標題: Titlebook: Gilbert and Sullivan‘s ‘Respectable Capers‘; Class, Respectabilit Michael Goron Book 2016 The Editor(s) (if applicable) and The Author(s) 2 [打印本頁] 作者: Hoover 時間: 2025-3-21 20:03
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作者: 黑豹 時間: 2025-3-21 23:57 作者: ADOPT 時間: 2025-3-22 02:25
,The West End: ‘Middle-Class’ Values and Commercialisation,f the development of West End theatre between 1843 and 1881 addresses the genesis of the D’Oyly Carte Opera Company within the booming leisure marketplace of late-Victorian London. Goron explores changes in middle-class leisure habits, and the consequent development of theatrical entertainments to m作者: fertilizer 時間: 2025-3-22 06:27
, at the Savoy,e device of a notional ‘evening at the Savoy’, featuring a visit by a typical suburban family group, is used to identify various locational, architectural, decorative and discourse-related elements related to attending Carte’s state of-the-art auditorium..Goron considers the significance of the pion作者: Interstellar 時間: 2025-3-22 12:31
,Savoy Audiences 1881–1909, a shared ideology, or whether social ‘fissures’ within a socially divided auditorium undermine societal cohesion. Analysis of the social make-up of typical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and wome作者: 愛社交 時間: 2025-3-22 15:10
,‘The D’Oyly Carte Boarding School’: Female Respectability at the Savoy*,ained by the management. He investigates the premise that, by regulating the lives of female performers, Victorian entrepreneur Richard D’Oyly Carte created a company image which concurred with, and reinforced, the moral preoccupations of the ‘respectable’ middle classes. The chapter explores the no作者: 愛社交 時間: 2025-3-22 20:17
,‘The Placid English Style’: Ideology and Performance,eras to discover whether they derived from and reflected the cultural values of the ‘respectable’ Victorian middle classes. The ‘restrained’ Savoy style is contrasted with that of the ‘low’ comedy and sexual ‘knowingness’ of contemporary burlesque to evaluate the significance of methods used at the 作者: charisma 時間: 2025-3-22 22:48
Conclusion,was tainted in the public imagination with immorality, and suffered, in terms of public perception of its propriety, from the rather indefinable social status of its inhabitants. The attempts of some theatre practitioners to acquire and demonstrate the trappings of respectability (or to display what作者: 生意行為 時間: 2025-3-23 02:59
https://doi.org/10.1007/978-3-642-50720-5d mores into the Savoy Theatre, and onto its stage. Goron explains the originality of his intention—an attempt to focus the methods of recent historical studies of Victorian theatre on the Gilbert and Sullivan collaboration. The Introduction explains the key concepts behind this study, particularly 作者: 失誤 時間: 2025-3-23 06:09 作者: 清洗 時間: 2025-3-23 10:10 作者: JECT 時間: 2025-3-23 15:50 作者: Guaff豪情痛飲 時間: 2025-3-23 20:06
Traude Bernert,Berta Karlik,Karl Lintner a shared ideology, or whether social ‘fissures’ within a socially divided auditorium undermine societal cohesion. Analysis of the social make-up of typical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and wome作者: 放肆的你 時間: 2025-3-24 00:20
M. Lederer,H. Michl,K. Schl?gl,A. Siegelained by the management. He investigates the premise that, by regulating the lives of female performers, Victorian entrepreneur Richard D’Oyly Carte created a company image which concurred with, and reinforced, the moral preoccupations of the ‘respectable’ middle classes. The chapter explores the no作者: 不溶解 時間: 2025-3-24 04:18 作者: 安裝 時間: 2025-3-24 09:57
https://doi.org/10.1007/978-3-642-49868-8was tainted in the public imagination with immorality, and suffered, in terms of public perception of its propriety, from the rather indefinable social status of its inhabitants. The attempts of some theatre practitioners to acquire and demonstrate the trappings of respectability (or to display what作者: 不整齊 時間: 2025-3-24 14:29
