標(biāo)題: Titlebook: Geometry of Light; The Architecture of Arkan Zeytinoglu,Manuela H?tzl Book 2011Latest edition Springer-Verlag/Wien 2011 Architecture-Monog [打印本頁] 作者: 孵化 時(shí)間: 2025-3-21 18:36
書目名稱Geometry of Light影響因子(影響力)
書目名稱Geometry of Light影響因子(影響力)學(xué)科排名
書目名稱Geometry of Light網(wǎng)絡(luò)公開度
書目名稱Geometry of Light網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Geometry of Light被引頻次
書目名稱Geometry of Light被引頻次學(xué)科排名
書目名稱Geometry of Light年度引用
書目名稱Geometry of Light年度引用學(xué)科排名
書目名稱Geometry of Light讀者反饋
書目名稱Geometry of Light讀者反饋學(xué)科排名
作者: 樹木心 時(shí)間: 2025-3-21 23:09 作者: 比目魚 時(shí)間: 2025-3-22 00:55 作者: Goblet-Cells 時(shí)間: 2025-3-22 06:57
Book 2011Latest editionof hotels and resorts, gastronomy, and luxury residences. In May 2010, the internationally much-noticed Austrian pavilion at Expo 2010 Shanghai (ARGE SPAN & Zeytinoglu) was inaugurated. The book contains all essential realizations as well as a work list and an outlook at the buildings to be completed soon..作者: 閃光你我 時(shí)間: 2025-3-22 10:12 作者: evince 時(shí)間: 2025-3-22 15:01 作者: evince 時(shí)間: 2025-3-22 19:11
,über die mathematische Sprache,s are reconstructed and interpreted in a metaphoric plan. The studies on topological densification and void are themselves condensed in a “building.” “Condensed City” compresses “the city” in one of its in-between spaces.作者: ATOPY 時(shí)間: 2025-3-22 22:51
Concepts of Reasong. Up to the present day a land surveyor is still occasionally known as a geometer. In general, however, geometry has developed into an area of mathematics which in terms of complexity has distanced itself almost infinitely from the simple figures used in schools to provide an introduction to the subject.作者: 兇殘 時(shí)間: 2025-3-23 02:51 作者: 我說不重要 時(shí)間: 2025-3-23 07:36
Darstellung von Versuchsergebnissenuctor. Command and understanding of geometry, ever a vital matter for architects, ceased to be a necessity. “Responsibility” for the design was transferred to the drawing tool computer, thus bringing architecture as a whole into a conflict of authority.作者: 駁船 時(shí)間: 2025-3-23 11:06
Jan Rommerskirchen,Michael Roslon from the Stubenbrücke (bridge over the River Wien) and Vordere Zollamtstra?e it signalizes the access to the museum garden and, as a viewing terrace looking towards the Stadtpark, it enriches the urban fabric.” (http://peternoever.mak.at)作者: 剝皮 時(shí)間: 2025-3-23 14:17 作者: heterogeneous 時(shí)間: 2025-3-23 22:02
Mak from the Stubenbrücke (bridge over the River Wien) and Vordere Zollamtstra?e it signalizes the access to the museum garden and, as a viewing terrace looking towards the Stadtpark, it enriches the urban fabric.” (http://peternoever.mak.at)作者: 宮殿般 時(shí)間: 2025-3-24 01:00
The Geometry of my Space and the Position of the Eye作者: gustation 時(shí)間: 2025-3-24 03:15
-noticed Austrian pavilion at Expo 2010 Shanghai (ARGE SPAN & Zeytinoglu) was inaugurated. The book contains all essential realizations as well as a work list and an outlook at the buildings to be completed soon..作者: 能夠支付 時(shí)間: 2025-3-24 09:59 作者: 反復(fù)無常 時(shí)間: 2025-3-24 13:44 作者: optic-nerve 時(shí)間: 2025-3-24 18:39
On Useful Doubtsation: what, I ask you, do the terms “geometry” and “l(fā)ight” actually mean to us and how might a causal link, in the sense of the geometry of light — be undertaken, logically and (ideally) entertainingly? Let’s start with the big words: “geometry” and “l(fā)ight.” These are certainly difficult concepts a作者: chemical-peel 時(shí)間: 2025-3-24 22:04 作者: Evacuate 時(shí)間: 2025-3-25 02:01
Geometry in the Spotlightspace, landscapes, projects and buildings from 1995 until today (2011) are shown in this “l(fā)ight of geometry,” Arkan Zeytinoglu’s source of inspiration. “Geometry” in connection with architecture is no surprising term — nor has it been a fashionable one since the last hype in the 1990s when the compu作者: 手段 時(shí)間: 2025-3-25 06:46 作者: RENAL 時(shí)間: 2025-3-25 11:24 作者: 大吃大喝 時(shí)間: 2025-3-25 14:10
The House with the Two Horizonsanalyze “place.” Cappadocia, a landscape in central Anatolia in Turkey, is known for its caves carved out of soft tuff, which contain residential, commercial and sacred spaces. This geological layer is exposed to special erosion that forms particularly deep and steep-walled grooves that are characte作者: indecipherable 時(shí)間: 2025-3-25 15:50 作者: 共棲 時(shí)間: 2025-3-25 22:37
Concepts of Reason origins are often explained in terms of the practical necessity in ancient Egypt to regularly redefine property boundaries following frequent flooding. Up to the present day a land surveyor is still occasionally known as a geometer. In general, however, geometry has developed into an area of mathem作者: defray 時(shí)間: 2025-3-26 02:19 作者: obscurity 時(shí)間: 2025-3-26 07:10
Housing Mantschehofgassend intermediate spaces, always focused on the individual resident. The viewer is moved into a central position. In the intermediate space there is a watercourse, the climate zone. The proportions and relationships of the building volumes are constructed around people: a “human geometry”.作者: 熟練 時(shí)間: 2025-3-26 12:23 作者: finite 時(shí)間: 2025-3-26 13:32
