-year electrical and computer engineering students. It is also based on the author‘s tutorial courses on the subject presented to practicing engineers in industry. The primary motivation has been to familiarize the reader with the essential tools and methods used to describe the dynamic behavior of作者: BROW 時(shí)間: 2025-3-26 19:35
Duncan Wundamentals, implementation and applications of MIMO techniquThis text evolved from notes used to teach two-semester courses on multi-port signals and systems theory and vector-valued signal transmission to third-year electrical and computer engineering students. It is also based on the author‘s tuto作者: Hemoptysis 時(shí)間: 2025-3-26 21:19 作者: 考古學(xué) 時(shí)間: 2025-3-27 03:46
Book 2000 on theatrical technique and a unique insight into the ways in which great dramatists of our time have reacted to a rapidly changing world. In this book Duncan Wu talks to Michael Attenborough, Alan Bennett, Michael Blakemore, Howard Brenton, David Edgar, Sir Richard Eyre, Michael Frayn, Sir David H作者: vibrant 時(shí)間: 2025-3-27 07:59
Introduction,ame time and place. And it is that immediacy that makes the theatre more intense, more compelling, than any other medium. It is what makes it a more potent vehicle of what Hazlitt calls the ‘sublime’ than any other.作者: 表臉 時(shí)間: 2025-3-27 13:17
asterclass on theatrical technique and a unique insight into the ways in which great dramatists of our time have reacted to a rapidly changing world. In this book Duncan Wu talks to Michael Attenborough, Alan Bennett, Michael Blakemore, Howard Brenton, David Edgar, Sir Richard Eyre, Michael Frayn, S作者: Flavouring 時(shí)間: 2025-3-27 13:44 作者: 排他 時(shí)間: 2025-3-27 18:28
Michael Attenborough,Arnold Wesker, as well as classics by Chekhov, Shaw and Shakespeare. He has been Associate Director at the Palace Theatre, Watford, 1980–84, and Artistic Director at the Hampstead Theatre, 1984–89. Since 1989 he has been with the RSC.作者: 脖子 時(shí)間: 2025-3-27 23:10 作者: 我不怕犧牲 時(shí)間: 2025-3-28 05:16
In this book Duncan Wu talks to Michael Attenborough, Alan Bennett, Michael Blakemore, Howard Brenton, David Edgar, Sir Richard Eyre, Michael Frayn, Sir David Hare, Nicholas Hytner, and Max Stafford-Clark.978-1-349-65305-8作者: CLASH 時(shí)間: 2025-3-28 08:08
Alan Bennett, , (1991),ccupied with the political consequences of the King’s indisposition. Everything about it, in fact, directs us towards its context, painstakingly established both through the twists and turns of the plotting, and Nicholas Hytner’s evocative production.作者: prostate-gland 時(shí)間: 2025-3-28 10:54
Richard Eyre, all three plays In the Hare trilogy at the National, and directed the memorable first production of Bennett’s Kafka’s Dick at the Royal Court. For television, he has directed Ian McEwan’s The Imitation Came, Bennett’s The Insurance Man, and Hare’s The Absence of War, among others. He was awarded a CBE In 1992, and knighted in 1997.作者: 收養(yǎng) 時(shí)間: 2025-3-28 17:50 作者: OFF 時(shí)間: 2025-3-28 20:07
http://image.papertrans.cn/m/image/621706.jpg作者: Arbitrary 時(shí)間: 2025-3-28 23:41
,Howard Brenton, , (1984–88),. was commissioned by Foco Novo Theatre Company and presented at the Haymarket Theatre, Leicester, 1 October 1984, in a production directed by Roland Rees.. It was revived as one of Brenton’s 3 Plays for Utopia at the Royal Court Theatre, directed by Max Stafford-Clark, 7 April 1988.作者: 側(cè)面左右 時(shí)間: 2025-3-29 04:02 作者: 載貨清單 時(shí)間: 2025-3-29 08:37
David Hare, , (1997),. was first performed at the Royal National Theatre’s Lyttelton Theatre, 13 June 1997, in a production directed by Richard Eyre. David Hare directed Shaw’s . at the Almeida Theatre, London, in a production that opened on 14 August 1997.