https://doi.org/10.1007/978-3-642-50720-5how notions of class and ideology can be used to analyse the workings of a theatrical organisation, the D’Oyly Carte Opera Company, as well as its key cultural product, the Gilbert and Sullivan operas.作者: 新奇 時間: 2025-3-24 18:30 作者: 等級的上升 時間: 2025-3-24 21:03
,The Gilbert and Sullivan Operas and ‘Middle-Class’ Ideals,espectable, middle-class Victorian society. Examples from the opera libretti, from the lives of Gilbert, Sullivan, their manager, Richard D’Oyly Carte, and from the stars of the Savoy Theatre are used throughout the chapter to illustrate and comment on the middle-class ideology which underpinned their work.作者: ALIBI 時間: 2025-3-25 00:30
,Savoy Audiences 1881–1909,ypical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and women, are used to create as full a picture as possible of a ‘typical’ Gilbert and Sullivan audience in late-Victorian London.作者: 漂浮 時間: 2025-3-25 07:22 作者: osteopath 時間: 2025-3-25 10:33 作者: 惡心 時間: 2025-3-25 12:14 作者: Assault 時間: 2025-3-25 17:09
https://doi.org/10.1007/978-3-642-49868-8 public acceptance. In his attitudes towards theatre-making, Gilbert was reflecting and reasserting current bourgeois ideology. In their collaborative assent, cooperation and therefore tacit assertion of these principles, Sullivan and Carte were following the same line.作者: Wordlist 時間: 2025-3-25 21:02
, at the Savoy,tribution to the enhanced ‘cultural capital’ implicit in attending a ‘modern’ theatre event in the late-Victorian West End. Links between electrification and Victorian notions of hygiene and social class are established to present an innovative argument concerning the cultural significance of theatrical electric lighting.作者: Basal-Ganglia 時間: 2025-3-26 01:17
,‘The D’Oyly Carte Boarding School’: Female Respectability at the Savoy*,ic change. The kinds of moral strictures imposed by the Savoy management and those based on . female allure, practised by George Edwardes, manager of the rival Gaiety Theatre, are compared to explore the specificity of the culture of morality at the Savoy.作者: conquer 時間: 2025-3-26 04:36 作者: 廚房里面 時間: 2025-3-26 10:18
Conclusion, public acceptance. In his attitudes towards theatre-making, Gilbert was reflecting and reasserting current bourgeois ideology. In their collaborative assent, cooperation and therefore tacit assertion of these principles, Sullivan and Carte were following the same line.作者: entitle 時間: 2025-3-26 15:35 作者: Living-Will 時間: 2025-3-26 20:40
https://doi.org/10.1007/978-3-642-48604-3espectable, middle-class Victorian society. Examples from the opera libretti, from the lives of Gilbert, Sullivan, their manager, Richard D’Oyly Carte, and from the stars of the Savoy Theatre are used throughout the chapter to illustrate and comment on the middle-class ideology which underpinned their work.作者: Spina-Bifida 時間: 2025-3-26 21:43
Traude Bernert,Berta Karlik,Karl Lintnerypical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and women, are used to create as full a picture as possible of a ‘typical’ Gilbert and Sullivan audience in late-Victorian London.作者: Expostulate 時間: 2025-3-27 03:22
https://doi.org/10.1007/978-3-642-48605-0 burlesque and operetta are examined to assess their relationship to existing ‘middle-class’ anti-theatrical prejudice. This chapter also explores ways in which Gilbert, Sullivan and Carte positioned their product in the theatrical marketplace through a deliberate rejection of earlier musical theatre forms and conformity to ‘high-art’ tastes.作者: 外露 時間: 2025-3-27 08:50 作者: cunning 時間: 2025-3-27 11:24 作者: 現實 時間: 2025-3-27 17:27 作者: 確認 時間: 2025-3-27 18:51 作者: FLEET 時間: 2025-3-27 23:02 作者: 苦惱 時間: 2025-3-28 04:59 作者: VICT 時間: 2025-3-28 07:49
https://doi.org/10.1057/978-1-137-59478-5G&S; west-end; Victorian opera; Victorian era; theatre-going; historiography; British history; social histo作者: anniversary 時間: 2025-3-28 11:58 作者: 開頭 時間: 2025-3-28 18:34 作者: 混雜人 時間: 2025-3-28 20:04 作者: avenge 時間: 2025-3-29 02:40
