標(biāo)題: Titlebook: George Saunders; Critical Essays Philip Coleman,Steve Gronert Ellerhoff Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Geor [打印本頁] 作者: 討論小組 時(shí)間: 2025-3-21 19:07
書目名稱George Saunders影響因子(影響力)
書目名稱George Saunders影響因子(影響力)學(xué)科排名
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書目名稱George Saunders網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱George Saunders被引頻次
書目名稱George Saunders被引頻次學(xué)科排名
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書目名稱George Saunders年度引用學(xué)科排名
書目名稱George Saunders讀者反饋
書目名稱George Saunders讀者反饋學(xué)科排名
作者: 舔食 時(shí)間: 2025-3-21 20:48
Synthesis and Polymerization of Alkyds,y America. From the literal mechanization of subjectivity visible in . to its more figurative iterations in . and ., Saunders’s taut prose articulates a vision of subjectivity under duress, of freedom relinquished and of self-definition restrained. While much of it is decisively political in tone, S作者: 帶來的感覺 時(shí)間: 2025-3-22 01:50
V. I. Eliseeva,S. S. Ivanchev,A. V. Lebedevhor’s attitude to the kinds of lyrical language often taken to be literature’s means of transcending such jargon. Yet Saunders’s stories make uncomfortable connections between high literary expression and modes of spectatorship that turn the pain of others into an abstraction. What Saunders offers i作者: armistice 時(shí)間: 2025-3-22 07:48 作者: forebear 時(shí)間: 2025-3-22 11:53
Stability of Concentrated Emulsions, selections from his collected fiction and essays. Saunders has noted in interviews that fiction can speak effectively to issues of alienation, disconnection and anxiety in contemporary American culture, and this essay scaffolds and examines that insight. Analysis of the discursive power—and semanti作者: 動(dòng)物 時(shí)間: 2025-3-22 15:00
Impact of Process Parameters on EFRRPP theoretical ground laid by posthumanism and animal studies, I argue that Saunders’s human zoodystopia productively and parodically unsettles modern conceptions of meat-eating, evolution, and species identity. I begin by outlining a particular mode of Saunders’s fiction, the “biopolitical dystopia,”作者: 動(dòng)物 時(shí)間: 2025-3-22 17:14
Sibrenne Wagenaar,Joitske Hulseboschanady, and Fredric Jameson. Though Saunders does not have the double consciousness of many authors of magical realist fiction, his stories include both the supernatural marvels of traditional culture and the artificial marvels of contemporary culture, which provide the conflicting codes necessary to作者: CLAP 時(shí)間: 2025-3-22 22:43 作者: 整潔漂亮 時(shí)間: 2025-3-23 04:51
https://doi.org/10.1007/978-981-15-9793-0ompassionate relation with the characters. It investigates how Saunders employs a number of narrative techniques to enable an imaginative perspective-shifting that may have a long-term bearing on the reader’s ethical decisions. Drawing on recent theorizing on “narrative empathy,” I argue that despit作者: 鋪?zhàn)?nbsp; 時(shí)間: 2025-3-23 08:48
Channel Estimation in RIS-Aided Networks dominant view, this essay explores the shock tactics on which Saunders often relies to impose his moral message on the reader. The essay questions his decidedly post-9/11 idea of a story as a black box in which the reader’s mind is altered by any means necessary—a metaphor that comes alarmingly clo作者: 厚臉皮 時(shí)間: 2025-3-23 09:44 作者: defeatist 時(shí)間: 2025-3-23 15:14
Tanja Beer,David Curtis,Julie Collinseen rendered inconsequential by neoliberalism. Rather than instigating an apocalyptic social breakdown (as traditional zombies do), Saunders’s “undead” have little, if any, durable agency; furthermore, they are disavowed by mainstream American culture: if their wretchedness was to be taken seriously作者: peptic-ulcer 時(shí)間: 2025-3-23 18:08
Inducing Pro-environmental Behavior, when used to examine “Victory Lap,” illuminates Saunders’s craft, identifies Saunders’s use of microdialogues, and highlights how Saunders’s characters are the echo chambers for competing voices. By using Bakhtin’s analysis of the hero as a “particular point of view” on her or his own world (and se作者: ASSET 時(shí)間: 2025-3-24 01:25
https://doi.org/10.1007/978-3-319-49932-1George Saunders; Tenth of December; Pastoralia; Thomas Pynchon; Short Story; American Literature作者: 皮薩 時(shí)間: 2025-3-24 04:06 作者: Presbycusis 時(shí)間: 2025-3-24 08:11
https://doi.org/10.1007/978-3-642-30409-5An original interview between George Saunders and co-editor Steve Gronert Ellerhoff. This was conducted via e-mail between November 2014 and July 2015. Saunders touches on topics ranging from his concept of “understory” to his writing process, as well as his creative influences and Buddhism.作者: LVAD360 時(shí)間: 2025-3-24 11:44 作者: Conducive 時(shí)間: 2025-3-24 16:07
