派博傳思國際中心

標(biāo)題: Titlebook: Ireland, Memory and Performing the Historical Imagination; Christopher Collins (Teaches),Mary P. Caulfield (V Book 2014 Palgrave Macmillan [打印本頁]

作者: 毛發(fā)    時間: 2025-3-21 19:54
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作者: inflate    時間: 2025-3-22 00:09

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978-1-349-47258-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
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作者: Nebulizer    時間: 2025-3-24 02:32
Paul Murphy or harm people are outside the market system, have comeincreasing efforts to develop nonmarket valuation techniques. One suchtechnique is the contingent valuation method (CVM). CVM seeks to valueenvironmental and other nonmarket goods and services by askingindividuals about their values using surve
作者: 膽小鬼    時間: 2025-3-24 09:32

作者: FLAGR    時間: 2025-3-24 11:04
Lauren Arrington or harm people are outside the market system, have comeincreasing efforts to develop nonmarket valuation techniques. One suchtechnique is the contingent valuation method (CVM). CVM seeks to valueenvironmental and other nonmarket goods and services by askingindividuals about their values using surve
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作者: 紅潤    時間: 2025-3-24 19:52
information. The study was explorative in nature and was not designed to produce conclusive results with respect to these issues, however it does provide some understanding about the sensitivity of valuations to categorical nesting and information effects, at least in the particular context of valu
作者: –吃    時間: 2025-3-25 03:06
Hélène Lecossois or harm people are outside the market system, have comeincreasing efforts to develop nonmarket valuation techniques. One suchtechnique is the contingent valuation method (CVM). CVM seeks to valueenvironmental and other nonmarket goods and services by askingindividuals about their values using surve
作者: correspondent    時間: 2025-3-25 04:50
Joseph Greenwood information. The study was explorative in nature and was not designed to produce conclusive results with respect to these issues, however it does provide some understanding about the sensitivity of valuations to categorical nesting and information effects, at least in the particular context of valu
作者: cogitate    時間: 2025-3-25 09:41

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Christopher Collins increasing land scarcity, the pressure to utilize them for agriculture is increasing. This chapter focuses on a case study in Riau and West Kalimantan to discuss the socioeconomic and environmental values of peatland through examples of financial analysis and economic valuation and discussion based
作者: 冒失    時間: 2025-3-26 00:17
for honey bees. They are known to play a crucial role in maintaining plant biodiversity in forests and agricultural crops for human food production. This chapter describes the history of beekeeping, beekeeping practices, and offers an overview of the impact of changing environments as well as human
作者: Mangle    時間: 2025-3-26 08:18

作者: gnarled    時間: 2025-3-26 09:35
Re-considering Oscar Wilde’s Flamboyant Flop: , lected. Many people are familiar with Wilde’s more popular plays of the 1890s: . (1895), . (1895) and . (1896), but Wilde’s two early tragic plays continue to be virtually overlooked.. Despite this significant oversight in the history of the Irish dramatic archive, productions of Wilde’s most popula
作者: 叫喊    時間: 2025-3-26 15:40
Courtly Love and Heroic Death in W. B. Yeats’s Cuchulain Cycle of Playsand . (1939). The Lacanian notions of ‘fantasy’, ‘Symbolic Order’ and the ‘Real’ will be used to analyse the relationship between the protagonist Cuchulain and the various manifestations of Woman as fantasy object in the female characters in the plays. The aim is to reaccentuate the interpretive foc
作者: Assignment    時間: 2025-3-26 19:34
‘… Whenever the Tale of ‘98 is Told’: Constance Markievicz, the National Memory and ‘The Women of Nit. By employing different theatrical and rhetorical strategies, Markievicz revealed an alternative condition and potential for women and for Ireland. Her artistry in all its forms was a means to examine themes of insurgency and political strife as they relate to both Ireland and women’s efforts in I
作者: 省略    時間: 2025-3-27 00:31
Theatre of Dissent: the Historical Imagination of the Irish Workers’ Dramatic Companyrish Workers’ Dramatic Company was intent on a drama of disruption.. Based at Liberty Hall, the headquarters of the Irish Transport and General Workers’ Union, and concerned with the material welfare of the working classes, the amateur company presents an alternative to the preoccupations of the Abb
作者: 小畫像    時間: 2025-3-27 05:08
Staging the Body in Post-Independence Irelando seems to be smiling. The man looks appreciatively at the young woman, who is not at all discomposed by his stare, and who looks back at him. Against a background of an antiquated and down-at-heel domestic space the two figures appear preoccupied with admiring each other and at the same time posing
作者: eardrum    時間: 2025-3-27 08:07
Pampooties and Keening: Alternate Ways of Performing Memory in J. M. Synge’s Playst there “took”’. and left traces on his own writing. While sojourning on the Aran Islands, he consigned everything he saw and heard to notebooks which he then reworked into a narrative partaking of the travelogue, the autobiography and ethnographical recording. This was ., which became in turn the b
作者: 大包裹    時間: 2025-3-27 12:35
‘Why Do You Always Be Singin’ That Oul’ Song?’: the Subversion of Emigrant Ballads in John B. Keane’ences flocking to hear what many are saying, but what few will dare to repeat. The way he says it may not be to the liking of all of us. But like it or not, in “Many Young Men of Twenty”, the author has a lot to say, and he says it in word and song.’. The theme of these barely repeatable articulatio
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Forgetting the phenomenology of memory. The more one attempts to defend against forgetting as a phenomenon, the more likely it is that memory becomes imaginary, because remembrance is essential. To this end, Paul Ricoeur has argued that ‘forgetting has a positive meaning insofar as having-been prevails over b
作者: 強化    時間: 2025-3-28 02:34

