標(biāo)題: Titlebook: E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture; Nilgun Bayraktar,Alberto Godioli Book 2024 The Editor(s) (if [打印本頁] 作者: Exacting 時間: 2025-3-21 16:33
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作者: NEEDY 時間: 2025-3-21 21:51
https://doi.org/10.1007/978-3-322-86655-4onger be described in terms of Freud’s concept of the .: While the . remains within the opposition of the familiar and the unfamiliar, the weird and the eerie represent experiences of radical strangeness that are beyond the familiar. This chapter focuses on these new types of radical strangeness. It作者: 刺激 時間: 2025-3-22 01:47 作者: Endemic 時間: 2025-3-22 06:18 作者: outer-ear 時間: 2025-3-22 12:39 作者: Hamper 時間: 2025-3-22 13:49 作者: Hamper 時間: 2025-3-22 19:23 作者: maroon 時間: 2025-3-23 00:03 作者: PLIC 時間: 2025-3-23 03:56
Perspektiven der Hochschuldidaktikelated core discourses on . throughout the twentieth century and outlines ways in which these discourses could be integrated into a new transmedial theory framework. The idea that works of film, literature and art provide readers and viewers with “constitutive gaps”—to be “filled” by the recipient, 作者: 無辜 時間: 2025-3-23 09:06
https://doi.org/10.1007/978-3-658-28282-0defamiliarization/familiarization dynamics in the Discourse-Knowledge Interface (DKI), namely, according to Van Dijk, the construction of symbolic capital. These complex dynamics will be discussed considering four inter-related theoretical frameworks, i.e., the Threshold Concepts Theory (TCT), the R作者: GLIB 時間: 2025-3-23 10:14 作者: recede 時間: 2025-3-23 17:40 作者: 干涉 時間: 2025-3-23 20:44 作者: 正式演說 時間: 2025-3-24 00:26 作者: 白楊 時間: 2025-3-24 04:27
https://doi.org/10.1007/978-3-031-60859-9aesthetic disruption; aesthetic practice; Uncanny; Critical Dystopia; dark humor; unfamiliar; cultural sam作者: Odyssey 時間: 2025-3-24 10:28
978-3-031-60861-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: bronchiole 時間: 2025-3-24 12:36
Introduction,ory (from Brecht’s . to Mark Fisher’s .). After discussing recent scholarship on e(n)strangement, the editors also consider the reasons behind the growing interest in this topic against the backdrop of specific scholarly trends within and beyond the Humanities—including the “Weird turn,” postcritiqu作者: 江湖騙子 時間: 2025-3-24 17:14
Fear of the Strange: On Weird Ontologies and Eerie Agenciesonger be described in terms of Freud’s concept of the .: While the . remains within the opposition of the familiar and the unfamiliar, the weird and the eerie represent experiences of radical strangeness that are beyond the familiar. This chapter focuses on these new types of radical strangeness. It作者: 子女 時間: 2025-3-24 19:42
The Upside Down of an Italian Summer: Human-Nonhuman Enmeshment and Defamiliarization in Michele Marthe relationship between literary and sociopolitical forms (Levine, .. Princeton: Princeton University Press, 2015) while taking into consideration the eco-narratological outcomes of the posthuman turn (Caracciolo, .. Charlottesville: University of Virginia Press, 2021). Set over the course of a sum作者: 個阿姨勾引你 時間: 2025-3-25 02:46
Making the Strange Familiar: Getting Intimate with Toxicityvisible and imperceptible power, with the aid of two case studies from landscape art. Wout Berger’s work . (Poisoned Landscape, 1992) is exemplary of the ways in which defamiliarization has been a useful aesthetic strategy?for artists to make toxicity’s presence in the everyday tangible. But if toxi作者: Limerick 時間: 2025-3-25 07:03 作者: CHYME 時間: 2025-3-25 10:25
Joking Against Humanity? Dark Humor and (De)familiarizations especially the case with dark humor, as the contrast between non-serious and “dark” components often ends up defamiliarizing automatic expectations about the boundaries of humor itself. This chapter proposes a systematic definition of dark humor, establishing a distinction between three basic type作者: relieve 時間: 2025-3-25 15:37 作者: 廣大 時間: 2025-3-25 19:19 作者: 蒸發(fā) 時間: 2025-3-25 21:45