978-3-319-84277-6The Editor(s) (if applicable) and The Author(s) 2017作者: anaphylaxis 時(shí)間: 2025-3-24 21:41
George Saunders978-3-319-49932-1Series ISSN 2634-579X Series E-ISSN 2634-5803 作者: 蘑菇 時(shí)間: 2025-3-25 01:41
Stability of Concentrated Emulsions,rticular, . deserves more critical attention than it has received to date because the four pieces are profitably revisited in the light of Saunders’s more-recent work, worth considering as a short-story sequence that speaks presciently, as a set, that illuminates an arc of American work and life.作者: 廢除 時(shí)間: 2025-3-25 06:59 作者: obeisance 時(shí)間: 2025-3-25 08:36 作者: 刪除 時(shí)間: 2025-3-25 14:10
Toshihiko Masui,Ken Oshiro,Mikiko Kainumaof running around behind.” Thinking and feeling are the opposing judging functions in Jung’s model of consciousness. If we consider Saunders’s process in terms of Jungian judgment, “The Semplica-Girl Diaries” emerges as a product of dream images that took a dozen years to metabolize through active imagination.作者: 鴿子 時(shí)間: 2025-3-25 19:38
Inducing Pro-environmental Behavior,c, finalized objects in his fiction. The characters’ voices, captured in microdialogues, are always in the act of dialoguing with others. Additionally, the essay shows that Saunders’s narration never comprises a single, monologic voice, but instead remains on an equal plane with the voices of the characters.作者: 難理解 時(shí)間: 2025-3-25 22:34 作者: Irritate 時(shí)間: 2025-3-26 03:14 作者: Blasphemy 時(shí)間: 2025-3-26 05:16
,Cruel Inventions: George Saunders’s Literary Darkenfloxx?, Spiderhead,” which is Saunders’s science-fiction take on the genre of torture porn. Careful attention to that story’s “enhanced” moral interrogation of the reader reveals that it is precisely Saunders’s efforts to steer his reader toward compassion that amount to the story’s greatest act of cruelty.作者: Essential 時(shí)間: 2025-3-26 08:38
,Dreaming and Realizing “The Semplica Girl Diaries”: A Post-Jungian Reading,of running around behind.” Thinking and feeling are the opposing judging functions in Jung’s model of consciousness. If we consider Saunders’s process in terms of Jungian judgment, “The Semplica-Girl Diaries” emerges as a product of dream images that took a dozen years to metabolize through active imagination.作者: Meander 時(shí)間: 2025-3-26 15:28
,“Third-person Ventriloquism”: Microdialogues and Polyphony in George Saunders’s “Victory Lap”,c, finalized objects in his fiction. The characters’ voices, captured in microdialogues, are always in the act of dialoguing with others. Additionally, the essay shows that Saunders’s narration never comprises a single, monologic voice, but instead remains on an equal plane with the voices of the characters.作者: 偽書 時(shí)間: 2025-3-26 19:36
2634-579X lving around Saunders‘ canon, ranging from feminism to biopoThis timely volume explores the signal contribution George Saunders has made to the development of the short story form in books ranging from .CivilWarLand in Bad Decline. (1996) to .Tenth of December .(2013). The book brings together a tea作者: 不吉祥的女人 時(shí)間: 2025-3-26 23:45 作者: bronchodilator 時(shí)間: 2025-3-27 04:38 作者: 合并 時(shí)間: 2025-3-27 07:32
https://doi.org/10.1007/978-3-031-31479-7he essay concludes with a discussion of Saunders’s own workplaces—the university Master of Fine Arts (MFA) classroom and . magazine—and by asking whether his fiction (as much as the theme parks he depicts) contributes to our “experience economy.”作者: DEAWL 時(shí)間: 2025-3-27 11:28
Synthesis and Polymerization of Alkyds,e struggles for self-definition. This use of dialogue as a contextualizing tool is perhaps the central characteristic of Saunders’s short fiction, and this essay therefore offers an investigation into how such use of language allows Saunders to explore the political and social landscapes within which his characters suffer and grow.作者: Aspiration 時(shí)間: 2025-3-27 17:17 作者: JAMB 時(shí)間: 2025-3-27 18:38 作者: encyclopedia 時(shí)間: 2025-3-27 22:07
Joitske Hulsebosch,Sibrenne Wagenaar“Brad Carrigan: American”—the terror of the . is revealed. In these stories, Saunders’s protagonists are called to acknowledge the unknowability, the ineffability of the “Ultimate Concern” whilst the reader is called to do the same.作者: 否認(rèn) 時(shí)間: 2025-3-28 02:38
https://doi.org/10.1007/978-981-15-9793-0 of others. Taking into account the socio-cultural and literary-historical contexts his short stories are situated in—a shorthand for which would be neoliberalism and postmodernism—I demonstrate how narrative empathy works both at the levels of story and discourse in his short fiction.作者: albuminuria 時(shí)間: 2025-3-28 06:35
