標(biāo)題: Titlebook: H?lderlin and the Consequences; An Essay on the Germ Rüdiger G?rner Book 2021 Springer-Verlag GmbH Germany, part of Springer Nature 2021 Sc [打印本頁] 作者: Sinuate 時(shí)間: 2025-3-21 19:24
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書目名稱H?lderlin and the Consequences影響因子(影響力)學(xué)科排名
書目名稱H?lderlin and the Consequences網(wǎng)絡(luò)公開度
書目名稱H?lderlin and the Consequences網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱H?lderlin and the Consequences被引頻次學(xué)科排名
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書目名稱H?lderlin and the Consequences讀者反饋學(xué)科排名
作者: Trigger-Point 時(shí)間: 2025-3-21 23:24
,“Come! into the Open, Friend!” or: A Word of Introduction for the Anglophone Reader, poetry keeps growing, as it responds, verse by verse, to what the ancient Greek conception of . entails—at once an organic unfolding of the spirit of nature, divine inspiration coupled with the realization of the potential of language.作者: duplicate 時(shí)間: 2025-3-22 00:27 作者: 修飾 時(shí)間: 2025-3-22 05:19
,H?lderlin as a Critic of Culture,ith all too sharp letters.” (“Ich glaube, dass es bei solchen Lettern bequemer für die Augen ist, den Sinn zu finden, da man durch allzuscharfe Lettern leicht versucht wird, blo? auf die Typen zu sehn.”) The “meaning” of a text was, in this case, more important to him than the “l(fā)etter”. Through thes作者: 暫時(shí)別動(dòng) 時(shí)間: 2025-3-22 11:21
,“Remembering Floating H?lderlin Towers” or: Writing H?lderlin,rongly than Gascoyne, Samuel Beckett reveals the phenomenon of a hidden engagement with H?lderlin, whose philosophical scope, problems of connection, and rich contradictions, between the ontologically conditioned poetry (H?lderlin) and expressions of radical negation (Beckett), Dieter Henrich has ex作者: 懶鬼才會(huì)衰弱 時(shí)間: 2025-3-22 15:34
https://doi.org/10.1007/978-3-642-72334-6 poetry keeps growing, as it responds, verse by verse, to what the ancient Greek conception of . entails—at once an organic unfolding of the spirit of nature, divine inspiration coupled with the realization of the potential of language.作者: Ballerina 時(shí)間: 2025-3-22 20:01 作者: outskirts 時(shí)間: 2025-3-22 23:56 作者: 尖 時(shí)間: 2025-3-23 04:10
Fritz Steimle,Karl Stephan,A. Schützrongly than Gascoyne, Samuel Beckett reveals the phenomenon of a hidden engagement with H?lderlin, whose philosophical scope, problems of connection, and rich contradictions, between the ontologically conditioned poetry (H?lderlin) and expressions of radical negation (Beckett), Dieter Henrich has ex作者: insipid 時(shí)間: 2025-3-23 06:05 作者: ablate 時(shí)間: 2025-3-23 12:36 作者: GLOSS 時(shí)間: 2025-3-23 15:49
https://doi.org/10.1007/978-3-642-72334-6ct of its poetic and cultural resonances. After all, “H?lderlin” resonates with something unheard-of in the German language, and indeed European poetry around 1800, and it still resonates today. This poet’s name has become a synonym for a poetic language constantly in the making. In his ?uvre, verse作者: 我還要背著他 時(shí)間: 2025-3-23 19:19 作者: 谷物 時(shí)間: 2025-3-23 23:59
https://doi.org/10.1007/978-3-662-49677-0great variety of subjects, such as wisdom, truth and tranquillity, age, infinity, divinity and the dolphin, asylums and what can enliven, or invigorate, existence. They are poetic and discursive echoes of his Pindar translations of 1800, an Olympic anthem and Pythian odes. In retrospect, these trans作者: 周興旺 時(shí)間: 2025-3-24 02:33 作者: FAZE 時(shí)間: 2025-3-24 10:10
https://doi.org/10.1007/3-540-32510-7s much strangeness he holds,/So much homeland is his gain.” But in the novel Godwi does not quite know what to do with this quotation. Is “world” and “home” a contradiction? As it happened this question was equally relevant to H?lderlin. From an anthropological point of view, Adolf Portmann argued i作者: Offstage 時(shí)間: 2025-3-24 10:45
https://doi.org/10.1007/978-3-662-10833-8unter”, .. First approach); stirring up the signs of helplessness: “But oh, where shall I take when/It is winter, the flowers from, and where/The sunshine,/And the shadow of the earth?” (“Weh mir, wo nehm ich, wenn/Es Winter ist, die Blumen, und wo/Den Sonnenschein,/Und Schatten der Erde?”)作者: addict 時(shí)間: 2025-3-24 18:27 作者: figurine 時(shí)間: 2025-3-24 19:21
https://doi.org/10.1007/978-3-663-11811-4f his surviving letters contains mostly abstractions from everyday life. Hardly a word is to be found in them about what he experienced and suffered as a “pupil” in Denkendorf or Maulbronn; there is little tangible information about his student life in Tübingen. There is not a word from him about Fr作者: myopia 時(shí)間: 2025-3-25 02:34