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‘Why Do You Always Be Singin’ That Oul’ Song?’: the Subversion of Emigrant Ballads in John B. Keane’ highest rate since “the exceptional period in the 1880s”’.. The majority of emigrants were from the countryside,. and it was in the rural towns and villages that the audiences would indeed come flocking to see this play, set in a village public house in southern Ireland.
作者: 嫌惡    時間: 2025-3-28 10:28
Boxed Rituals: Eamon de Valera, Television and e, confined form of viewing associated with the new media. The traditional theatre often followed suit, retreating even further into an already established Irish brand of naturalism, which the new framing mechanism of the television made all the more obvious.
作者: 大洪水    時間: 2025-3-28 16:16
riterion of Irish theatre practices. These practices can be defined as the ‘rejected‘, contested and undervalued plays and performativities that are integral to Ireland‘s political and cultural landscapes.978-1-349-47258-1978-1-137-36218-6
作者: Horizon    時間: 2025-3-28 21:16
Theatre of Dissent: the Historical Imagination of the Irish Workers’ Dramatic Companye aim of Yeats and Gregory was to represent the nation in plays dealing with Irish legend or ‘Irish historic personages or events’, the Irish Workers’ Dramatic Company aimed to intervene in the present moment, to reimagine the place of the individual in history and in the process to effect material change.
作者: 陳舊    時間: 2025-3-29 02:45
The Abuse of History/A History of Abuse: Theatre as Memory and the Abbey’s ‘Darkest Corner’ry was also stolen. In addition, the wider community, in coming to believe in the narrative of place and history which had been manipulated by the Catholic Church and Irish government status quo, the wider social identity was also being repressed and circumscribed.. These repressions and manipulations represent an abuse of memory and history.
作者: curettage    時間: 2025-3-29 03:49

作者: 不利    時間: 2025-3-29 10:31
Courtly Love and Heroic Death in W. B. Yeats’s Cuchulain Cycle of Playsulain and the various manifestations of Woman as fantasy object in the female characters in the plays. The aim is to reaccentuate the interpretive focus on the Cuchulain cycle, from a predominant concern with national identity, towards a critique of the gender hierarchies inherent to the plays and their cultural context of production.
作者: Colonnade    時間: 2025-3-29 14:43
Re-considering Oscar Wilde’s Flamboyant Flop: , e domestic sphere and dominates the public sphere, contesting traditional gender roles. Vera chooses to take her own life and her death will be examined in light of feminist theories of suicide.. Margaret Higonnet’s chapter on suicide in Susan Rubin Suleiman’s book . reflects on women’s suicide and
作者: Munificent    時間: 2025-3-29 18:07
Staging the Body in Post-Independence Irelandalysed present tense of a ., the easeful flirtatiousness of the pair and the contrast between the leisurely aspect of their pose and the dilapidated interior of the background, reinforce our initial impression that what we are looking at is bodies performing. The performance captured by the photogra
作者: homocysteine    時間: 2025-3-29 22:08
Pampooties and Keening: Alternate Ways of Performing Memory in J. M. Synge’s Playsarks on Synge’s qualities of observation, which he qualifies as ‘long unmeditative watching’. He also underlines Synge’s desire for transparency or invisibility: ‘He told me once that when he lived in some peasant’s house, he tried to make those about him forget that he was there, and it is certain
作者: 憂傷    時間: 2025-3-30 03:58
Forgetting erality of performance in relation to forgetting as a productive and performative event that summons the contemporaneity of subterranean histories, alternative temporalities and multidirectional memories. Forgetting seen from this perspective offers a radical philosophy of performance as historiogra
作者: 征服    時間: 2025-3-30 04:45
Ireland, Memory and Performing the Historical Imagination
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作者: Intervention    時間: 2025-3-30 13:31
Ireland, Memory and Performing the Historical Imagination978-1-137-36218-6
作者: Lumbar-Stenosis    時間: 2025-3-30 17:35

作者: artifice    時間: 2025-3-30 22:49
Christopher Collins,Mary P. Caulfieldthe latter either on the surface or in subsurface seepage beds for on-site waste disposal from septic tanks. Every soil has a characteristically different unsaturated flow regime that is insufficiently known at this time. Generation of compost from urban waste is increasing worldwide, offering poten




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