標(biāo)題: Titlebook: Intercultural Aesthetics in Traditional Chinese Theatre; From 1978 to the Pre Wei Feng Book 2020 The Editor(s) (if applicable) and The Auth [打印本頁] 作者: 小天使 時(shí)間: 2025-3-21 19:29
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書目名稱Intercultural Aesthetics in Traditional Chinese Theatre影響因子(影響力)學(xué)科排名
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書目名稱Intercultural Aesthetics in Traditional Chinese Theatre被引頻次
書目名稱Intercultural Aesthetics in Traditional Chinese Theatre被引頻次學(xué)科排名
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書目名稱Intercultural Aesthetics in Traditional Chinese Theatre讀者反饋
書目名稱Intercultural Aesthetics in Traditional Chinese Theatre讀者反饋學(xué)科排名
作者: 物種起源 時(shí)間: 2025-3-21 21:12 作者: 摻假 時(shí)間: 2025-3-22 04:19
Border-Crossing , Actors in Beckettian ,general categorization of types of characters trained in certain acting style and skills—links the performer and the character. Because of this, the focus of actors’ transformation is on role types. Contemporary Legend Theatre’s . adaptation of . (2005) is predominantly an experiment on acting style作者: 自負(fù)的人 時(shí)間: 2025-3-22 05:44 作者: 辯論的終結(jié) 時(shí)間: 2025-3-22 09:58
Reframing Audience Experiences: Brechtian Estrangement and Metatheatricality Displaced in ,re and creative system—of reshaped stage-audience relationship since the early twentieth century, and prepares for a new attempt at reframing audience experiences by reassessing the relationship between . and illusionistic theatre. As case studies, the following section analyses . (.) (1987), a . ad作者: Infect 時(shí)間: 2025-3-22 12:58
Conclusion, to transform its aesthetics. The result is either generation of productive and probably lasting new aesthetic paradigms, problematic narcissism, or an uncritical imposition of Western aesthetics. The fundamental issue involved in this is an emphasis on self-subjectivity, based on thorough and thoug作者: 草率男 時(shí)間: 2025-3-22 17:20
inese theatre studies by joining it with international discoThis book traces the transformation of traditional Chinese theatre’s (.xiqu.) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and perform作者: Firefly 時(shí)間: 2025-3-23 00:28 作者: 畫布 時(shí)間: 2025-3-23 03:22
,‘Egotistic’ Adaptations of ,: Intercultural Playwrights Haunted by Tradition,itional Chinese motifs onto Shakespeare, but further, it also diminishes the polyphonic voices in . to the point of flattened characterization, a loss of humanistic spirit, and a narcissistic obsession with self and own tradition.作者: 主動(dòng)脈 時(shí)間: 2025-3-23 08:25
Border-Crossing , Actors in Beckettian ,uddha. Regarding the issue of actors, this chapter first touches on how the choice of . in this adaptation relates to the displacement of metaphysical context, that is Buddhism. Then, it analyses the transformation of actors’ performing conventions to formally embody the comic failure in Beckett’s play.作者: Monotonous 時(shí)間: 2025-3-23 12:27 作者: 深淵 時(shí)間: 2025-3-23 15:34 作者: 保全 時(shí)間: 2025-3-23 18:39 作者: endocardium 時(shí)間: 2025-3-23 23:08 作者: 微枝末節(jié) 時(shí)間: 2025-3-24 03:54
Reframing Audience Experiences: Brechtian Estrangement and Metatheatricality Displaced in ,he use of metatheatricality shares the same mechanism of imposition without much engagement with either .’s content or form. Thus, in this case, the repositioning of the audience becomes little more than a game with metatheatricality.作者: Mettle 時(shí)間: 2025-3-24 08:02
intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China’s pursuit of modernity between its traditional and Western influences..978-3-030-40637-0978-3-030-40635-6作者: 爭論 時(shí)間: 2025-3-24 10:42
Correction to: Intercultural Aesthetics in Traditional Chinese Theatre,作者: Cirrhosis 時(shí)間: 2025-3-24 17:48
