標(biāo)題: Titlebook: Issues in Contemporary Oil Paint; Klaas Jan van den Berg,Aviva Burnstock,Gunnar Heyd Book 2014 Springer International Publishing Switzerla [打印本頁(yè)] 作者: necrosis 時(shí)間: 2025-3-21 18:46
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書(shū)目名稱(chēng)Issues in Contemporary Oil Paint影響因子(影響力)學(xué)科排名
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作者: Mucosa 時(shí)間: 2025-3-21 21:56 作者: 豎琴 時(shí)間: 2025-3-22 02:53 作者: 幻影 時(shí)間: 2025-3-22 06:39
Francesca Caterina Izzo,Klaas Jan van den Berg,Henk van Keulen,Barbara Ferriani,Elisabetta Zendri wenig wahrgenommen und herausgestellt werden, erkl?rt sich aus einem tradierten Selbstverst?ndnis, nach welchem Bildung vor allem als ?Zweckbildung für soziale Auseinandersetzungen“ zu fungieren habe — wie es seit über 20 Jahren etwa in den Thesen zur Bildungsarbeit der IG Metall mit programmatisch作者: Subjugate 時(shí)間: 2025-3-22 09:13 作者: concise 時(shí)間: 2025-3-22 16:05
Maria Kokkori,Francesca Casadio,Ken Sutherland,Marc Vermeulenittels der Differenz von P?dagogik und Verwaltung analysiert — wie dies etwa im Zusammenhang der Diskussionen um die Modernisierung der Volkshochschule geschieht; oder mittels der Differenz von P?dagogik und ?konomie — wie dies am Fall der Modernisierung der betrieblichen Weiterbildung geschieht (vg作者: Blatant 時(shí)間: 2025-3-22 17:43 作者: PURG 時(shí)間: 2025-3-22 21:13 作者: dysphagia 時(shí)間: 2025-3-23 05:17
Mirta Pavi?nd für welche F?cherspektren man sich für diesen Neubeginn nach 1945 Angebote wünschte. Dozenten wünschte man sich an vorderster Stelle für den Sprachenbereich: Russisch, Englisch und Deutsch, und zwar in dieser Reihenfolge. Weitere Angebote waren: ?Moskau, als Erzieher seit 1917. Lehren und Nutzanw作者: 預(yù)防注射 時(shí)間: 2025-3-23 06:25
Kate Helwig,Jennifer Poulin,Marie-Claude Corbeil,Elizabeth Moffatt,Dominique Duguaynd für welche F?cherspektren man sich für diesen Neubeginn nach 1945 Angebote wünschte. Dozenten wünschte man sich an vorderster Stelle für den Sprachenbereich: Russisch, Englisch und Deutsch, und zwar in dieser Reihenfolge. Weitere Angebote waren: ?Moskau, als Erzieher seit 1917. Lehren und Nutzanw作者: nonplus 時(shí)間: 2025-3-23 11:11 作者: Cardioplegia 時(shí)間: 2025-3-23 14:21 作者: 權(quán)宜之計(jì) 時(shí)間: 2025-3-23 19:17 作者: fibroblast 時(shí)間: 2025-3-24 00:14
Stefan Zumbühl,Nadim C. Scherrer,Wolfgang Müllern und solidarit?tsstiftenden Funktion sowie als Dienstleister für Menschen in Notsituationen vielf?ltige Unterstützung. Gerade Menschen auf der Flucht, brauchen hier unser besonderes Augenmerk. Caritas bietet beinahe fl?chendeckend Asyl- und Migrationsberatung an und ist mit gut 400 Mitarbeiterinnen作者: flaggy 時(shí)間: 2025-3-24 02:20 作者: 貪心 時(shí)間: 2025-3-24 10:33 作者: 橢圓 時(shí)間: 2025-3-24 13:48 作者: Supplement 時(shí)間: 2025-3-24 18:47 作者: 染色體 時(shí)間: 2025-3-24 21:42
,Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies,HKS, W&N, Talens and Maimeri (c. 1940-present). Several paint films showed an unusually high content of fatty diacids, suggesting that, in drying, an oxidative reaction was favoured above polymerisation. This occurrence, together with the diversity of lipidic media, additives, pigments and driers pr作者: 把手 時(shí)間: 2025-3-24 23:47 作者: Bmd955 時(shí)間: 2025-3-25 04:52 作者: Agility 時(shí)間: 2025-3-25 10:30
,, A Tempera Painting by Otto Mueller Circa 1917. ,, Mass Spectrometry (GCMS) and Matrix Assisted Laser Desorption Ionisation (MALDI) – Time of Flight (TOF) – Mass Spectrometry (MS). Initial results were further explored by paint reconstructions. The findings led to the insight that some materials identified through analyses are not likely to have be作者: Cumulus 時(shí)間: 2025-3-25 14:01 作者: deriver 時(shí)間: 2025-3-25 17:03 作者: 完整 時(shí)間: 2025-3-25 21:50