Physiologie des Wasserhaushaltesoems; at the same time, these poems give the impression that in re-reading—or better still: in repeated recitation—poetic thinking becomes evidence. What is continually happening anew in these poems could best be described as poetosophy. What is meant by this concept?作者: 平靜生活 時(shí)間: 2025-3-25 06:02 作者: 多山 時(shí)間: 2025-3-25 10:48 作者: 陰謀 時(shí)間: 2025-3-25 12:56
W?rmebedarf der Silikatglasbildung1871) was the important prelude to a development which, with long interruptions, extends into the post-atonal present. But to begin with, one should pay attention to the musical foundation of H?lderlin’s poems itself, which is evident above all in their rhythmic structures, but also in the way they 作者: Gastric 時(shí)間: 2025-3-25 18:44
,“Come! into the Open, Friend!” or: A Word of Introduction for the Anglophone Reader,ct of its poetic and cultural resonances. After all, “H?lderlin” resonates with something unheard-of in the German language, and indeed European poetry around 1800, and it still resonates today. This poet’s name has become a synonym for a poetic language constantly in the making. In his ?uvre, verse作者: Dignant 時(shí)間: 2025-3-25 21:02 作者: 揉雜 時(shí)間: 2025-3-26 02:34 作者: anesthesia 時(shí)間: 2025-3-26 04:35 作者: 殺死 時(shí)間: 2025-3-26 09:53
,Consequences (II): H?lderlin and Homeland (“Heimat”),s much strangeness he holds,/So much homeland is his gain.” But in the novel Godwi does not quite know what to do with this quotation. Is “world” and “home” a contradiction? As it happened this question was equally relevant to H?lderlin. From an anthropological point of view, Adolf Portmann argued i作者: disciplined 時(shí)間: 2025-3-26 14:26 作者: 忙碌 時(shí)間: 2025-3-26 18:06 作者: 轉(zhuǎn)折點(diǎn) 時(shí)間: 2025-3-26 22:17 作者: Comedienne 時(shí)間: 2025-3-27 03:09 作者: 即席演說 時(shí)間: 2025-3-27 07:55 作者: 600 時(shí)間: 2025-3-27 10:05 作者: 植物群 時(shí)間: 2025-3-27 13:45 作者: dragon 時(shí)間: 2025-3-27 19:33 作者: amphibian 時(shí)間: 2025-3-28 01:10
978-3-476-05820-1Springer-Verlag GmbH Germany, part of Springer Nature 2021作者: 劇毒 時(shí)間: 2025-3-28 02:37
https://doi.org/10.1007/978-3-662-58441-5H?lderlin avoided nothing more than the insignificant, meaningless word. His poetry reads like an intervention against banality; he even felt he had to weigh his own punctuation marks, as it were, before using them.作者: GIDDY 時(shí)間: 2025-3-28 06:41
https://doi.org/10.1007/978-3-7091-3058-2Tübingen is omnipresent when ever H?lderlin is mentioned. Because he studied there, wrote his first great poems modelled on those by Schiller, and because he lived there for more than three decades, or rather “l(fā)ived on”, to quote Georg Büchner’s 作者: hankering 時(shí)間: 2025-3-28 12:49 作者: 疲憊的老馬 時(shí)間: 2025-3-28 15:54
,Credits with Peter Weiss or: H?lderlin/Scardanelli as Media Event,Tübingen is omnipresent when ever H?lderlin is mentioned. Because he studied there, wrote his first great poems modelled on those by Schiller, and because he lived there for more than three decades, or rather “l(fā)ived on”, to quote Georg Büchner’s 作者: rectocele 時(shí)間: 2025-3-28 20:27 作者: 長(zhǎng)處 時(shí)間: 2025-3-29 00:35 作者: 匯總 時(shí)間: 2025-3-29 05:56 作者: Decibel 時(shí)間: 2025-3-29 09:36 作者: 拍翅 時(shí)間: 2025-3-29 14:26
Attuning Recollection,r coming from Jena stows his puppets in a travel bag and counts his coins. Drunken people surround a bronze sculpture; meanwhile young people with or without tattoos and mohawks jeer on their roller skates.作者: Intend 時(shí)間: 2025-3-29 17:14 作者: 法律的瑕疵 時(shí)間: 2025-3-29 22:33
,Existence and Parataxis: H?lderlin’s Controversial Thinking—Adorno , Heidegger,oems; at the same time, these poems give the impression that in re-reading—or better still: in repeated recitation—poetic thinking becomes evidence. What is continually happening anew in these poems could best be described as poetosophy. What is meant by this concept?作者: 凝視 時(shí)間: 2025-3-30 01:15 作者: Hot-Flash 時(shí)間: 2025-3-30 04:51
Rüdiger G?rnerIntroduction to H?lderlin‘s work, person, myth.Testimonials from literature, philosophy, music, and media.Gripping portrait of a stranger作者: 夜晚 時(shí)間: 2025-3-30 09:44 作者: CHIDE 時(shí)間: 2025-3-30 13:53
https://doi.org/10.1007/3-540-32510-7ought and fantasy wander, they always initially work with the images of an original experiential bond, to which the earth is a real home”. He also refers to Mircea Eliade, who speaks of a “mystical solidarity” with home.
