標(biāo)題: Titlebook: Intimacy Across Visceral and Digital Performance; Maria Chatzichristodoulou (cultural practitioner ( Book 2012 Palgrave Macmillan, a divis [打印本頁(yè)] 作者: SPIR 時(shí)間: 2025-3-21 18:38
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書(shū)目名稱Intimacy Across Visceral and Digital Performance讀者反饋學(xué)科排名
作者: 紅潤(rùn) 時(shí)間: 2025-3-21 23:40 作者: Middle-Ear 時(shí)間: 2025-3-22 02:22 作者: dura-mater 時(shí)間: 2025-3-22 04:43
Dominic Johnsonhnology improvement and economies of scale are needed to compete against incumbent technologies and to realize their benefits in the marketplace. Significant infrastructure development is needed in the case of 978-1-0716-1492-1Series ISSN 2629-2378 Series E-ISSN 2629-2386 作者: 談判 時(shí)間: 2025-3-22 12:19 作者: concubine 時(shí)間: 2025-3-22 13:14 作者: Demulcent 時(shí)間: 2025-3-22 17:23
before 1900 the limitations of the batteries to drive them have not enabled them to compete in the general consumer’s market with the internal combustion engine. Automotive parts are limited by space and weight. Therefore EVs and hybrid electric vehicles (HEVs) require a battery with high energy den作者: Yag-Capsulotomy 時(shí)間: 2025-3-23 00:41 作者: 飛來(lái)飛去真休 時(shí)間: 2025-3-23 03:43
Simon Jonesomer satisfaction. While electrification of vehicle technologies is relatively mature, technology improvement and economies of scale are needed to compete against incumbent technologies and to realize their benefits in the marketplace. Significant infrastructure development is needed in the case of 作者: 裹住 時(shí)間: 2025-3-23 08:57 作者: 胰島素 時(shí)間: 2025-3-23 11:38
before 1900 the limitations of the batteries to drive them have not enabled them to compete in the general consumer’s market with the internal combustion engine. Automotive parts are limited by space and weight. Therefore EVs and hybrid electric vehicles (HEVs) require a battery with high energy den作者: 狂亂 時(shí)間: 2025-3-23 14:44 作者: 低位的人或事 時(shí)間: 2025-3-23 19:09 作者: Default 時(shí)間: 2025-3-23 23:26 作者: 乳汁 時(shí)間: 2025-3-24 05:07 作者: Polydipsia 時(shí)間: 2025-3-24 10:14
Erin Manning the recent years. These methods aid in extending conventional SSRM toward quantitative carrier profiling in aggressively scaled 3D device structures which is illustrated on the example of selected relevant applications such as FinFETs and nanowire-based transistors.作者: 館長(zhǎng) 時(shí)間: 2025-3-24 13:37
Johannes Birringere of the metrological and signal-analytical chain: neuron as a signal source–sensor technology–signal amplification and conditioning–signal sampling and digitization–methods of biosignal processing–biostatistics and stochastic processes..The target groups.The book is suitable for medical technology 作者: vanquish 時(shí)間: 2025-3-24 17:44
Atau Tanakatrological and signal-analytical chain: neuron as a signal source–sensor technology–signal amplification and conditioning–signal sampling and digitization–methods of biosignal processing–biostatistics and stochastic processes..The target groups.The book is suitable for medical technology 978-3-662-68000-1978-3-662-67998-2作者: Latency 時(shí)間: 2025-3-24 20:00
trological and signal-analytical chain: neuron as a signal source–sensor technology–signal amplification and conditioning–signal sampling and digitization–methods of biosignal processing–biostatistics and stochastic processes..The target groups.The book is suitable for medical technology 978-3-662-68000-1978-3-662-67998-2作者: colostrum 時(shí)間: 2025-3-25 00:44 作者: 顯赫的人 時(shí)間: 2025-3-25 03:55
Collapsing Alibis: Intimacy and the Ethics of Wit(h)nessingroring, as an emotional identification that in fact subsumes the other to the same, to a life we can readily articulate and regulate without needing to acknowledge the violence inherent in such articulations. My chapter will examine intimacy in performance through the theoretical notion of ‘wit(h)ne作者: BRAND 時(shí)間: 2025-3-25 08:18 作者: Instrumental 時(shí)間: 2025-3-25 12:44 作者: 無(wú)意 時(shí)間: 2025-3-25 19:22
Between Bodies: An Artist’s Account of the Oral Connection Between Human and Dogver, the performer’s body is rendered as other and distinct through the process of observation. It represents that which is similar . different to the viewer. Situated as a public site of social intervention the performing body serves as a simultaneous human and animal referent.作者: Vulnerable 時(shí)間: 2025-3-25 20:40 作者: induct 時(shí)間: 2025-3-26 01:49 作者: 無(wú)思維能力 時(shí)間: 2025-3-26 07:42 作者: 凝結(jié)劑 時(shí)間: 2025-3-26 11:15
Performing with Mother’s Milk: rform at the hospital instead. Still, it was the definitive performance, meeting all the criteria of signature performance art elements: time, duration, blood, shit, puke, pain, primal screaming, body modification, sporadic audience attendance and participation, and copious documentation.作者: EPT 時(shí)間: 2025-3-26 14:54 作者: 離開(kāi) 時(shí)間: 2025-3-26 18:47 作者: Harpoon 時(shí)間: 2025-3-26 23:45
