派博傳思國(guó)際中心

標(biāo)題: Titlebook: Interactive Experience in the Digital Age; Evaluating New Art P Linda Candy,Sam Ferguson Book 2014 The Editor(s) (if applicable) and The Au [打印本頁(yè)]

作者: 矜持    時(shí)間: 2025-3-21 17:29
書目名稱Interactive Experience in the Digital Age影響因子(影響力)




書目名稱Interactive Experience in the Digital Age影響因子(影響力)學(xué)科排名




書目名稱Interactive Experience in the Digital Age網(wǎng)絡(luò)公開度




書目名稱Interactive Experience in the Digital Age網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Interactive Experience in the Digital Age被引頻次




書目名稱Interactive Experience in the Digital Age被引頻次學(xué)科排名




書目名稱Interactive Experience in the Digital Age年度引用




書目名稱Interactive Experience in the Digital Age年度引用學(xué)科排名




書目名稱Interactive Experience in the Digital Age讀者反饋




書目名稱Interactive Experience in the Digital Age讀者反饋學(xué)科排名





作者: Rinne-Test    時(shí)間: 2025-3-21 23:11

作者: Flustered    時(shí)間: 2025-3-22 02:41
Andrew Johnstonur der Naturwissenschaftsdidaktiken vorgeschlagen und anhand von drei Thesen diskutiert. Dabei stellt Wissen über die Natur der Naturwissenschaften eine Voraussetzung für professionelles fachdidaktisches Wissen von Lehrkr?ften dar (These 1), da epistemische Aspekte des fachdidaktischen Wissens nur u
作者: integral    時(shí)間: 2025-3-22 05:13

作者: 免除責(zé)任    時(shí)間: 2025-3-22 10:29

作者: ORBIT    時(shí)間: 2025-3-22 15:24
Chek Tien Tan,Sam Ferguson(which should be familiar to you at this point) are perfectly analyzed to check if they are suitable for lubricating purposes. Thus, every aspect of these products should be covered, from ecotoxicity to skin irritability or viscosity index. Even though we found these standards strict or confusing so
作者: Painstaking    時(shí)間: 2025-3-22 20:47

作者: HAUNT    時(shí)間: 2025-3-23 00:38

作者: 撫育    時(shí)間: 2025-3-23 04:13
Ximena Alarcón-Díaz Ph.D.,Kira Askaroff,Linda Candy,Ernest A. Edmonds,Jane Faram,Gillian Hobsond lipid peroxidation, thereby exacerbating the endogenous OS..This chapter is a very comprehensive review on the OS exerted by environmental contaminants including drugs, heavy metals, pesticides, aromatic hydrocarbons, and solvents. The authors emphasize that not all contaminants act as pro-oxidant
作者: seroma    時(shí)間: 2025-3-23 08:50

作者: neolith    時(shí)間: 2025-3-23 10:36

作者: Brochure    時(shí)間: 2025-3-23 16:32
Jennifer G. Sheridanimed at curbing plastic waste generation. By assessing case studies, successful interventions, and best practices from around the world, this study aims to provide a holistic understanding of the global plastic waste problem and the various strategies employed to combat it. It explores the role of t
作者: 聯(lián)想    時(shí)間: 2025-3-23 20:01

作者: Banquet    時(shí)間: 2025-3-23 22:38
Interactive Experience, Art and Evaluation,odologies presented are relevant to the wider concerns of Human Computer Interaction as well as within the Digital Arts community. Contributors have been informed by research methods from several disciplines and have adapted them in novel ways in order to develop new strategies and techniques for as
作者: Ancillary    時(shí)間: 2025-3-24 03:55
Evaluation and Experience in Art,d interaction design. A framework for evaluating interactive art development and experience is presented followed by discussion of the approaches and methods represented in the following chapters of the book. These approaches illustrate the diversity to be found in interactive arts evaluation proces
作者: 串通    時(shí)間: 2025-3-24 07:15

作者: delta-waves    時(shí)間: 2025-3-24 12:36

作者: Supplement    時(shí)間: 2025-3-24 18:46
Mutual Engagement in Digitally Mediated Public Art, chapter, we are particularly interested in experiences in which people actively construct public art within the boundaries created by the artist. In particular, where people both experience and contribute to the creation of the collective artwork. The key to evaluating the experience of collective
作者: URN    時(shí)間: 2025-3-24 21:18

