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標(biāo)題: Titlebook: Indian Modern Dance, Feminism and Transnationalism; Prarthana Purkayastha Book 2014 Palgrave Macmillan, a division of Macmillan Publishers [打印本頁(yè)]

作者: Johnson    時(shí)間: 2025-3-21 17:37
書目名稱Indian Modern Dance, Feminism and Transnationalism影響因子(影響力)




書目名稱Indian Modern Dance, Feminism and Transnationalism影響因子(影響力)學(xué)科排名




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書目名稱Indian Modern Dance, Feminism and Transnationalism網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Indian Modern Dance, Feminism and Transnationalism被引頻次




書目名稱Indian Modern Dance, Feminism and Transnationalism被引頻次學(xué)科排名




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書目名稱Indian Modern Dance, Feminism and Transnationalism年度引用學(xué)科排名




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書目名稱Indian Modern Dance, Feminism and Transnationalism讀者反饋學(xué)科排名





作者: 針葉    時(shí)間: 2025-3-21 21:48
Prarthana Purkayastha the modern theory of nonlinear continuum mechanics and its application to contact problems, as well as of modern s- ulation techniques for contact problems using the ?nite element method. The latter includes a978-3-642-06904-8978-3-540-32609-0
作者: 恭維    時(shí)間: 2025-3-22 03:09
Prarthana Purkayastha the modern theory of nonlinear continuum mechanics and its application to contact problems, as well as of modern s- ulation techniques for contact problems using the ?nite element method. The latter includes a978-3-642-06904-8978-3-540-32609-0
作者: 等級(jí)的上升    時(shí)間: 2025-3-22 07:14
ontact constraints directly, which make the problems nonlinear. This book is an account of the modern theory of nonlinear continuum mechanics and its application to contact problems, as well as of modern s- ulation techniques for contact problems using the ?nite element method. The latter includes a
作者: 休息    時(shí)間: 2025-3-22 11:22

作者: Digitalis    時(shí)間: 2025-3-22 13:21

作者: Ardent    時(shí)間: 2025-3-22 17:12

作者: Itinerant    時(shí)間: 2025-3-22 22:28

作者: Coma704    時(shí)間: 2025-3-23 03:39
ontact constraints directly, which make the problems nonlinear. This book is an account of the modern theory of nonlinear continuum mechanics and its application to contact problems, as well as of modern s- ulation techniques for contact problems using the ?nite element method. The latter includes a
作者: 不給啤    時(shí)間: 2025-3-23 05:55

作者: Induction    時(shí)間: 2025-3-23 11:40

作者: 障礙    時(shí)間: 2025-3-23 17:47
Shanti Bardhan and Dance as Protest,riting on Indian dance in the past five decades. This silence is due in part to Bardhan’s untimely death at the age of thirty-eight, to the lack of available resources and documentation of his choreographic oeuvre and partly perhaps to the discomfort that many left-oriented Indian scholars may have
作者: 大門在匯總    時(shí)間: 2025-3-23 20:43
Manjusri Chaki Sircar and Feminist New Dance,abhai’s dance. Curiously, apart from Kothari (2003) important narratives on modern and contemporary dance from India, including that of Ketu Katrak (2011), have left out Chaki Sircar’s choreographic works.. This chapter considers possible reasons for this neglect and discusses how Chaki Sircar’s dan
作者: patriot    時(shí)間: 2025-3-24 01:18
Ranjabati Sircar and the Politics of Identity in Indian Dance, book in Bengali (2001: 157–Aishika Chakraborry’s excellent (2008) edition of the dancer’s writings — there is remarkably little written critical analysis of Sircar’s dance repertoire. Sircar’s choreographic works deserve extensive analysis along with a much-needed review of her career trajectory, w
作者: AVERT    時(shí)間: 2025-3-24 04:48

作者: Anonymous    時(shí)間: 2025-3-24 06:46

作者: GROG    時(shí)間: 2025-3-24 14:10

作者: 美食家    時(shí)間: 2025-3-24 14:55
Book 2014This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.
作者: 迎合    時(shí)間: 2025-3-24 19:21

