標(biāo)題: Titlebook: Make Believe in Film and Fiction; Visual vs. Verbal St Karl Kroeber Book 2006 Karl Kroeber 2006 corpus.culture.ethics.expectation.experienc [打印本頁] 作者: Coolidge 時間: 2025-3-21 16:08
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書目名稱Make Believe in Film and Fiction網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Make Believe in Film and Fiction被引頻次
書目名稱Make Believe in Film and Fiction被引頻次學(xué)科排名
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書目名稱Make Believe in Film and Fiction年度引用學(xué)科排名
書目名稱Make Believe in Film and Fiction讀者反饋
書目名稱Make Believe in Film and Fiction讀者反饋學(xué)科排名
作者: 使人煩燥 時間: 2025-3-21 20:49
Book 2006This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.作者: 有特色 時間: 2025-3-22 01:25
https://doi.org/10.1057/9781403983220corpus; culture; ethics; expectation; experience; fiction; film; genre; Imagination; novel; perfect; sculpture; 作者: Ingenuity 時間: 2025-3-22 08:28
Overview: This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.978-1-349-53401-2978-1-4039-8322-0作者: ANTI 時間: 2025-3-22 11:57
Single-Handed and Collective Make Believe,ertainment. Avarice and willingness to accommodate the most vulgar of prejudices commonly distinguish the collaborative creation of movies. There is little similarity between the labors that produced the cathedral at Chartres and ..作者: EVICT 時間: 2025-3-22 15:15
: Insights from the Impossibility of Adaptation,lay scarcely thinks of its relation to the Mycenaean epic. But the idea of movie-adaptation-as-transmutation has had difficulty becoming established because the formal principles of verbal and visual make believe have not been adequately distinguished.作者: 合適 時間: 2025-3-22 17:23 作者: 搖曳 時間: 2025-3-23 00:48 作者: 膠狀 時間: 2025-3-23 04:22 作者: 粘 時間: 2025-3-23 07:10
Moving Sculpture for Moving Eyes,fferent experience from seeing a painting—or even a still photograph. That is why more people go to movie theaters than to art galleries. Paintings (or still photographs, any pictorializations that don’t move) never appeal, as movies do, to what our eyes do best and most easily—perceive motion.作者: cajole 時間: 2025-3-23 12:22
,Inside and Outside Somebody Else’s Fantasy, term popularized by a story of Rudyard Kipling’s. Soon critics were discovering in her fiction qualities to which she had humorously laid claim a century before in ., where she describes a good novel as作者: CULP 時間: 2025-3-23 15:00 作者: 痛苦一生 時間: 2025-3-23 18:02
Innovative Lawfulness: Learning to Read,nimals use. Human speech alone enables us to enter into one another’s dreams, aspirations, ideas, memories, desires, all that is imagined. Through such communication of the subjective arise enduring creations of myth, history, religion, and literary art that are the essence of every civilization.作者: adhesive 時間: 2025-3-24 01:58 作者: lanugo 時間: 2025-3-24 05:15 作者: Gene408 時間: 2025-3-24 07:55
,Form in Visual Storytelling: Buster Keaton’s ,er will be hesitant to enter into the story (Lesser, 46–48). Verbal storytelling tends to begin cautiously, because it may so hugely magnify the psychic tension-building Freud identified as the essence of verbal jokes. A visual joke, especially slapstick, carries less personal threat—we see it happe作者: notion 時間: 2025-3-24 13:15
Genre and the Transforming of Sources: ,ctor Fred Zinneman were of course important, but everyone from the producer Stanley Kramer to the final editor John Edwards participated in almost every aspect of the shaping the picture—even Dimitri Tiompkin, the Russian Hollywood veteran composer whose fake Western ballad contributed much to the m作者: Isthmus 時間: 2025-3-24 17:16 作者: Musket 時間: 2025-3-24 20:22
d Ger?teskizzen erleichtern die praktische Anwendung der Objektempathie und unterstützen damit den selbsterfahrungsbezogenen objektempathischen Kompetenzerwerbsprozess..978-3-658-23738-7978-3-658-23739-4作者: MONY 時間: 2025-3-25 00:39 作者: 平 時間: 2025-3-25 06:05 作者: 假裝是我 時間: 2025-3-25 08:19 作者: 富足女人 時間: 2025-3-25 12:54 作者: 聯(lián)想 時間: 2025-3-25 17:30 作者: encomiast 時間: 2025-3-25 20:02 作者: 好色 時間: 2025-3-26 00:41
Brutal Beginnings: Imagining Murder/Watching Murder,h in ., a Russian admirer introduced fiction’s most celebrated double murderer, Rodion Raskolnikov. Moviemakers have always delighted in murders, and among the most notorious is the killing of Marion Crane in Hitchcock’s .. Naked Marion appears to be slashed in a blur of splashing water, spattering 作者: Ballerina 時間: 2025-3-26 06:18
Moving Sculpture for Moving Eyes,t really narratives. This truth embarrasses me, because some years ago I published criticism of what I called “narrative paintings.” I now realize that paintings by Giotto and Vermeer inspire us to remember or to invent stories, but they do not actually . stories as do movies. Seeing a movie is a di作者: Demonstrate 時間: 2025-3-26 10:47