作者: 門閂    時(shí)間: 2025-3-24 23:56
Digital Arts Entrepreneurship: Evaluating Performative Interaction,ntrepreneur scholarship and of some of the emerging initiatives in the United Kingdom that are incubating this creative field. This chapter addresses those working in the Digital Arts, in both industry and academia, but especially those working somewhere in between.
作者: 厭煩    時(shí)間: 2025-3-25 03:31
ubiquitously in the earth’s environment, including the ocean’s interior. This new and novel perspective has significant implications for various scientific fields, including biology, marine chemistry, environm978-981-97-4428-2978-981-97-4426-8Series ISSN 2191-0707 Series E-ISSN 2191-0715
作者: gait-cycle    時(shí)間: 2025-3-25 08:11
Linda Candy,Sam Ferguson ubiquitously in the earth’s environment, including the ocean’s interior. This new and novel perspective has significant implications for various scientific fields, including biology, marine chemistry, environm978-981-97-4428-2978-981-97-4426-8Series ISSN 2191-0707 Series E-ISSN 2191-0715
作者: 喊叫    時(shí)間: 2025-3-25 11:40
2195-9056 rom artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.978-3-319-35052-3978-3-319-04510-8Series ISSN 2195-9056 Series E-ISSN 2195-9064
作者: 職業(yè)    時(shí)間: 2025-3-25 17:58
Book 2014n and assess value in the creation and experience of interactive art. With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.
作者: FLEET    時(shí)間: 2025-3-25 22:36

作者: 遠(yuǎn)地點(diǎn)    時(shí)間: 2025-3-26 01:36
The Role of Emotions in Art Evaluation,of the art in emotion evaluation for interactive digital art. The component process model of Scherer is discussed and then a number of examples of evaluation of emotion in interactive art are presented, including a closer look at video games as a form of interactive art.
作者: 不開心    時(shí)間: 2025-3-26 04:36
Blending Art Events and HCI Research,ree key challenges we encountered: tensions between creative and research goals before the event, ethical considerations during the event and in analysis, and obstacles complicating subsequent evaluation as the work has evolved. We offer observations throughout that are important to consider when conducting HCI research at public art events.
作者: blackout    時(shí)間: 2025-3-26 09:26
Keeping Research in Tune with Practice,ices and experiences. Findings from an examination of Stalker Theatre’s experiences with the . systems indicate that the use of interactive systems in live performance has a significant impact on the way performances are developed, staged and structured.
作者: fabricate    時(shí)間: 2025-3-26 14:41

作者: 刻苦讀書    時(shí)間: 2025-3-26 20:25
Evaluation in Public Art: The Light Logic Exhibition,g the planning and preparation that was undertaken by the gallery staff and the researchers, the information gathering methods, as well as reports on the results from a number of points of view. In particular, advice is drawn from the study that can inform further evaluation exercises in public galleries.
作者: semble    時(shí)間: 2025-3-27 00:58
Curating Digital Public Art, Government Model: government funded commissions; and third, the Independent model, exhibiting through working with an independent curator. The different strengths of each model are discussed in the authors’ reflections on current methodologies in place.
作者: 上腭    時(shí)間: 2025-3-27 01:34
2195-9056 es case studies and examples of testing the research methodsThe use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possi
作者: 刺耳的聲音    時(shí)間: 2025-3-27 07:02

作者: CLEAR    時(shí)間: 2025-3-27 11:34
Human Computer Interaction, Art and Experience,shows how frameworks, that support interactive art making and evaluation are being developed using practice-based research methodologies. These advances, made in the context of art, can be beneficially applied to both the interactive Digital Arts and HCI.
作者: Generic-Drug    時(shí)間: 2025-3-27 14:33

作者: Eviction    時(shí)間: 2025-3-27 19:41
f terrigenous elements.Demonstrates the ramifications of wea.This book introduces the concept of ‘biological weathering.‘ Weathering, especially chemical weathering, has been recognized as one of the most important processes on Earth because it influences the circulation of elements, including carbo
作者: 象形文字    時(shí)間: 2025-3-28 01:55

作者: 寬大    時(shí)間: 2025-3-28 03:36
Ernest A. Edmonds, aquatic ecosystems, and human health. To address this issue, various treatment technologies have been employed to remove CECs from wastewater. Among these technologies, constructed wetlands have gained popularity as an effective and sustainable approach for remediation. Constructed wetlands (CWs),
作者: Embolic-Stroke    時(shí)間: 2025-3-28 08:22
Linda Candyund Finden von Erkl?rungen als abduzierendes Schlie?en. Dies geschieht in der Annahme, dass das fachspezifische Wissenschaftsverst?ndnis von Lehrenden und Lernenden entwickelt werden kann, indem sie Metawissen über die Entstehung und Vielfalt biologischer Erkl?rungstypen erwerben. Dabei sollen Frage
作者: Herbivorous    時(shí)間: 2025-3-28 12:46