Intercultural Aesthetics in Traditional Chinese TheatreFrom 1978 to the Pre作者: 擺動(dòng) 時(shí)間: 2025-3-24 19:20
Intercultural Aesthetics in Traditional Chinese Theatre978-3-030-40635-6作者: ASSAY 時(shí)間: 2025-3-25 00:20 作者: delegate 時(shí)間: 2025-3-25 04:29
Wei FengRepresents the first book to investigate the transformations in contemporary xiqu’s aesthetics from an intercultural perspective.Promotes Chinese theatre studies by joining it with international disco作者: Instrumental 時(shí)間: 2025-3-25 11:12
http://image.papertrans.cn/i/image/470699.jpg作者: 體貼 時(shí)間: 2025-3-25 14:01
978-3-030-40637-0The Editor(s) (if applicable) and The Author(s) 2020作者: 手銬 時(shí)間: 2025-3-25 18:29 作者: 積云 時(shí)間: 2025-3-25 23:38
Urukagina von Lagasch, der erste soziale Reformator,len, wissen aber noch nicht, welche V?lker sie geschaffen haben. Wohl gegen Ende des 4. Jahrtausends wanderten in Babylonien vermutlich von Osten die . ein, die, auf der im Lande vorgefundenen Kultur aufbauend, erstmalig um 3000 eine monumentale Bau- und Bildkunst schufen (ein Beispiel Abb. 2). Die 作者: 使尷尬 時(shí)間: 2025-3-26 03:28
Nanocrystals with Crystallization-Induced or Enhanced Emission,cals, thanks to the superior optical properties as compared to their amorphous counterparts. In this chapter, the principles of nanocrystallization methods, including top-down and bottom-up approaches, are elaborated for the synthesis of organic crystals. We specifically discuss how to use nanocryst作者: META 時(shí)間: 2025-3-26 07:41 作者: HUSH 時(shí)間: 2025-3-26 09:33
rnia, Los Angeles. This book is a collection of the work presented at that conference. The scholars who gathered to honor El are the prominent researchers in the field of Operations Management. Their collective work published in this book represents the richness of the field and provides the reader 作者: LATE 時(shí)間: 2025-3-26 16:22 作者: 鎮(zhèn)痛劑 時(shí)間: 2025-3-26 17:34 作者: FEAS 時(shí)間: 2025-3-27 00:31 作者: 噴出 時(shí)間: 2025-3-27 03:41
Kumari Divya,Prabjot Kaurhey regional or global, are sustained or facilitated by the presence and actions of (benign) hegemonic power. In the Balkan case, one may well point at the Western interventions of the 1990s as well as the deployment of the EU’s ‘soft power’ in the following decade. Compared to anywhere else in post作者: obviate 時(shí)間: 2025-3-27 07:05
Cave Sediments from the Infilled Cave Near Diva?a due to their drying or shifting on account of subsidence or tectonics. Certain parts of the profile were also heavily cemented with calcite, namely in the form of randomly positioned irregular bodies. In terms of their mineral composition, the sediments found in the cave are weathered remains of th作者: 禍害隱伏 時(shí)間: 2025-3-27 12:06
0302-9743 n vitro evolution, models of biomolecular computing (using DNA and/or other molecules), molecular - sign, nucleic acid chemistry, and simulation tools. Papers and posters with new experimental 978-3-540-00531-5978-3-540-36440-5Series ISSN 0302-9743 Series E-ISSN 1611-3349 作者: Feature 時(shí)間: 2025-3-27 15:30 作者: 無畏 時(shí)間: 2025-3-27 20:23
Shuvra Chowdhury,Pranab Kumar Pandaynomena are facing challenges as they negotiate their contestThis is a book for practitioners, university educators, workplace learning educators, researchers and the professions. It draws together two key elements of the lives of these people: professional practice – what people do, and practice dis作者: 獎(jiǎng)牌 時(shí)間: 2025-3-27 23:17
M. Ganapathi,T. Prakash,M. K. Singha gar nicht, bis zum 7. Oktober, dem Tag ihrer Gründung, waren es noch gut vier Wochen hin. Stand ich, frage ich mich, so zwischen halb und dreiviertel zehn auf dem Hof vor dem Theater? Dann sah ich Brecht vorfahren, in einem rotschwarzen Steyr, Zweisitzer, Cabriolet, natürlich offen, wenn es nicht g