作者: 弓箭    時(shí)間: 2025-3-25 02:02

作者: 不能平靜    時(shí)間: 2025-3-25 04:44
New World Choreographieshttp://image.papertrans.cn/i/image/463516.jpg
作者: inhumane    時(shí)間: 2025-3-25 09:37

作者: 帶來(lái)    時(shí)間: 2025-3-25 11:44

作者: 綁架    時(shí)間: 2025-3-25 18:46
Uday Shankar and the Performance of Alterity in Indian Dance,ve dance in India without being ‘burdened by the narrow conventions of provincialism’ (Tagore 1933).. Tagore’s letter suggests that he favoured moving beyond recognisable (and oppositional) understandings of embodied experience, stating that:
作者: 冬眠    時(shí)間: 2025-3-25 21:50
2730-9266 larsThis book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.978-1-349-47722-7978-1-137-37517-9Series ISSN 2730-9266 Series E-ISSN 2730-9274
作者: constitute    時(shí)間: 2025-3-26 00:44
Introduction,dance and the need to locate a genealogy of critical and political dance practice from the Indian subcontinent. During this journey, as I began to encounter traces of the past left behind in memories, writings, correspondences, photographs and films I began to realise how the dancing body complicate
作者: Immunization    時(shí)間: 2025-3-26 07:19

作者: SPALL    時(shí)間: 2025-3-26 09:58
Uday Shankar and the Performance of Alterity in Indian Dance,ve dance in India without being ‘burdened by the narrow conventions of provincialism’ (Tagore 1933).. Tagore’s letter suggests that he favoured moving beyond recognisable (and oppositional) understandings of embodied experience, stating that:
作者: Thyroiditis    時(shí)間: 2025-3-26 15:50

作者: transplantation    時(shí)間: 2025-3-26 19:03

作者: 扔掉掐死你    時(shí)間: 2025-3-27 00:26

作者: Legend    時(shí)間: 2025-3-27 02:59
Conclusions,shered into the public realm imbibed, reflected, commented on and critiqued the colonial and postcolonial worlds they inhabited. Each of the individuals discussed forces us to rethink the commonly held view, especially in the Euro-American worlds, that ‘a(chǎn)uthentic’ or ‘pure’ Indian dance art can only
作者: Palter    時(shí)間: 2025-3-27 07:37

作者: Enliven    時(shí)間: 2025-3-27 11:29
Prarthana Purkayasthason. Hence contact mechanics has, from an engineering point of view, a long history, beginning in ancient Egypt with the movement of large stone blocks, over ?rst experimental contributions from leading scientists like Leonardo da Vinci andCoulomb, to today’s computational methods. In the past c- ta
作者: HPA533    時(shí)間: 2025-3-27 14:57
Prarthana Purkayasthaions and discusses modern numerical simulation methods.For tContact mechanics has its application in many engineering problems. No one can walk without frictional contact, and no car would move for the same r- son. Hence contact mechanics has, from an engineering point of view, a long history, begin
作者: penance    時(shí)間: 2025-3-27 18:13

作者: 保存    時(shí)間: 2025-3-27 23:42
Prarthana Purkayasthason. Hence contact mechanics has, from an engineering point of view, a long history, beginning in ancient Egypt with the movement of large stone blocks, over ?rst experimental contributions from leading scientists like Leonardo da Vinci andCoulomb, to today’s computational methods. In the past c- ta
作者: SHRIK    時(shí)間: 2025-3-28 03:45

作者: assail    時(shí)間: 2025-3-28 08:55
Prarthana Purkayasthason. Hence contact mechanics has, from an engineering point of view, a long history, beginning in ancient Egypt with the movement of large stone blocks, over ?rst experimental contributions from leading scientists like Leonardo da Vinci andCoulomb, to today’s computational methods. In the past c- ta




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