作者: 聲音刺耳    時(shí)間: 2025-3-28 18:11
Roger Mills,Kirsty Beilharzombine biomimetics research into advanced materials. The bimetal is a smart material that bends when heated. Designers use the bimetal to propose architectural solutions adapted to different climatic conditions, classifying them, for example, into the following typologies: self-shading [SH], self-ve
作者: 有效    時(shí)間: 2025-3-28 20:51

作者: 不規(guī)則的跳動(dòng)    時(shí)間: 2025-3-29 01:01
Chek Tien Tan,Sam Fergusonshould comply with to compete with petroleum-based lubricants. In that sense, the role of viscosity or oxidation stability, among others, will be important for their suitability of use. Once the main chemical routes to produce and purify biolubricants have been explained in previous chapters, it is
作者: multiply    時(shí)間: 2025-3-29 04:34
Derek Reilly,Fanny Chevalier,Dustin Freemanshould comply with to compete with petroleum-based lubricants. In that sense, the role of viscosity or oxidation stability, among others, will be important for their suitability of use. Once the main chemical routes to produce and purify biolubricants have been explained in previous chapters, it is
作者: Consensus    時(shí)間: 2025-3-29 11:10
Ben Bengler,Nick Bryan-Kinnsscientific field. These species, mainly free radicals (FR), are found under physiological conditions and can be beneficial when produced at low concentrations. However, they are harmful at high levels especially when the endogenous antioxidant defense systems are overwhelmed. This paradigm has been
作者: 針葉    時(shí)間: 2025-3-29 12:05

作者: 昆蟲    時(shí)間: 2025-3-29 17:03
Stephen Barrass,Ana Luisa Sanchez Lawsorldwide. Several molecular alterations and pathogenic factors including oxidative stress have been proposed to explain their etiology. In fact, previously published human studies reported an elevated level of reactive oxygen species (ROS) in the brains of patients suffering from these disorders. On
作者: 內(nèi)部    時(shí)間: 2025-3-29 23:21

作者: 挑剔為人    時(shí)間: 2025-3-30 02:11

作者: 沒有貧窮    時(shí)間: 2025-3-30 05:01
s to oceanic plastic waste. The Southern African Development Community (SADC) region is grappling with urgent waste management and recycling challenges exacerbated by the escalating demand for plastic. The consequences of this crisis extend beyond ecological damage, posing threats to soil ecology, a
作者: 浸軟    時(shí)間: 2025-3-30 09:55
Interactive Experience, Art and Evaluation,y in the arts has been used to transform the viewer into a participant and is similarly starting to transform our expectations of the experience of art. From visual and sound art to performance and gaming, the boundaries of what is possible for creativity, curatorial design, performance and exhibiti
作者: blithe    時(shí)間: 2025-3-30 15:35

作者: 情感脆弱    時(shí)間: 2025-3-30 20:04
Evaluation and Experience in Art,al to the need for evaluation is the transformative nature of experience in art and the way that the advent of interactivity in the digital age has changed the audience from viewer to a new kind of participant. This has given rise to opportunities for exploring interactive experience in a creative c
作者: 晚間    時(shí)間: 2025-3-31 00:10

作者: 新手    時(shí)間: 2025-3-31 01:43
Interactive Art, Autonomy and Evaluation,chapter is an analysis of the tension between the autonomous artist and the interactive artist. Interactive art is theorized as belonging to a kind of practice which seeks to transcend, or at least refine, traditional categories such as autonomy. The author posits that the evaluation of interactive




歡迎光臨 派博傳思國(guó)際中心 (http://pjsxioz.cn/) Powered by Discuz! X3.5
宁晋县| 海城市| 浦城县| 三台县| 衡阳市| 长宁区| 福清市| 宜昌市| 新乡市| 汾西县| 明水县| 潮安县| 临邑县| 游戏| 五家渠市| 龙岩市| 平南县| 盖州市| 永修县| 合肥市| 阜新| 湖北省| 敦化市| 永嘉县| 额敏县| 大姚县| 平谷区| 陆良县| 辽宁省| 绥德县| 涿州市| 教育| 青州市| 彰化县| 高陵县| 墨玉县| 宁陵县| 屯昌县| 施秉县| 乌鲁木齐市| 静安区|