派博傳思國際中心

標(biāo)題: Titlebook: Gender and Prestige in Literature; Contemporary Austral Alexandra Dane Book 2020 The Editor(s) (if applicable) and The Author(s), under exc [打印本頁]

作者: 監(jiān)管    時(shí)間: 2025-3-21 17:52
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書目名稱Gender and Prestige in Literature讀者反饋學(xué)科排名





作者: 陳舊    時(shí)間: 2025-3-21 20:55
https://doi.org/10.1007/978-3-030-49142-0Australian literary culture; book culture; print culture; gender gap in book publishing; race gap in boo
作者: 幾何學(xué)家    時(shí)間: 2025-3-22 00:51

作者: 投射    時(shí)間: 2025-3-22 07:58
Introduction,ues why Australia is an important site for the study of both historic and contemporary literary prestige, power and reputation and the ways that literary networks and circuits of symbolic capital work together in the literary field.
作者: Insensate    時(shí)間: 2025-3-22 11:07

作者: 生命層    時(shí)間: 2025-3-22 16:49

作者: 生命層    時(shí)間: 2025-3-22 20:56
Carl Walker,Angie Hart,Paul Hannaues why Australia is an important site for the study of both historic and contemporary literary prestige, power and reputation and the ways that literary networks and circuits of symbolic capital work together in the literary field.
作者: 危險(xiǎn)    時(shí)間: 2025-3-22 22:24
Language and Love in an Age of Terrorems of prestige-building over the period from 1965 to 2015. This chapter goes on to detail the conceptual framework that guides this study: Pierre Bourdieu’s notion of the field of cultural production and the interplay between agents in the field in their struggle for positions and power. I propose
作者: 反叛者    時(shí)間: 2025-3-23 04:30

作者: arrhythmic    時(shí)間: 2025-3-23 07:41
https://doi.org/10.1007/978-3-030-32402-5rtunity to assess the interplay between agents on a small scale. In this chapter I use the field of the writers’ festival, as articulated by Millicent Weber (.. Palgrave Macmillan, New York, 2018), to examine the complex hierarchies at play within fields of cultural production, and explore how gende
作者: CROAK    時(shí)間: 2025-3-23 10:39
Anani Nourredine Mensah,Abdul-Fahd Fofana lies at the heart of the institution of the literary prize, the changing nature of this relationship between prizes and gender for both winners and shortlisted authors, and whether the gender representation on a judging panel influences the gender of the winning author. This chapter draws on the wo
作者: 聰明    時(shí)間: 2025-3-23 14:37

作者: 取之不竭    時(shí)間: 2025-3-23 19:46
Installing and Configuring SharePoint,duction. Here I consider the commonalities between the gender prestige gap in Australian publishing and the lack of recognition for women in the fields of cinema and music, and I propose that the common factor across sector and over time is a lack of authority afforded to women creators. I conclude
作者: 煩躁的女人    時(shí)間: 2025-3-24 00:38

作者: expdient    時(shí)間: 2025-3-24 03:27

作者: 托人看管    時(shí)間: 2025-3-24 09:28
Introduction,ues why Australia is an important site for the study of both historic and contemporary literary prestige, power and reputation and the ways that literary networks and circuits of symbolic capital work together in the literary field.
作者: 歹徒    時(shí)間: 2025-3-24 14:11
Power and Prestige in the Australian Literary Field,ems of prestige-building over the period from 1965 to 2015. This chapter goes on to detail the conceptual framework that guides this study: Pierre Bourdieu’s notion of the field of cultural production and the interplay between agents in the field in their struggle for positions and power. I propose
作者: 受傷    時(shí)間: 2025-3-24 15:50

作者: 產(chǎn)生    時(shí)間: 2025-3-24 19:36

作者: LANCE    時(shí)間: 2025-3-25 02:47

作者: 親屬    時(shí)間: 2025-3-25 06:43

作者: 出處    時(shí)間: 2025-3-25 09:15

作者: narcotic    時(shí)間: 2025-3-25 15:33
Conclusion,s of cinema and music, and I propose that the common factor across sector and over time is a lack of authority afforded to women creators. I conclude this chapter with an examination of future research avenues.
作者: Explosive    時(shí)間: 2025-3-25 16:11
Book 2020ing’s consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing i
作者: 短程旅游    時(shí)間: 2025-3-25 23:42
Language and Love in an Age of Terrorto emphasise the influence of the habitus on the literary field, and how the dispositions of the agents in the field, and of the field itself, regulate understandings of prestige and value and, therefore, positions of power. This chapter concludes with an outline of the methods used to answer the questions that underpin this research.
作者: 未成熟    時(shí)間: 2025-3-26 02:38

作者: 不合    時(shí)間: 2025-3-26 04:44

作者: 啞巴    時(shí)間: 2025-3-26 09:58

作者: 低位的人或事    時(shí)間: 2025-3-26 14:57

作者: 變態(tài)    時(shí)間: 2025-3-26 18:29
Celebration, Performance and Authority: Gender and Literary Festivals,lay the secondary or supportive role as panel moderator and conversation facilitator. It appears that deep-seated ideas around gender and authority are difficult to overcome, even for festival programmers.
作者: 革新    時(shí)間: 2025-3-26 22:07

作者: 消毒    時(shí)間: 2025-3-27 02:22
Installing and Configuring SharePoint,s of cinema and music, and I propose that the common factor across sector and over time is a lack of authority afforded to women creators. I conclude this chapter with an examination of future research avenues.
作者: 施魔法    時(shí)間: 2025-3-27 08:20

作者: 組裝    時(shí)間: 2025-3-27 13:09
Proposal Development and Sales Pipelines,suit of power—in Australian publishing, and how this evolved in the 50?years to 2015. The chapter concludes by identifying the directions in which future study could go, and the questions around representation, inclusiveness and perceptions of literary merit that still need to be answered.
作者: 許可    時(shí)間: 2025-3-27 15:03

作者: dithiolethione    時(shí)間: 2025-3-27 19:15





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