Mind the Gap! Towards a Transdisciplinary Theory of Aesthetic Negativityelated core discourses on . throughout the twentieth century and outlines ways in which these discourses could be integrated into a new transmedial theory framework. The idea that works of film, literature and art provide readers and viewers with “constitutive gaps”—to be “filled” by the recipient, 作者: 合適 時間: 2025-3-26 01:50 作者: 使?jié)M足 時間: 2025-3-26 05:59 作者: ETHER 時間: 2025-3-26 09:38 作者: 昏迷狀態(tài) 時間: 2025-3-26 14:29 作者: 嚴(yán)厲譴責(zé) 時間: 2025-3-26 17:50
Weirding Europe: Fiction and Ghostliness as Grammars of Resistance in Kivu Ruhorahoza’s , (2019)a contrapuntal reading that defamiliarizes this former imperial metropolis, projecting it as haunted by conflicting histories. Through a “weird realist” aesthetics, . tests spectrality and fiction to articulate the “truth” of invisible migrants in a system that denies them the means to resist. The c作者: 憂傷 時間: 2025-3-26 23:47
Joking Against Humanity? Dark Humor and (De)familiarizationthe scenario). The key features of each of these categories, as well as the fuzzy boundaries between them, are exemplified through the discussion of a wide range of examples—from Jonathan Swift’s . (1729) to .’s cartoons, COVID-19 memes, and a controversial Holocaust joke by stand-up comedian Jimmy 作者: 自作多情 時間: 2025-3-27 01:23 作者: 商業(yè)上 時間: 2025-3-27 05:48 作者: 忘川河 時間: 2025-3-27 13:00
Strangers in Paradise: Migrant Figurations in Media Culture . (Yabanc? 2004–2006) by the Turkish artist Nilbar Güres? which explores how strangeness and defamiliarization can be deployed as critical tools for making a feminist, postcolonial, and performative intervention into the space of Europe and its discriminatory default positioning.作者: 浪費物質(zhì) 時間: 2025-3-27 14:26
serve a political function. Defamiliarization can take on various forms, including retro-futuristic dystopias, stylized films, and darkly humorous cartoons and memes. It can be an effective tool for political a978-3-031-60861-2978-3-031-60859-9作者: 甜瓜 時間: 2025-3-27 19:48
E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture作者: 戰(zhàn)勝 時間: 2025-3-28 01:35
E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture978-3-031-60859-9作者: 得體 時間: 2025-3-28 05:17 作者: Biomarker 時間: 2025-3-28 08:07
Strategische Aspekte der Frequenzregulierung political or ecological, .’s stylistic and plot strategies challenge the illusion of human mastery over nature by defamiliarizing common misconceptions of hierarchy and ownership between human and nonhuman entities. The story unveils a mesh-like reality relentlessly muttering beneath the surface of作者: interlude 時間: 2025-3-28 14:24 作者: Capture 時間: 2025-3-28 15:34 作者: 死貓他燒焦 時間: 2025-3-28 20:50 作者: fluoroscopy 時間: 2025-3-28 23:28
Perspektiven der Hochschuldidaktikicitly assumed in the theories, and (c) on how these approaches relate to defamiliarisation. The present contribution then suggests a broader . treatment of aesthetic negativity, with a view to existing synergies with narratology, and discusses to what extent such a concept could successfully circum作者: olfction 時間: 2025-3-29 03:04
https://doi.org/10.1007/978-3-322-92573-2 . (Yabanc? 2004–2006) by the Turkish artist Nilbar Güres? which explores how strangeness and defamiliarization can be deployed as critical tools for making a feminist, postcolonial, and performative intervention into the space of Europe and its discriminatory default positioning.作者: sphincter 時間: 2025-3-29 11:17
the ‘familiar’ in relation to populism, migration and the cl.Variously translated as “estrangement,” “enstrangement” or “defamiliarization,” Viktor Shklovsky’s concept of .ostranenie. is more relevant than ever. This collection offers new insights into the theories and practices of .ostranenie. acro作者: 衍生 時間: 2025-3-29 12:50 作者: 大溝 時間: 2025-3-29 19:13
https://doi.org/10.1007/978-3-531-92218-8 of estrangement. These three angles have shaped Alaa Minawi’s art practice. In this chapter, Minawi reflects on the role of defamiliarization in his work and on how the Soviet Russian theater practitioner Konstantin Stanislavski’s acting method, “inside-out,” has become an inspiration to structure his own working methods.作者: Genteel 時間: 2025-3-29 19:57
