標(biāo)題: Titlebook: In Godzilla‘s Footsteps; Japanese Pop Culture William M. Tsutsui (Professor of history),Michiko Book 2006 Palgrave Macmillan, a division o [打印本頁(yè)] 作者: Adentitious 時(shí)間: 2025-3-21 19:53
書(shū)目名稱In Godzilla‘s Footsteps影響因子(影響力)
作者: Ventilator 時(shí)間: 2025-3-21 22:29
Mark Andersons, enumeration, and combinatorial descriptions of the classical finite and affine Weyl groups. A wide ?variety of exercises, ranging from easy to quite difficult are also included. The book will serve graduate students as well as researchers...Anders Bj?rner is Professor of Mathematics at the Royal 作者: Antagonism 時(shí)間: 2025-3-22 02:22 作者: etidronate 時(shí)間: 2025-3-22 06:36
Sayuri Guthrie-Shimizus, enumeration, and combinatorial descriptions of the classical finite and affine Weyl groups. A wide ?variety of exercises, ranging from easy to quite difficult are also included. The book will serve graduate students as well as researchers...Anders Bj?rner is Professor of Mathematics at the Royal 作者: 珠寶 時(shí)間: 2025-3-22 12:33
Aaron Gerow. .Chapter 4. provides a new bridge between the theory of string rewriting and formal power series. .Chapter 5. is an introduction to a combinatorial theory of rewriting on traces which can be used as an abstract calculus for transforming concurrent processes.作者: RAFF 時(shí)間: 2025-3-22 14:00 作者: mitral-valve 時(shí)間: 2025-3-22 21:08 作者: 出價(jià) 時(shí)間: 2025-3-22 22:30
Eric C. Rath. .Chapter 4. provides a new bridge between the theory of string rewriting and formal power series. .Chapter 5. is an introduction to a combinatorial theory of rewriting on traces which can be used as an abstract calculus for transforming concurrent processes.作者: guzzle 時(shí)間: 2025-3-23 02:15 作者: 不規(guī)則 時(shí)間: 2025-3-23 08:30
Theodore C. Bestorve that every primitive word . has at most one binary root . such that .. That is, the binary root of a word is unique provided the length of the word is sufficiently large with respect to the size of the root..Our results are also compared to previous approaches that investigate pseudo-repetitions,作者: –吃 時(shí)間: 2025-3-23 11:15
When Godzilla Speaks,he scientists realize that they have indeed succeeded in creating life, not through their experiments but through the machine that enables the Play. In a shocking reversal, the characters declare independence from their creators and begin to speak and act for themselves, coming down from the screen 作者: CAB 時(shí)間: 2025-3-23 17:21 作者: 不利 時(shí)間: 2025-3-23 21:28 作者: Temporal-Lobe 時(shí)間: 2025-3-24 00:18
,Mothra’s Gigantic Egg: Consuming the South Pacific in 1960s Japan,odzilla’s blind fury in the 1950s represents a threat to Japan’s postwar prosperity, whereas Mothra’s egg in the 1960s becomes an emblem of Japan’s consumerism. Tōh(huán)ō monsters are transformed from fearful, destructive entities to lovable creatures amidst the rise of consumer society in Japan.作者: 價(jià)值在貶值 時(shí)間: 2025-3-24 03:17 作者: 上坡 時(shí)間: 2025-3-24 06:45
Monstering the Japanese Cute: Pink Globalization and Its Critics Abroad,y known in Japan using the diminutive term of endearment “chan”—occupies a private world of gingham check, apple pies, and twinkling stars. She comforts and cheers by simply being there. The one subscribes to extraordinary masculinist domination, whereas the other creeps her way in to everyday femin作者: 嚴(yán)峻考驗(yàn) 時(shí)間: 2025-3-24 12:41
Apocalypse in Fantasy and Reality: Japanese Pop Culture in Contemporary Russia,ema festivals. Whereas such exhibitions and performances could be enjoyed mainly by the citizens of large urban centers, the majority of Russians, especially the youth, see Japan through the lens of anime and manga.作者: 構(gòu)成 時(shí)間: 2025-3-24 17:12 作者: 反饋 時(shí)間: 2025-3-24 19:47 作者: 熱心 時(shí)間: 2025-3-25 03:08