,Inside and Outside Somebody Else’s Fantasy, Austen’s novels began as modest commercial successes, continuing popular enough after the break through of cheap publications in the 1830s to be reprinted throughout the nineteenth century (St. Clair, 578–580). Sales increased markedly after World War I, when Austen fans became known as Janeites, a作者: shrill 時間: 2025-3-26 16:29
Make Believe is Always a Story, Helen is doing today in Venice”—or invokes something not known to exist, highly improbable or impossible—as is implied in “You’re just imagining things.” Imagining in this commonplace sense is the foundation of all make believe, which Gilbert Ryle thought “of a higher order” than ordinary belief (2作者: Rct393 時間: 2025-3-26 19:20 作者: 炸壞 時間: 2025-3-27 00:28
Movies and Hyper-Visual Culture,sses have also affected both modes (Carroll, 1980, 145). We can all see that “contemporary culture is a visual culture.” (Baetens, 45) The long historical development of Western Culture toward hyper-visuality has cogently been described by Walter J. Ong (1967, 1977), with the result, as W. J. T. Mit作者: 收到 時間: 2025-3-27 04:59 作者: Urea508 時間: 2025-3-27 06:31
: Linguistic Figurings of Imaginative Corruption,gely of mental confu-sions and inauthentic desires. Readers of Flaubert’s novel . in Emma’s consciousness (as we do not in Gelsomina’s), so we too undergo psychic confusions and self-deceptions. We enter into Emma’s mental processes not just at special moments but also during the chronic dreariness 作者: 責(zé)問 時間: 2025-3-27 12:22
and , of visual storytelling beyond the reach of any fiction writer. . and . are narratively opposite. The movie tells the same story over and over; the novel repeats no events, and almost never gives us different perspectives on the same incident. The multiple narrators (sometimes narrating others’ narr作者: PON 時間: 2025-3-27 14:35
,Form in Visual Storytelling: Buster Keaton’s ,ovie than at still pho-tographs or paintings. The compulsion exercised by seeing movement irresistibly attracts us into watching a visual story. Usually it takes longer for us to be drawn into a verbal narrative. Oral storytellers tend to begin with leisurely introductions, gradually securing our in作者: languor 時間: 2025-3-27 19:37 作者: 比喻好 時間: 2025-3-27 23:20
: Insights from the Impossibility of Adaptation, film criticism since the pioneering work of George Bluestone half a century ago. Leading critics now recognize that the key issue is not simple fidelity of movie to written text, but the effectiveness of transformation of forms appropriate to one mode of make believe into another (Naremore, 2001). 作者: Inordinate 時間: 2025-3-28 04:32
Magnifying Criminality: ,, Film Noir, and ,on is the fact that after the 193os crime has been increasingly a favored subject for motion pictures, and not just pot boilers but also films of high seriousness both ideologically and aesthetically—a preference less apparent in equivalently serious novels, even when one admits exceptions offered b作者: 共同時代 時間: 2025-3-28 07:43 作者: babble 時間: 2025-3-28 14:25
xisleitfaden mit Arbeitsb?gen und Ger?teskizzenSportlehrkr?fte, ob Anf?nger oder K?nner, setzen nahezu t?glich eine Vielzahl an Spiel- und Sportger?ten im Sportunterricht ein. Dabei zeigen sie sich oftmals überrascht, was bereits der Anblick oder die simple Begegnung mit einem Ger?t bei Kindern und 作者: 賞心悅目 時間: 2025-3-28 15:34 作者: 溫室 時間: 2025-3-28 19:13
Karl Kroeberxisleitfaden mit Arbeitsb?gen und Ger?teskizzenSportlehrkr?fte, ob Anf?nger oder K?nner, setzen nahezu t?glich eine Vielzahl an Spiel- und Sportger?ten im Sportunterricht ein. Dabei zeigen sie sich oftmals überrascht, was bereits der Anblick oder die simple Begegnung mit einem Ger?t bei Kindern und 作者: 不易燃 時間: 2025-3-29 00:46
Karl Kroeberie N?he, Geborgenheit und Akzeptanz...Werden in einer Paarbeziehung diese Grundbedürfnisse nicht erfüllt, entstehen daraus h?ufig sexuelle Funktionsst?rungen, z.B. Unlust oder Erektionsst?rungen...Die hier erstmals vorgestellte Sydnyastische Sexualtherapie rückt nicht die gest?rte Sexualfunktion in 作者: 原諒 時間: 2025-3-29 07:05 作者: 裹住 時間: 2025-3-29 10:58
Karl Kroeberle Europapolitik der spanischen Habsburger bankrottierte um 1600, weil ihr wesentliche wirtschaftliche und gesellschaftliche Voraussetzungen fehlten. Man h?tte das Mi?verh?ltnis zwischen den kostspieligen Feldzügen und dem Ertrag der spanischen Wirtschaft ausgleichen und der scharfen ?konomischen Ko作者: 上流社會 時間: 2025-3-29 14:58 作者: 手術(shù)刀 時間: 2025-3-29 16:34 作者: 聾子 時間: 2025-3-29 22:43 作者: 浪費(fèi)物質(zhì) 時間: 2025-3-30 01:56