BioMuse to Bondage: Corporeal Interaction in Performance and Exhibition sound can become a key not just to decode experimental performance, but as an entry point to possible intimate spaces created by digital interaction. I will draw upon notions of physicalization, enaction, and embodiment to describe how a visceral, nearly carnal situation can be created in technology-mediated work.作者: AIL 時(shí)間: 2025-3-27 01:30 作者: 有花 時(shí)間: 2025-3-27 08:21
Intimate Pervy Avatarsbjective. . artist Alan Sondheim (a.k.a. Alan Dojoji) calls it ‘inconceivable’. You can mobilize a story around the avatars. You can cluster the signs and read a narrative. The avatars quarrel and fight; they dance a .; they engage in a ritual mating dance; they are socializing and connecting.作者: GLIDE 時(shí)間: 2025-3-27 11:48
Palgrave Studies in Performance and Technologyhttp://image.papertrans.cn/i/image/473076.jpg作者: 裁決 時(shí)間: 2025-3-27 14:40
978-1-349-34586-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: 口訣 時(shí)間: 2025-3-27 18:48
Intimacy Across Visceral and Digital Performance978-1-137-28333-7Series ISSN 2947-5848 Series E-ISSN 2947-5856 作者: Detoxification 時(shí)間: 2025-3-27 23:39
The Body in Your Lapwenty-first-century body is enmeshed in contradictions of authenticity and simulation, fixity and flux. This chapter attempts to navigate through those contradictions in relation to the body and performance in contemporary art.作者: Capture 時(shí)間: 2025-3-28 02:40
The ,: Intimate Revelations in Art and Sciencence of microbiology. The project is led by Anna Dumitriu with a changing group of collaborators drawn from diverse backgrounds including: art, science, philosophy and technology, as well as school children, medical students, healthcare workers and the general public.作者: integrated 時(shí)間: 2025-3-28 09:59 作者: insurrection 時(shí)間: 2025-3-28 11:16 作者: Kidney-Failure 時(shí)間: 2025-3-28 17:49
Book 2012Consisting of critical analyses, theoretical provocations and practical reflections by leading scholars/practitioners from the fields of performance studies, live art and creative technology, these essays examine the rise of intimate performance works and question the socio-historical contexts provoking those aesthetic and affective developments.作者: neoplasm 時(shí)間: 2025-3-28 20:53
Introductionship. Intimacy enables two sentient beings, who feel comfortable enough with each other on an emotional and/or physical level, to reveal something about themselves and connect in some form of meaningful exchange. Sensing intimacy in performance relocates registers of affect from the public sphere to作者: 橢圓 時(shí)間: 2025-3-29 00:19
The Body in Your Lapwenty-first-century body is enmeshed in contradictions of authenticity and simulation, fixity and flux. This chapter attempts to navigate through those contradictions in relation to the body and performance in contemporary art.作者: 疾馳 時(shí)間: 2025-3-29 05:38
Collapsing Alibis: Intimacy and the Ethics of Wit(h)nessing a certain material renegotiation and transformation of traumatic affect in both visceral and virtual performative encounters. My reading will rely on works in which closeness implied in the notion of intimacy is not utilized as a ‘proper’ means for a more direct exchange of experience based on reco作者: Hemiplegia 時(shí)間: 2025-3-29 07:24
The Hazardous Conversation: The Practice of Intimacy in Performance at The Institute for the Art ande developed at the Institute for the Art and Practice of Dissent at Home (The Institute). The topic of the conversation will be our public performance . (Hazard08) that took place in Manchester in July 2008. The conversation has been scripted for publication, written as if the reader is eavesdroppin作者: 熱情的我 時(shí)間: 2025-3-29 13:53
Performing with Mother’s Milk: technical capabilities and raked seating for 300. People will purchase advance tickets and then they will be ‘on call’. I’ll go into labour and the audience will assemble at the theatre and I’ll do it for them. Well, I will do it for the baby and me. But they can watch. I had planned to do this perf作者: Graves’-disease 時(shí)間: 2025-3-29 15:56 作者: 橫截,橫斷 時(shí)間: 2025-3-29 20:21 作者: debble 時(shí)間: 2025-3-30 01:58
Between Bodies: An Artist’s Account of the Oral Connection Between Human and Dog, 2004, p. 47). With this terminology, Catling suggested the live performing body as synonymous with animality, for in being observable it represents the objectifiable other. Attention is given to the body being animal as manner and physicality are observed. Created both physically and psychological作者: BROW 時(shí)間: 2025-3-30 06:22
Intimate Pervy Avatars011). Look at Alan Dojoji or Julu Twine, never touching, but sometimes engaged in a stylized and disordered dance or combat with other avatar toons. such as Sandy Taifun. If you were logged into . and looking at the scene through your own avatar eyes, you would read the avatar movements as odd, noth作者: Grasping 時(shí)間: 2025-3-30 08:52 作者: 貪婪性 時(shí)間: 2025-3-30 13:22 作者: Pigeon 時(shí)間: 2025-3-30 16:31