Makhimself for the museum garden of MAK, which makes a clear sign in the direction of the River Wien and Vienna’s third district: “the flight of steps oriented towards the garden is on the one hand an articulation and dissolution of the site boundary, while on the other it invites the visitor to ascend作者: Adulate 時(shí)間: 2025-3-26 19:37
There is no such thing as abstract architecture— that were carried out in recent years in Vienna. What surprised me was that this success was not associated with any of the media marketing strategies so commonplace today. Nobody had pushed themselves, so to speak. Arkan remained an insider’s tip. It is very rare these days for an architect who i作者: 大炮 時(shí)間: 2025-3-27 00:07 作者: NAIVE 時(shí)間: 2025-3-27 02:42
https://doi.org/10.1007/978-3-662-58029-5relationships and ideals. The projective house is based on the idea of geometrizing music and giving spatial form to a relationship between vibrations. The “interstitial space” that results is constructed in projective space.作者: 加劇 時(shí)間: 2025-3-27 05:24
,Grundlagen und statistische Ma?zahlen,amination of a theme should at least attempt to remove doubts, and indeed should aim, as far as possible, to dispel them. Far too much nonsense has been written already, designed, built and sung for payment, for me to embark upon an allegedly decisive introduction to Arkan Zeytinoglu’s Geometry of L作者: 在駕駛 時(shí)間: 2025-3-27 12:29
,Singul?re Differentialgleichungen,analyze “place.” Cappadocia, a landscape in central Anatolia in Turkey, is known for its caves carved out of soft tuff, which contain residential, commercial and sacred spaces. This geological layer is exposed to special erosion that forms particularly deep and steep-walled grooves that are characte作者: Admire 時(shí)間: 2025-3-27 14:44 作者: Postmenopause 時(shí)間: 2025-3-27 20:42 作者: BLINK 時(shí)間: 2025-3-28 00:52
Einführung in die moderne Kostenrechnungtions, as if one could take a look behind the painter’s technique. Where does the shadow come from, how does the form arise? The presentation is a three-dimensional play of light and shadow. The composition a “surface in space.”作者: 代理人 時(shí)間: 2025-3-28 05:03
Wolfgang G. Walter,Isabella Wünschend intermediate spaces, always focused on the individual resident. The viewer is moved into a central position. In the intermediate space there is a watercourse, the climate zone. The proportions and relationships of the building volumes are constructed around people: a “human geometry”.作者: 絆住 時(shí)間: 2025-3-28 08:32 作者: Malfunction 時(shí)間: 2025-3-28 14:27
Jan Rommerskirchen,Michael Roslonhimself for the museum garden of MAK, which makes a clear sign in the direction of the River Wien and Vienna’s third district: “the flight of steps oriented towards the garden is on the one hand an articulation and dissolution of the site boundary, while on the other it invites the visitor to ascend作者: staging 時(shí)間: 2025-3-28 16:52 作者: 隱士 時(shí)間: 2025-3-28 21:50
https://doi.org/10.1007/978-3-662-58029-5relationships and ideals. The projective house is based on the idea of geometrizing music and giving spatial form to a relationship between vibrations. The “interstitial space” that results is constructed in projective space.作者: 前兆 時(shí)間: 2025-3-29 02:02 作者: acquisition 時(shí)間: 2025-3-29 03:30
Einführung in die moderne Kostenrechnungtions, as if one could take a look behind the painter’s technique. Where does the shadow come from, how does the form arise? The presentation is a three-dimensional play of light and shadow. The composition a “surface in space.”作者: 提名的名單 時(shí)間: 2025-3-29 07:34 作者: SPER 時(shí)間: 2025-3-29 11:28
The Projective Houserelationships and ideals. The projective house is based on the idea of geometrizing music and giving spatial form to a relationship between vibrations. The “interstitial space” that results is constructed in projective space.作者: Perennial長期的 時(shí)間: 2025-3-29 18:21
A Story between Day and Nightt on natural or artificial light shining on it from outside. If it is not illuminated at night a building can only make its presence, but not its form, perceptible, as a series of points of light — if artificial light inside the building can be seen from outside through the windows.作者: 思考而得 時(shí)間: 2025-3-29 22:11
Pooltions, as if one could take a look behind the painter’s technique. Where does the shadow come from, how does the form arise? The presentation is a three-dimensional play of light and shadow. The composition a “surface in space.”作者: 會(huì)犯錯(cuò)誤 時(shí)間: 2025-3-30 00:11
Housing Mantschehofgassend intermediate spaces, always focused on the individual resident. The viewer is moved into a central position. In the intermediate space there is a watercourse, the climate zone. The proportions and relationships of the building volumes are constructed around people: a “human geometry”.作者: 使人煩燥 時(shí)間: 2025-3-30 05:16 作者: Exploit 時(shí)間: 2025-3-30 08:47
Einführung in die moderne MathematikThis space installation was developed in the course of the refurbishment of the bank (1964) and deals with an open space extending through four stories. The green tower twists gently, shaping vessels within a spatial cage, allowing a sculptural space to develop.