,Investigating Fluidizing Dripping Pink Commercial Paint on Van Hemert’s ,-Series Works from 1990–19ompared to the exuding material. The drying of the paint produced high relative amounts of smaller oxidised fractions that could not be retained in the paint mass as aging progressed. A physical separation resulted in more polar fractions. The fluorescence of these exuding fractions can be used a tr作者: 一個(gè)攪動(dòng)不安 時(shí)間: 2025-3-26 02:58
Hard Dry Paint, Softening Tacky Paint, and Exuding Drips on , (1952) by Jean-Paul Riopelle,DTMS features for polar compounds such as azelaic acid and midchain-oxygen-functionalised stearic acids. Lower relative amounts are present in softening paints. Hard paints are characterised by higher relative amounts of saturated fatty acids ranging from palmitic (C16) to lignoceric (C24) fatty aci作者: debouch 時(shí)間: 2025-3-26 05:26
Zinc White and the Influence of Paint Composition for Stability in Oil Based Media,m stearate supports observations made in paint films. The significance of aluminium stearate as a stearic acid source in paint formulations is corroborated and is more significant than oil type or pigment combination for formation of high concentrations and more pronounced separation of saturated C1作者: cogitate 時(shí)間: 2025-3-26 11:17 作者: 苦澀 時(shí)間: 2025-3-26 15:01
,, – A Delicate Surface. Difficult to Clean – Essential to Protect,reme relief and widely undamaged impasto asked for a new combination of cleaning methods to make a safe and responsible surface cleaning possible. The selected method will be discussed, as will the re-framing and preventative measures that might protect the surface in the future.作者: ANT 時(shí)間: 2025-3-26 17:57
Book 2014nges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches..作者: 助記 時(shí)間: 2025-3-26 22:26
Book 2014interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.? The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degrad作者: Isolate 時(shí)間: 2025-3-27 01:36
characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches..978-3-319-37933-3978-3-319-10100-2作者: 惰性女人 時(shí)間: 2025-3-27 09:04
Twentieth Century Oil Paint. The Interface Between Science and Conservation and the Challenges for related to the formation of magnesium sulphate hydrate in selected manufactured oil paints, and criteria for further investigation of the phenomena in other paints. Contributions in this volume that address other classes of material deterioration including the formation of metal soap crusts and treatment approaches are introduced.作者: 敵意 時(shí)間: 2025-3-27 09:28
Do We See What We Know or Do We Know What We See? Conservation of Oil Paintings in the Stedelijk Muion to the works of Karel Appel and Asger Jorn. These studies have led to the characterisation of novel degradation phenomena and technical evidence has helped to predict water sensitivity and inform more specific cleaning methods. Despite these advances not every work of art can been treated and sometimes we have to except that ‘.’.作者: HACK 時(shí)間: 2025-3-27 15:33 作者: jovial 時(shí)間: 2025-3-27 18:20 作者: Foment 時(shí)間: 2025-3-28 01:41 作者: Nomadic 時(shí)間: 2025-3-28 03:08
, by Georges Mathieu, 1957. Study and Restoration: Consolidation Through Cohesive Regeneration Usinoration is ongoing. A method was developed using little or no adhesive with the possibility of reversibility for future interventions. Pure ethanol was used to reactivate the cohesion and the adhesion of the cracked impastos.作者: stratum-corneum 時(shí)間: 2025-3-28 09:34 作者: Tartar 時(shí)間: 2025-3-28 11:41
tion managers as well as paint manufacturers.With contributi.This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions作者: 急性 時(shí)間: 2025-3-28 18:14