Christine R. Yanoinatorial theory of rewriting on traces which can be used as an abstract calculus for transforming concurrent processes.978-3-540-53031-2978-3-540-46318-4Series ISSN 0302-9743 Series E-ISSN 1611-3349 作者: 蛛絲 時(shí)間: 2025-3-25 06:47 作者: 得罪 時(shí)間: 2025-3-25 10:48 作者: Flawless 時(shí)間: 2025-3-25 13:46
William M. Tsutsui (Professor of history),Michiko 作者: 灰姑娘 時(shí)間: 2025-3-25 17:04 作者: Accrue 時(shí)間: 2025-3-25 23:44
Mobilizing ,: Mourning Modernity as Monstrosity,g and melancholy, I will focus on a tension foregrounded in the film between science, technology, and Japaneseness. I will compare and contrast . treatment of these issues with their status in a wartime debate on these same topics from just twelve years before the overcoming modernity debate.作者: FECK 時(shí)間: 2025-3-26 01:57
,Godzilla Meets Super Kyōgen, or How a Dinosaur Saved the World,egradation, or as a critique of modernity. Whether the movie . embodies these qualities is something other chapters in this book examine, but these themes are certainly present in a different story about a man in a lizard outfit, the so-called super kyōgen . play “The King and the Dinosaur” . which premiered on April 8, 2003.作者: Preserve 時(shí)間: 2025-3-26 06:10
se pop culture icons. There are contributions from Film Studies, Anthropology, History, Literature, Theatre and Cultural Studies and from Susan Napier, Anne Allison, Christine Yano and others.978-1-4039-6463-2978-1-4039-8440-1作者: 策略 時(shí)間: 2025-3-26 10:37
Hybridity and Negotiated Identity in Japanese Popular Culture, ōdo Island, Godzilla is spoken of as a destructive monster of ancient legend; clearly, his reputation precedes him.. What, then, is the relationship between the Godzilla which had just been created, or animated, within the post–atomic era and the Godzilla of ōdo Island folklore?作者: 笨重 時(shí)間: 2025-3-26 14:02 作者: Substitution 時(shí)間: 2025-3-26 18:53
combinatorial aspects of Coxeter groups, such as reduced expressions, partial order of group elements, enumeration, associated graphs and combinatorial cell complexes, and connections with combinatorial representation theory. ?While Coxeter groups have already been exposited from algebraic and geom作者: Meager 時(shí)間: 2025-3-26 23:59
William M. Tsutsuiects of Coxeter groups.Coxeter groups are of central importance in several areas of algebra, geometry, and combinatorics. This ?clear and rigorous exposition focuses on the combinatorial aspects of Coxeter groups, such as reduced expressions, partial order of group elements, enumeration, associated 作者: 忍耐 時(shí)間: 2025-3-27 02:34
Susan Napierects of Coxeter groups.Coxeter groups are of central importance in several areas of algebra, geometry, and combinatorics. This ?clear and rigorous exposition focuses on the combinatorial aspects of Coxeter groups, such as reduced expressions, partial order of group elements, enumeration, associated 作者: Oscillate 時(shí)間: 2025-3-27 08:19 作者: 糾纏,纏繞 時(shí)間: 2025-3-27 10:20
Barak Kushner combinatorial aspects of Coxeter groups, such as reduced expressions, partial order of group elements, enumeration, associated graphs and combinatorial cell complexes, and connections with combinatorial representation theory. ?While Coxeter groups have already been exposited from algebraic and geom作者: SIT 時(shí)間: 2025-3-27 16:48 作者: gorgeous 時(shí)間: 2025-3-27 20:56
Aaron Gerowrrency are not yet sufficiently developed. This volume presents a comprehensive study of Mazurkiewicz‘ trace theory from an algebraic-combinatorial point of view. This theory is recognized as an important tool for a rigorous mathematical treatment of concurrent systems. The volume covers several dif作者: MIRE 時(shí)間: 2025-3-27 22:47