Tanja Beer,David Curtis,Julie Collinsmines how the sources of this nihilism are partially to be found within neoliberalism. “Brad Carrigan, American” embodies a particular use of the uncanny that derives from the philosophical dilemmas posed by temporal “simultaneity,” problems largely inherited from the Holocaust’s disruption of Western ontology and ethics.作者: Criteria 時(shí)間: 2025-3-28 12:57
,“A Job to Do”*: George Saunders on, and at, Work,he essay concludes with a discussion of Saunders’s own workplaces—the university Master of Fine Arts (MFA) classroom and . magazine—and by asking whether his fiction (as much as the theme parks he depicts) contributes to our “experience economy.”作者: FAST 時(shí)間: 2025-3-28 14:38 作者: Veneer 時(shí)間: 2025-3-28 22:11
,Language Between Lyricism and Corporatism: George Saunders’s New Sincerity,on of a character’s authentic self. Instead, Saunders joins other writers of his generation in exploring what I term a “New Sincerity,” while indexing that new form of sincerity closely to issues of class.作者: overwrought 時(shí)間: 2025-3-29 02:31 作者: 合乎習(xí)俗 時(shí)間: 2025-3-29 06:15 作者: patriot 時(shí)間: 2025-3-29 11:10 作者: carotid-bruit 時(shí)間: 2025-3-29 13:09
,Everyday Zombies: Ethics and the Contemporary in “Sea Oak” and “Brad Carrigan, American”,mines how the sources of this nihilism are partially to be found within neoliberalism. “Brad Carrigan, American” embodies a particular use of the uncanny that derives from the philosophical dilemmas posed by temporal “simultaneity,” problems largely inherited from the Holocaust’s disruption of Western ontology and ethics.作者: SSRIS 時(shí)間: 2025-3-29 19:27
,“A Job to Do”*: George Saunders on, and at, Work,highly stratified and compulsively monitored workplaces. Too often “beyond broke,” his (usually male) protagonists endure all manner of emotional and physical humiliations in order to pay their bills. This essay explores Saunders’s interest in what sociologists call emotional labor and also consider作者: 厚顏 時(shí)間: 2025-3-29 19:53 作者: forecast 時(shí)間: 2025-3-30 00:41
,Language Between Lyricism and Corporatism: George Saunders’s New Sincerity,hor’s attitude to the kinds of lyrical language often taken to be literature’s means of transcending such jargon. Yet Saunders’s stories make uncomfortable connections between high literary expression and modes of spectatorship that turn the pain of others into an abstraction. What Saunders offers i作者: 胰島素 時(shí)間: 2025-3-30 05:43 作者: contradict 時(shí)間: 2025-3-30 09:11
Hanging by a Thread in the Homeland: The , of George Saunders, selections from his collected fiction and essays. Saunders has noted in interviews that fiction can speak effectively to issues of alienation, disconnection and anxiety in contemporary American culture, and this essay scaffolds and examines that insight. Analysis of the discursive power—and semanti作者: 匯總 時(shí)間: 2025-3-30 15:26
,Biopolitical Dystopias, Bureaucratic Carnivores, Synthetic Primitives: “Pastoralia” as Human Zoo, theoretical ground laid by posthumanism and animal studies, I argue that Saunders’s human zoodystopia productively and parodically unsettles modern conceptions of meat-eating, evolution, and species identity. I begin by outlining a particular mode of Saunders’s fiction, the “biopolitical dystopia,”作者: MILL 時(shí)間: 2025-3-30 17:46
,Ghosts and Theme Parks: The Supernatural and the Artificial in George Saunders’s Short Stories,anady, and Fredric Jameson. Though Saunders does not have the double consciousness of many authors of magical realist fiction, his stories include both the supernatural marvels of traditional culture and the artificial marvels of contemporary culture, which provide the conflicting codes necessary to作者: 不能約 時(shí)間: 2025-3-30 22:48 作者: inspiration 時(shí)間: 2025-3-31 02:53 作者: reflection 時(shí)間: 2025-3-31 06:13
,Cruel Inventions: George Saunders’s Literary Darkenfloxx?, dominant view, this essay explores the shock tactics on which Saunders often relies to impose his moral message on the reader. The essay questions his decidedly post-9/11 idea of a story as a black box in which the reader’s mind is altered by any means necessary—a metaphor that comes alarmingly clo作者: Palpate 時(shí)間: 2025-3-31 11:19
,Dreaming and Realizing “The Semplica Girl Diaries”: A Post-Jungian Reading, with a dream. Even its form, a diary taken up to explain what life is like to future generations, lends writer and reader alike the chance to pearl over the baffling image of the living lawn ornament Semplica Girls. In Jungian terms Saunders’s dream is considered a “big dream,” one that begs consci