Twentieth Century Oil Paint. The Interface Between Science and Conservation and the Challenges for ration between conservators and scientists and utilises phenomenological and experimental methodologies to investigate the causes of optical changes in paint, such as efflorescence and salt formation, and the sensitivity to water that occurs on surface cleaning some unvarnished oil paintings. Exampl作者: Thyroxine 時(shí)間: 2025-3-28 21:34
Do We See What We Know or Do We Know What We See? Conservation of Oil Paintings in the Stedelijk Mu discussed. Examples of the treatment include key works by Kazimir Malevich, Modern American painters from the 1950s-1970s and Cobra artists. The challenges for conservators and criteria for decisions about treatment and display at the museum included reviewing former conservation treatments and the作者: 補(bǔ)充 時(shí)間: 2025-3-28 23:42
Towards Interpretation of Making, Meaning, and Change in British Twentieth Century Oil Paintings: Tled practical solutions to picture-making long-since absorbed by the artist, Patrick Heron (1920–1999), into the instinctive act of painting and left un-articulated in interviews or commentaries. The large quantity of oil paint in 155 different colours led to questions as to why so much variety, whi作者: jagged 時(shí)間: 2025-3-29 04:53 作者: phlegm 時(shí)間: 2025-3-29 08:33 作者: 該得 時(shí)間: 2025-3-29 11:26
Distinction by Micro-Raman Spectroscopy and Chemometrical Analysis of Copper Phthalocyanine Blue Pocentury artists paints. Phthalo blue, which is adopted by artists since 1936, is a polymorphous pigment. Currently, the ., . and . CuPc polymorphs are used in artists paint formulations. The identification of the CuPc crystal form provides technical and chronological information relevant for studyin作者: BUST 時(shí)間: 2025-3-29 19:34 作者: 膽大 時(shí)間: 2025-3-29 23:05 作者: 粗魯性質(zhì) 時(shí)間: 2025-3-30 02:36
, by Georges Mathieu, 1957. Study and Restoration: Consolidation Through Cohesive Regeneration Usinlle, France. The painting shows several signs of degradation which result from a combination of factors such as: the artist’s action and painting technique: . producing thick black impastos; the composition and interaction between the binding media, linseed oil and the ivory black pigment; the envir作者: 賭博 時(shí)間: 2025-3-30 07:15 作者: originality 時(shí)間: 2025-3-30 10:50
Conservation Issues in Several Twentieth-Century Canadian Oil Paintings: The Role of Zinc Carboxylartists have been noted. These include delamination and lifting paint, zinc soap protrusions and surface efflorescence or accretions. Examples of these phenomena are presented. Delamination in an oil painting from 1956 was found to be related to an underlayer with a high concentration of zinc fatty a作者: 豐滿(mǎn)中國(guó) 時(shí)間: 2025-3-30 12:23
,, A Tempera Painting by Otto Mueller Circa 1917. ,, of the Stedelijk Museum in Amsterdam.. Research was performed in the context of the recent conservation treatment of this painting. Friable, porous paint layers gave rise to investigation of the paint composition. The study coincided with a strong international interest for Mueller’s contemporaries作者: breadth 時(shí)間: 2025-3-30 19:22
,Metal Soaps and Visual Changes in a Painting by René Magritte – ,, 1927,with scientific analysis has characterised some puzzling and visually disturbing surface phenomena once attributed to mold growth..A detailed examination of the painting under the microscope has evidenced that the formation of radiating dark micro cracks is responsible for the overall speckled appea作者: Ventilator 時(shí)間: 2025-3-30 23:18 作者: laceration 時(shí)間: 2025-3-31 03:08 作者: faction 時(shí)間: 2025-3-31 05:13