Yoshikuni Igarashindle concurrency are not yet sufficiently developed. This volume presents a comprehensive study of Mazurkiewicz‘ trace theory from an algebraic-combinatorial point of view. This theory is recognized as an important tool for a rigorous mathematical treatment of concurrent systems. The volume covers s作者: 不如屎殼郎 時(shí)間: 2025-3-28 04:07 作者: ENNUI 時(shí)間: 2025-3-28 09:02 作者: 土坯 時(shí)間: 2025-3-28 10:42
Kevin J. Wetmore Jr.ndle concurrency are not yet sufficiently developed. This volume presents a comprehensive study of Mazurkiewicz‘ trace theory from an algebraic-combinatorial point of view. This theory is recognized as an important tool for a rigorous mathematical treatment of concurrent systems. The volume covers s作者: FEMUR 時(shí)間: 2025-3-28 16:44
Eric C. Rathrrency are not yet sufficiently developed. This volume presents a comprehensive study of Mazurkiewicz‘ trace theory from an algebraic-combinatorial point of view. This theory is recognized as an important tool for a rigorous mathematical treatment of concurrent systems. The volume covers several dif作者: 強(qiáng)行引入 時(shí)間: 2025-3-28 21:00 作者: 使無(wú)效 時(shí)間: 2025-3-28 22:59 作者: prostate-gland 時(shí)間: 2025-3-29 04:05 作者: Diatribe 時(shí)間: 2025-3-29 10:52
Introduction,tes internationally; Japanese video games and television series claim devoted followings from Cambodia to Copenhagen; New York City has recently been as charmed by the . chic of Murakami Takashi’s “Little Boy” exhibition as the home run-hitting prowess of Hideki Matsui; sushi is readily available in作者: 滋養(yǎng) 時(shí)間: 2025-3-29 13:46 作者: 鐵砧 時(shí)間: 2025-3-29 16:16
Mobilizing ,: Mourning Modernity as Monstrosity, and Yoshikuni Igarashi, have turned toward historicizing the film in relation to memories of the Asia Pacific War and the cold war.. While trying to sustain their attention to struggles over constructions of the Japanese and American past in the present, particularly as regards the issue of mournin作者: Irritate 時(shí)間: 2025-3-29 20:07
, as Japan’s First Postwar Media Event,at has an obvious multicultural appeal and spawned a series of similar movies for more than five decades? My own understanding of . (1954) is from the perspective of a bridge between Japan’s imperial war from 1931 to 1945 and the postwar. In my work on the cultural and political continuities between作者: Malaise 時(shí)間: 2025-3-30 01:27 作者: coltish 時(shí)間: 2025-3-30 04:47
Wrestling with Godzilla: Intertextuality, Childish Spectatorship, and the National Body,d of how that film intersected with many contemporary issues and texts, ranging from the H-bomb testing in the Pacific to ., thereby formulating a popular cultural reaction to the atomic bomb, America, World War II, and the cold war. Recalling such original intertexts, however, should not serve to c作者: Rejuvenate 時(shí)間: 2025-3-30 08:43
,Mothra’s Gigantic Egg: Consuming the South Pacific in 1960s Japan,—specifically the South Pacific—in Toho monster films? . Godzilla’s original habitat is in the South Pacific. Mothra—a giant silkworm moth—inhabits the imaginary Infant Island, which is in close proximity to the Polynesian Islands. The equally imaginary Faro Island in the South Pacific is supposed t作者: HOWL 時(shí)間: 2025-3-30 16:12
Hybridity and Negotiated Identity in Japanese Popular Culture,he standard party line—is that Godzilla is a mutation born of the H-bomb tests. We may well ask, however, a mutation of what? In the earlier scenes on ōdo Island, Godzilla is spoken of as a destructive monster of ancient legend; clearly, his reputation precedes him.. What, then, is the relationship 作者: Herd-Immunity 時(shí)間: 2025-3-30 18:12
Teaching Godzilla: Classroom Encounters with a Cultural Icon,devices that achieved military and political trump card status during that era. It is not too much of a stretch to say that they could also be describing—pun included—Honda Ishirō’s elusive original (uncut and undubbed) 1954 film .. Although hardly a life and death matter in comparison, this source 作者: ANTH 時(shí)間: 2025-3-30 23:30
