派博傳思國際中心

標題: Titlebook: George Eliot; A Literary Life Kerry McSweeney Book 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited 1991 fiction.George [打印本頁]

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書目名稱George Eliot影響因子(影響力)

書目名稱George Eliot影響因子(影響力)學科排名

書目名稱George Eliot網(wǎng)絡公開度

書目名稱George Eliot網(wǎng)絡公開度學科排名

書目名稱George Eliot被引頻次

書目名稱George Eliot被引頻次學科排名

書目名稱George Eliot年度引用

書目名稱George Eliot年度引用學科排名

書目名稱George Eliot讀者反饋

書目名稱George Eliot讀者反饋學科排名

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(1858) and , (1861),les of this predisposition of her creative mind during her first years as a novelist are the genesis of her first and third novels. The ‘germ’ of ., begun in October 1857, was an anecdote told her by her Methodist aunt one afternoon at Griff in 1839; while ., on which work was begun in August 1860,

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The Woman Question / , (1860),s of the narrator. There are several examples of the latter in . ‘Let me discover that the lovely Phoebe thinks my squint intolerable’, we hear on one occasion, ‘a(chǎn)nd I shall never be able to fix her blandly with my disengaged eye again’; and in another place, the narrator recalls that ‘he’ had once

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The 1860s / , (1863) and , (1868),ur years after . ‘George Eliot’ was established as one of the foremost novelists of the day and the creator of a distinctive fictional world with a distinctive . In Virginia Woolf’s memorable formulation: ‘Over them all broods a certain romance, the only romance that George Eliot allowed herself — t

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Book 1991nglish-language. Her views on other novels and novelists are detailed and we follow the development of her craft as writer as it evolved from the faithful representation of everyday life, as in Scenes of Clerical Life, through to the more complex considerations of Middlemarch and Daniel Deronda.

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2946-2037 er with the growth of her renowned intellect, are outlined, giving us an insight into the creative talent responsible for some of the best-known novels in the English-language. Her views on other novels and novelists are detailed and we follow the development of her craft as writer as it evolved fro

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Emerson‘s Transatlantic Romanticism‘unfolded itself from the merest millet-seed of thought’: the ‘recollection of having once, in early childhood, seen a linen-weaver with a bag on his back’ and an ‘expression of face’ that led her to think ‘he was an alien from his fellows’ (L, iii, 128–9; ii, 502; iii, 371, 382, 427).

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2946-2037 m the faithful representation of everyday life, as in Scenes of Clerical Life, through to the more complex considerations of Middlemarch and Daniel Deronda.978-0-333-66550-3978-0-230-38965-6Series ISSN 2946-2037 Series E-ISSN 2946-2045

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Cameron M. Smith,Evan T. Daviespecific references stopped, and in time it became well-known that the author of the George Eliot novels was a woman. But most readers and reviewers of the . and . were not as perceptive as Dickens, who immediately guessed from internal evidence that their author was a woman.

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,Warwickshire 1819–1849,he ‘Introduction’ to ., which describes what could be seen in the early 1830s from the outside of a stage coach travelling through ‘that central plain, watered at one extremity by the Avon, at the other by the Trent’:

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Book 1991e growth of her renowned intellect, are outlined, giving us an insight into the creative talent responsible for some of the best-known novels in the English-language. Her views on other novels and novelists are detailed and we follow the development of her craft as writer as it evolved from the fait

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Religious Gestures and Secular Strengths,Geneva for the next eight months — living first in a pension on the lake and then as a lodger in the home of M. D’Albert and his family. While at the former, Marian entertained her correspondents back in England with descriptions of the other guests, including two American ladies who ‘chatter the mo

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https://doi.org/10.1057/9780230389717pinions of which closely resemble those of the Evangelical . Novels and romances were ‘pernicious’, and Marian feared she would carry ‘to my grave the mental diseases with which they have contaminated me’. They had fed her dissatisfaction with the circumstances of her life and encouraged her to live

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https://doi.org/10.1007/978-3-322-86700-1r Main. As her publisher reported after meeting the young man: ‘He bears the mark of enthusiast about with him and you are his particular idol’. Lewes encouraged the correspondence because of its positive effect on what Marian described as her ‘often-recurring hours of despondency which, after cramp

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George Eliot978-0-230-38965-6Series ISSN 2946-2037 Series E-ISSN 2946-2045

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Religious Gestures and Secular Strengths,cultivated Genevans. But while she widened her social and cultural horizons, Marian’s stay in Switzerland was essentially a time of loneliness and introspection during which, as she later recalled, her life ‘seemed to serve no purpose of much worth’ and she was ‘very unhappy, and in a state of disco

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https://doi.org/10.1057/9780230389717g of writing a novel, she could not risk reading any other English fiction because doing so blocked her creative flow. ‘The other day’, she wrote to her publisher in 1874, T did what I have sometimes done at intervals of five or six years — looked into three or four novels to see what the world was

作者: Free-Radical 時間: 2025-3-27 01:50
https://doi.org/10.1007/978-1-349-25704-1ng of commonplace things. The former is a political novel with a tract-for-the-times dimension; while the latter, subtitled ‘a(chǎn) study of provincial life’, is less the . of a genre painter than the . of a social scientist. This appreciable divide between the early and later works needs to be accounted

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